A particular strength of Street Fighter is the wide range of ethnically diverse characters and
powerful women featured in the game.
Not exact matches
• Fortune's Most
Powerful Women OnStage podcast
features Stephanie McMahon, Chief Brand Officer of WWE (World Wrestling Entertainment).
Under Armour Chief Executive Kevin Plank said they are «particularly excited» about a global
woman's campaign that
features ballerina Misty Copeland and model Gisele Bündchen, which he claims «ignited a
powerful new dialogue with our female consumer as we begin to bridge the gap between female athletes and athletic females.»
That's the story of Fortune's 2014 ranking of the 50 Most
Powerful Women in Business, which
features an all - time record of 24 large - company CEOs in its pages.
For more on Bresch, read Fortune's 2015
feature, «Why Wall Street Loves to Hate Mylan's CEO» and «Why the CEO Behind the EpiPen Controversy Remains One of Fortune's Most
Powerful Women.»
The «Fortune On Stage Presents: The Most
Powerful Women» podcast series features inspiring and practical advice from the world's most preeminent women lea
Women» podcast series
features inspiring and practical advice from the world's most preeminent
women lea
women leaders.
Ms. Kudva regularly
features in lists of the most
powerful women in business compiled by prominent publications, including Fortune and Business Today.
Pocket has been a
featured speaker at the most prestigious conferences around the world, including Microsoft CEO Summit, Fortune's Most
Powerful Women Summit, and TEDx.
At noon, Crain's New York Business hosts its 50 Most
Powerful Women in New York event,
featuring NYC Deputy Mayor Alicia Glen and Secretary to the Governor Melissa DeRosa, Cipriani, 110 E. 42nd St., Manhattan.
This is just one of a handful of times Yoga Journal has
featured a black
woman on the cover, and she looks poised and
powerful in tree pose.
Besides that:
featuring powerful women is something that you can read into politically also, if you'd like.
It
features a nice ladylike shape for the glamorous
woman and it's small but
powerful.
R29
Features is a premiere documentary series that brings viewers unprecedented stories about some of the most important moments,
powerful women and pressing issues of our time, aimed at fostering change, educating audiences and inspiring change - makers everywhere.
The FriendFinder site is in effect a lively community on the web that also makes available
powerful features that allow you to quickly narrow your search and so find the right Australian single
woman or man.
Their singles site is virtually an online community that provides
powerful features that let you narrow your search effectively and so find
women that really interest you.
The streamer's FYSee space at Raleigh Studios in Hollywood, Calif., was home to two such important conversations on Saturday — «leading the charge,» moderated by Variety's own Jenelle Riley,
featured powerful women in front of the camera, including Alison Brie («GLOW»), Danielle Brooks («Orange Is the New Black»), Sarah Gadon («Alias Grace»), and Regina King («Seven Seconds»); Variety «s executive editor of TV, Debra Birnbaum, moderated a panel with those behind the camera — showrunners and «shot callers» Liz Flahive and Carly Mensch («GLOW»), Marta Kauffman («Grace and Frankie»), Gloria Allred («Seeing Allred»), Veena Sud («Seven Seconds»), Melissa Rosenberg («Marvel's Jessica Jones»), and Netflix's own vice president of original series Cindy Holland.
Iram Haq's sophomore
feature is a
powerful story of a young
woman growing up between two cultures, with no control over her life choices, who must carve out her own path despite a significant culture clash.
A great mix of old and new cinematic gold, this year's lineup includes Ildikó Enyedi's Berlinale Golden Bear - winner On Body and Soul; Mrs. Fang, Wang Bing's unflinching document of an elderly
woman in her final days, which won the Golden Leopard at Locarno; the North American premiere of Katharina Wyss's
powerful debut
feature Sarah Plays a Werewolf, about a
woman who channels her fears into theater; Govinda Van Maele's fiction
feature debut Gutland,
featuring Phantom Thread's Vicky Krieps; the U.S. premiere of Slovenian director Rok Biček «s The Family, a compassionate portrait of a young man's life over the course of 10 years; and experimental artist Bertrand Mandico's exhilarating, gender - bending Wild Boys.
Okja is a creature
feature (an exciting prospect given the director's previous work on 2006's The Host) that finds a young
woman named Mija (Seo - Hyeon Ahn) befriending the titular giant animal and trying to prevent a
powerful, multi-national corporation from getting its ruthless paws on her pal.
In our January / February issue, the Currents section began with a focus on Sarah Plays a Werewolf, which has its North American premiere in Film Comment Selects: «Berlin - based Katharina Wyss's heady debut
feature centers on Sarah, a young
woman channeling her
powerful depth of feeling into the artistic and psychological outlet of theater.
Wonder
Woman (Patty Jenkins, 2017), because it's the most
powerful popular feminist statement in mainstream cinema thus far, inspiring countless young
women and girls to dare to succeed; because Patty Jenkins more than deserved it after languishing in the wilderness of episodic television after her masterful film Monster (2003), when any male director would have gone on to direct four of five
features on the strength of that one film; because it's about damned time that a female comic book
feature got made; because Jenkins still had to fight to get a fair payday to direct WW 2 — enduring months of fight - to - the - death negotiations to get a directorial fee comparable to that of Zack Snyder or J.J. Abrams for the sequel; and finally because she's better than either of those two directors, who are overrated hacks with little or no vision at all.
«Berlin - based Katharina Wyss's heady debut
feature centers on Sarah, a young
woman channeling her
powerful depth of feeling into the artistic and psychological outlet of theater.
Patrick's car
features the warrior symbol to honor the
powerful, courageous
women, and men engaged in the fight against breast cancer.
This year
features a
powerful all - female line up of inspiring
women.
Recognized for her large - scale, rhinestone - embellished paintings of
powerful black
women and pattern - rich interiors, this volume, produced conjunction with the exhibition «Muse: Mickalene Thomas: Photographs,» gathers the photography of Mickalene Thomas for the first time — portraits, prints and Polaroids — and
features a nod to fellow contemporary African American photographers who inspire her.
On 24th Street, All the Boys (2016) is a
powerful response to recent police brutality and the deaths of black men and
women; while on 20th Street, viewers find the ghostly video installation Lincoln, Lonnie, and Me (2012), and Scenes & Take (2016), a series of photographs picturing the artist before the sets of TV shows like Scandal and Empire — both shows
feature black leads — shedding light on the current state of the entertainment industry.
Brooklyn - based Thomas, whose work
features powerful depictions of
women and fantastic images of colorful interiors inspired by vintage shelter magazines, has reproduced her work on functional objects before.
Her
powerful political song
features chants of the names of many African American men and
women who died at the hands of the police.
Coinciding with the Mediterranean
Women Forum, a meeting of scholars, dignitaries, and researchers that explore everything from culture to public policy in relation to the lives of women in the region, Mediterráneas features female artists from North Africa, West Asia, and Southern Europe, and seeks to reclaim public space with powerful imagery that demands equality for w
Women Forum, a meeting of scholars, dignitaries, and researchers that explore everything from culture to public policy in relation to the lives of
women in the region, Mediterráneas features female artists from North Africa, West Asia, and Southern Europe, and seeks to reclaim public space with powerful imagery that demands equality for w
women in the region, Mediterráneas
features female artists from North Africa, West Asia, and Southern Europe, and seeks to reclaim public space with
powerful imagery that demands equality for
womenwomen.
Her first one -
woman sculpture show — at the Peridot Gallery in New York in 1949 — hinted at a
powerful sense of isolation,
featuring tall, emaciated figures that were intended as portraits of friends and family but above all display a sense of frailty and loss.
Known for her
powerful portraits of black
women, this brushed - bronze compact from Mickalene Thomas
features a different photographic image on each side.