Nathalie Du Pasquier's upcoming exhibition at the Camden Arts Centre is an intriguing combination of her current
practice as a fine artist and her previous career as a designer.
Not exact matches
«Jane South has an impressive background in combining her leadership experience of
Fine Arts programs in the US and Europe with her experience
as a
practicing artist whose work cuts across disciplines and reflects the intersectional nature of contemporary arts
practice,» said Gerry Snyder, dean of the School of Art.
We like to think of the Academy of
Fine Art
as a unique collective:
artists from a variety of backgrounds, countries, fields, genders and generations who have come together to create what they consider an ideal space for the development of their artistic
practices.
David Claerbout's paintings on paper are fundamental to his film
practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the
artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and
fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life
as a chance freeze - frame.
And while it appears to those of us used to the safety of Mayfair that he is walking a very
fine line, the
artist describes his
practice as «dancing between reality and a dream.»
His first solo exhibition was a Sanchez Cotán in Trondheim, Norway in 2009 and recent projects include The devil finds work for idle hands at Toomey Tourell
Fine Art, San Francisco (2012) and Drawology: drawing
as phenomenology at the Bonington Gallery Nottingham, and the co-curation of A Machine Aesthetic at Gallery North, Northumbria University, The Gallery, The Arts University Bournemouth, University of Lincoln, Norwich University of the Arts (2013 - 2014) where eleven contemporary
artists were invited to explore the various manifestations, uses and influences of different aspects of mechanisation within their
practice.
These presentations of modern masters and their tribal influences are complemented by the expanded Spotlight section, which will highlight solo
artist presentations of 31 pioneers of 20th - century
practice, such
as Thomas Kovachevich (Callicoon
Fine Arts, New York); self - taught
artist Felipe Jesus Consalvos (Fleisher / Ollman, Philadelphia); Barbara Chase - Riboud (Michael Rosenfeld Gallery, New York); and Dom Sylvester Houédard — a Benedictine monk turned counter-culture cult figure of 1960s London (Richard Saltoun Gallery, London).
We provide 10 studios within this building, on two floors ranging from 150 - 250sq ft.. We offer workspace exclusively to
practicing Fine Artists on this site
as part of Cell's mission and commitment to supporting
Fine Art
Practice.
Similar to many
artists who later found their true voices in relatively more alternative mediums, New York performance legend Allan Kaprow began his artistic
practice as a painter, studying at the famed Hans Hoffman School of
Fine Arts under the German Abstract - Expressionist who heavily influenced his work on canvas.
Viewed
as a signature movement of
artists immersed in subversive or Low Brow culture, Street Art is increasingly making its way into
fine art
practice.
CCA Graduate Program in
Fine Arts CCA's Graduate Program in
Fine Arts supports a sustained, informed
practice that is essential to a professional
artist's life and career
as a producer of culture.
While her improvised, thrift - store DIY aesthetic smacks of the populism of this year's Whitney Biennial and her global themes and global identity (she is a black South African woman and an international
artist) should have made her a shoe - in for Documenta XI, Rose's videos are ultimately
as much about her art
practice — a
fine combination of video, performance, and photography —
as about any «issue» of identity or globalization.
Her works evoke impressions of remembered experience and landscapes from her roots
as an Italian,
as well
as reference to religious iconography, using poetic ways of combining found and
fine art materials — a
practice that comes in part from years of living in the San Francisco Bay Area, where she encountered a number of beat - era
artists there, and from her previous career in dance.
Trained
as a
fine artist, his deliberately crude graphic style gives his work an immediate and accessible appeal, while simultaneously offering insightful commentary on the absurdities of human relationships.This exhibition, his first major survey show in London, will cover the full range of Shrigley's diverse
practice.
The show chronicles an almost 50 - year investigation into the role of language and meaning in art,
as well
as Kosuth's use of neon, which he first developed
as a medium in the 1960s, a
practice that is said to precede Bruce Nauman, Mario Merz and Keith Sonnier, when the
artist considered the medium a form of «public writing», without
fine art associations.
As an
artists working in graphic design, illustration, film, and
fine arts since the 1960s, Tanaami keeps pushing the boundaries of mediums or genres by traversing them through his
practice.
Gallery Director David Falkner After studying
Fine Art at Chelsea College of Art & Design (1988 - 91), David
practiced as an
artist, exhibiting throughout Europe, before dedicating himself to interdisciplinary curatorial work in public - sector venues in the UK, initially at Bury St Edmunds Art Gallery and Pump House Gallery London, before becoming Director of the Stanley Picker Gallery at Kingston University in 2004.
We offer workspace exclusively to
practicing Fine Artists on this site
as part of Cell's mission and commitment to supporting
Fine Art
Practice.
About CCA's Graduate Program in
Fine Arts Central to CCA's Graduate Program in
Fine Arts curriculum is the idea that developing a sustained, critical
practice is an essential part of creating a dynamic career
as a professional
artist.