Sentences with phrase «powerful work in the exhibition»

Yet despite her praise of other women, one the most powerful works in the exhibition is the contemplative Me as Muse.

Not exact matches

At Envision, Suzanne developed project - based social studies curriculum for the network, contributed to the development of its advisory program and the 10th grade portfolio defense, and led teams of teachers to plan interdisciplinary projects that culminated in powerful exhibitions of student work.

NORTH ADAMS, MASSACHUSETTS — The powerful sculpture of artist Richard Nonas transforms MASS MoCA's largest gallery in a monumental exhibition that features both a survey of past works and a new site - specific commission for some 15,000 sq. ft. of space.

Agnes Pelton,» Incarnation,» 1929 In the LA Times blog, Christopher Knight reports that «the kernel of a powerful idea resides within «Illumination,» an exhibition of abstract paintings by four women who worked in the deserts of the American Southwest and whose careers pretty much spanned the 20th centurIn the LA Times blog, Christopher Knight reports that «the kernel of a powerful idea resides within «Illumination,» an exhibition of abstract paintings by four women who worked in the deserts of the American Southwest and whose careers pretty much spanned the 20th centurin the deserts of the American Southwest and whose careers pretty much spanned the 20th century.

Haynes is co-curator of an important Alma Thomas exhibition currently on view at the Studio Museum and is co-editing a comprehensive catalog about the artist known for her powerful use of color working in abstraction, which is expected to be published in November.

The Art House director, Shân Edwards — who first encountered Ryan when, as a junior gallery assistant at the Camden Arts Centre, she was helping Ryan to unwrap her work for a show — hopes that this exhibition will remind the UK what a powerful talent Ryan is, and intends to tour it around other UK galleries in 2018.

Featuring the work of 60 artists and including vibrant paintings, powerful sculptures, street photography, murals, and more, this landmark exhibition is a rare opportunity to see era - defining artworks that changed the face of art in America.

-- As part of her Artist Lab residency and exhibition in fall 2013, Caycedo created a powerful installation and performance work titled

Glenn Ligon - a favourite artist of Barack Obama, whose work hangs in the President's private rooms - has turned curator for a powerful new exhibition

One of the most powerful sculptures in the exhibition is a small textile work by Louise Bourgeois: a sickly salmon - pink hand sewn crudely, its gnarled fingers outstretched, sits on a worm - eaten piece of wood.

The artists in the exhibition, Tatsuya Higuchi, Takako Kimura, and Yuken Teruya do not attempt to present their works with grand gestures, but rather with a subtle and quiet yet at the same time powerful language.

Three commanding, full - sized alligators in the exhibition are also part of the rich Florida ecosystem and are powerful figures in Hamilton's work.

This exhibition will feature work ranging from Penner Bancroft's For Dennis and Susan: Running Arms to a Civil War (1978), a powerful body of early photographs depicting the impact of leukemia on Penner Bancroft's sister and brother in law, to works from the 1980s and 90s that examine the representation of the family and the cultural frameworks through which landscape is perceived.

Curators Bill Arning and Rick Herron grapple with this dilemma and attempt to bridge the gap between Haring's work and legacy with the exhibition Powerful Babies: Keith Haring's Impact on Artists Today at the Spritmuseum in Stockholm.

The three generations of artists in this exhibition are proud, committed and uncompromising members of the progressive LGBTQ artistic community and create work that is powerful and flamboyant, liberating and often witty as well as visually startling.

Alongside Brassaï's daring photographs, the exhibition will feature Diane Arbus» powerful body of work published in Diane Arbus: An Aperture Monograph.

Featuring the work of 60 artists and including 164 vibrant paintings, powerful murals, photographs, sculpture, and more, this landmark exhibition is a rare opportunity to see era - defining artworks that changed the face of art in America.

A leading figure of the Young British Artists group that emerged from Goldsmiths College in the 90s, Sarah Lucas has remade some of her greatest pieces for this powerful exhibition, displayed alongside new works.

As Glasgow International continues at Tramway, our three exhibitions have been attracting critical acclaim.Louisa Buck in the Art Newspaper describes Mark Leckey's Nobodaddy as ``... one of the festival's most powerful works»» Hettie Judah in i says Leckey's exhibition is ``... inescapably powerful».

This «rage» is powerfully present, and punctures the exhibition like a blast in the side — most specifically Pindell's powerful video work from 1980, Free, White, and 21, in which the artist recounts for the camera racism she has experienced throughout her life (from childhood to working professional), and then switches into the guise of a blonde white woman who reprimands Pindell for her paranoia and ungratefulness.

The exhibition features powerful works by Louise Bourgeois, Petah Coyne, Alison Saar, Joana Vasconcelos, Patricia Piccinini, alongside other artists featured in NMWA's collection.

In this regard, the exhibition tries to show how «truth» can be constructed, often between various forms of knowledge... Cartography of Control, thus, addresses notions such as conflict, man made structures, control, rationality / irrationality... This is shown in work such as Cartography of Control, where the manipulation of powerful electric charge embodies itself as a note on trying to control the uncontrollablIn this regard, the exhibition tries to show how «truth» can be constructed, often between various forms of knowledge... Cartography of Control, thus, addresses notions such as conflict, man made structures, control, rationality / irrationality... This is shown in work such as Cartography of Control, where the manipulation of powerful electric charge embodies itself as a note on trying to control the uncontrollablin work such as Cartography of Control, where the manipulation of powerful electric charge embodies itself as a note on trying to control the uncontrollable.

His powerful works cover issues of race and social justice, and he was featured in our past exhibition US IS THEM and also visited us during the exhibition for an artist talk.

In contrast to Olitski's large and immersive canvases in the Katzen Arts Center exhibition, the works in the Luther W. Brady Art Gallery demonstrate the artist's ability to work at intimate scale, without any lessening of powerful impacIn contrast to Olitski's large and immersive canvases in the Katzen Arts Center exhibition, the works in the Luther W. Brady Art Gallery demonstrate the artist's ability to work at intimate scale, without any lessening of powerful impacin the Katzen Arts Center exhibition, the works in the Luther W. Brady Art Gallery demonstrate the artist's ability to work at intimate scale, without any lessening of powerful impacin the Luther W. Brady Art Gallery demonstrate the artist's ability to work at intimate scale, without any lessening of powerful impact.

His work appeared in the 2006 Whitney Biennial, and in a one - person exhibition, Very Powerful Lords, at the Whitney Museum of American Art at Altria in 2003.

Michel Verjux (born 1956 in Chalon - sur - Saí» ne, lives and works in Paris) often uses powerful spotlights to create pure geometric shapes, as he does in this exhibition entitled «Index» at the gallery Jean Brolly in Paris, France.

The dialogues composed by the careful placement of works provide the most powerful moments in the exhibition.

The sounds of site - specific works develop and branch out in the circular path through the exhibition, become connected with photographs and films, and give rise to a powerful nexus of sound and space, past and present.

The earliest work in the exhibition, John Lennon and Yoko Ono's public art work, War Is Over / If You Want lt (1969), considers ideation as a powerful tool for social change.

Close by, Factory Fresh on Flushing hosted an exhibition of surrealist art work organized by Ali Ha and Jason Andrew, two powerful curatorial forces from the neighborhood who work in parallel art scenes that rarely overlap.

A series of dithyrambs, called Cyclops I, II and III, from 1973, are some of the most powerful works in either exhibition, reminiscent of late Lovis Corinth, another unclassifiable German painter, who died in 1925.

The Tate Modern's exhibition Soul of a Nation highlights the powerful contribution of African American artists working in the era of Civil Rights and Black Power.

For the Armory, the agency's first - ever United States fair, Jaroljmek has staged a powerful solo exhibition of the LGBTQ Kenyan video and performance artist Ato Malinda, who was on hand at the VIP preview; among her works is a series of light - box photographs that show her wearing makeup in the pattern of the rainbow flag and then wiping it off, so as to question, in her words, «whether the flag is a coherent representation for a black lesbian in Kenya.»

«Nahum B. Zenil: Witness to the Self» — an exhibition of provocative works by one of Mexico's foremost contemporary artists New York, NY (July 30, 1997)-- Ushering in the new season at NYU's Grey Art Gallery is a powerful retrospective exhibition of one of Mexico's leading contemporary artists, Nahum Zenil.

-- Luba Lukova The LSU School of Art invites you to celebrate the powerful and evocative works in the upcoming exhibition:...

Woodman's photographs highlight how Schiele's practices and ideas continue to have a relevance to contemporary art in an exhibition that offers the viewer a close encounter with these personal and powerful works.

Working closely with photographers, United Photo Industries» mission is to promote and showcase powerful visual narratives through curated exhibitions and projects in New York City and around the world.

Though represented by powerful NYC gallerist Jack Tilton, his recent exhibition «Rag Man» at Leimert Park's Art + Practice (in partnership with the Hammer Museum and curator Anne Ellegood, and slated to travel to the Aspen Art Museum later this year) was the first proper Los Angeles solo show focusing on Outterbridge's recent works, those made since 2000, in his most recognizable style of intimately - scaled sculptural assemblage.

The powerful sculpture of artist Richard Nonas transforms MASS MoCA's largest gallery in a monumental exhibition that features both a survey of past work and a new site - specific commission for some 15,000 sq. ft. of space.

Significant works in the exhibition include two 1917 Matisse paintings of the Italian model Lorette, Picasso's Rose Period portrait of a «Woman with a Kerchief», Dufy's 1929 «Reclining Nude», and a powerful 1914 Cubist collage by Juan Gris.

Comprising approximately 140 works, the exhibition provides an overview of the artist's remarkable achievements in the print medium and reveals the way in which she uses printmaking as a vehicle for her powerful imagery.

Recent Solo exhibitions include Carambolage (1992) at the Staatlichen Kunsthalle in Baden Baden, Working Truths / Powerful Fictions (1991) at the MacKenzie Art Gallery in Regina.

An artist statement is a powerful tool in marketing our work and presenting our work at exhibitions.

Unlike some previous presentations of their work, the exhibition does not set out to highlight the formal and conceptual connections between Calder and Miró's art, concentrating, rather, on the powerful burst of creativity which both artists enjoyed in the later years of their career.

These two works provide a powerful opening to the exhibition as each constitute a fundamental turning point in the artist's work and each were created at the dawn of his most prolific period.

The works in the current exhibition were originally made for the Set in Stoke project for the British Ceramics Biennial in 2015, but this is the first time such a large group of McLean's ceramics have been shown; en masse, the results are powerful, fluid and painterly.

Including 10 paintings and more than 20 drawings, this exhibition — Marshall's first in Washington — explores a sequence of works that both precede and follow Great America, affording a context for its powerful imagery.

The powerful new paintings are a direct development of the artist's work, which was exhibited in our gallery in his last exhibition Treeline from 2015.

«Each work in the exhibition is a powerful meditation on the central importance contemporary artists place on the consideration of universal ideals in their work.»

Compared with dynamic and powerful large works shown in his last exhibition in 2014 at Galerie Richard, New York, new works are quite small, with thiner layers of PVC which contribute to create an intimate connection between the viewer and the work.