If that's true, it's a testament to the software
powering image production, rather than the hardware.
Not exact matches
These book
production «factories» have no time in the schedule or room in the budget to slow down and pay attention to quality or your
image, let alone other important factors which influence the
power of your cover.
«It's the perfect moment to revisit Rauschenberg's career, given that his impact continues to gain momentum as more and more contemporary artists pay homage to, and are influenced by, various facets of his creative practice and artistic
production — from his technology - based artworks and the reuse of
images to international collaborations that demonstrated the
power of art to spark dialogues between various cultures,» stated Christy MacLear, CEO of the Rauschenberg Foundation.
His work has been the subject of solo exhibitions worldwide, including Photography Autocracy, Klein Sun Gallery, New York, NY (2017); Fountain 泉, Klein Sun Gallery, New York, NY (2016); Off Target: Cai Dongdong, Charles Chu Reading Room, Connecticut College (2016);
Image Uterus
Production Power, Gallery 55, Shanghai, China (2013); Draftsmanship, Mattias Kuper Galleries, Stuttgart, Germany (2012); Tea Garden, UNIDEE Art Foundation, Biella, Italy (2011); and 51m2: 6 # Cai Weidong, Taikang Space, Beijing, China (2010).
Her
images, often linked to the Abstract Expressionism movement, speak of
power, of new definitions, and these are just a few of the reasons why many admire Brown's
production.
Biennale di Venezia, biennial, concept, contextual, digital, digitalisation, documentary, exhibition, fiction, filmmaking, Florian Ebner, freedom, functional, globalisation, Hito Steyerl, identity, ifa,
image, imagination, installation, Jasmina Metwaly, light, material, media, metamorphosis, migration, Museum Folkwang, narrative, national pavilion, Olaf Nicolai, optimisation, participation, pavilion, Philip Rizk, photography, politics,
power,
production, reflection, resistance, testimony, Tobias Zielony, tradition, Venice Biennale, video, virtual, virtuality
Warhol's Screen Tests, unconsciously or not, draw some of their
power by the taking this lineage of black
image production and applying it to white and privileged subjects.»
The German filmmaker and artist Harun Farocki is known for his films and videos that explore the
production, disseminationand reception of
images and their cultural and political
power.
Working across multiple modalities of representation allows the artist to fulfil her own representational needs and to ask timely questions about the
power dynamics underpinning
image production and art history: who does the representing, who is represented and in what manner?
Widely copied in Europe and America in the 20s, this iconic
image of a machine - age utopia celebrated the
power of industrial
production in the modern age.
Spanning a decade of artistic
production including installation, print, photography and film, the exhibition follows Baudelaire's sustained attempts to find a form that accommodates the catastrophic complexity of contemporary life, interweaving fiction with considerations on fear, the media and the
power of words and
images.
Drawing from diverse photographic genres such as landscape, forensic, Victorian memento mori, occult, and camera-less photography, she investigates the ways in which the material conditions and specialized languages of the photographic medium shape our relations to history,
power, and the
production of
images.