Sentences with phrase «powering social objects»

Content doesn't make something viral; people are the primary source of powering social objects across the attention nodes that connect the human network.

Not exact matches

Boys often treat girls as sexual objects, which contributes to the higher rates of digital sexual coercion, as boys may feel entitled to have sexual power over girls, said study co-author Richard Tolman, U-M professor of social work.

A new series of studies by academics at Royal Holloway, University of London and at University of London College found that people who have social power are strongly influenced by internal body cues stemming from their motor system when making judgements about preferences of paintings, objects, movements or letter sequences.

Master's candidate Liz Ricketts uses the power of everyday objects to educate children on social injustices around the world.

Hugh talks about the power of business cards as social objects.

Running counter to this first mainstream are the works of Duchamp, John Cage, and Picasso: expressing beauty transformed, ugliness, startling juxtaposition of images, primitive power, the subconscious of Freud, art as idea, art as found object, art as part of everyday life, non-art transmuted into art, and often an emphasis on social and political issues.

El - Sherbini's playful interdisciplinary practice often appropriates familiar objects and social events, which engages people into questioning social and political systems of power and influence.

A long - awaited and in - depth monograph of the life and work of Robert Arneson, an artist who has infused the alchemy of clay with the funk aesthetic of everyday objects and self - portraiture, in ways that elevate their sustaining power through his insightful social and political observations.

Gowda is interested in the power that objects and forms carry in capturing aspects of reality, with its social and cultural narratives, that are otherwise unseen by and unspeakable through other languages of representation and analysis.

Confiscated, manipulated and reconfigured, sport objects stop being part of identifiable structures to become symbols that question the dynamics of power and challenge notions such as competition, success and failure, virility, social status, and national pride.

And though MacLeod says more Microsoft commissions followed, Gapingvoid never got paid for the Blue Monster beyond a few limited - edition prints; it was more a demonstration project for the power of what MacLeod calls a «social object,» which stimulates feelings, conversations, and action.