Comprising five abstract sculptures produced in a dense foam this poignant and
powerful work renders in three dimensions the interior spaces of carved wooden sculptures by the British sculptor Barbara Hepworth (1903 - 75), including Wave (1943 - 44), which is held in the SNGMA's own permanent collection.
Comprising five abstract sculptures produced in dense foam, this poignant and
powerful work renders in three dimensions the interior spaces of carved wooden sculptures by the British sculptor Barbara Hepworth (1903 - 75), including Wave (1943 - 44), which is held in the National galleries of Scotland collection.
Not exact matches
I've always held a firm belief that Warriors games
work best on the most capable and
powerful platform they're released on — why play Samurai Warriors 4 on PS3 or Vita, when the PS4 version looks better, performs better, and with hundreds of enemy characters being
rendered on screen all at once?
It will be interesting to see how the many features that
worked so well on Vita (tilting and touch - screen primarily) will be transferred to a console format, as well as experiencing the
rendering and graphics of a much more
powerful system.
Astute at locating and engaging the dynamic fountainhead of artistic practice relevant to time and place, in one installation, Ferrer nurtures a
powerful tributary of faces
rendered on paper bags in crayon, pencil, paint and collage: an extant, sui generis body of
work that the artist has cultivated since 1972.
An artist who was also one of the three curators of the past Whitney Biennial, where she packed her floor of the museum with extraordinary women painters, Michelle Grabner creates
worked - over canvases that use obsessively
rendered geometric patterns — often lifted from home textiles and other distaff sources — to enormously
powerful effect.
These are his most purely mathematical
works, yet even here it is precisely the careful hand -
rendering and sense of laborious process coming up against the ideal of pure mathematical structure that makes them
powerful art.
The piece resembles a crouched human figure, and it's placement near Tami Demaree's «We're Gon na Spite the Noses Right Off of Our Faces,» a feral - looking, two headed creature equally black both visually and spiritually,
renders both
powerful works all the more frighteningly visceral.
Rendered with the artist's precise touch, in acrylics and gouaches, her
works coalesce to form
powerful narratives around ancestry and cultural identity.
Here, Stark's
works demonstrate how the
powerful allow dissent and freedom of expression to be sublimated in the art museum, giving them a release valve and ultimately
rendering them neutral and ineffective.
Dealing with subjects as sobering as apartheid, colonialism, and totalitarianism, his
work is often imbued with dreamy, lyrical undertones or comedic bits of self - deprecation that
render his
powerful messages both alluring and ambivalent.
It is the movement and abrupt
rendering of representational elements that makes Roberts
work so
powerful.