Sentences with phrase «practice as a painter»

Given that the use of images circulating in the media and elsewhere is, and always has been, at the heart of his practice as a painter, the matter is all the more intriguing.

That is where his practice as a painter begins.

Judd began his practice as a painter in the late 1940s; however, he soon introduced three - dimensional elements into the surface of his work.

In the late 1940s, Donald Judd began to practice as a painter.

KELSEY BROOKES — PSYCHEDELIC SPACE examines three years of work, four solo exhibitions by the artist and explores in depth his former background as a biochemist and his current meditative practice as a painter.

Developing from her original practice as a painter, Jo now creates work, installations and interventions through a variety of media.

How does your practice as a painter complement or compete with your work as a curator?

The process of revealing images, concerns a rigid, obsessive practice as the painter applies layer upon layer of paint at the same time of day, capturing a specific quality which reflects the ongoing progression of nature: the seasons, the weather and the amount of light available.

Brown's repetitive gestures is already one of the most recognized aspect of her practice as a painter, and here in her drawings, she weaves a similar thread.

It was something that I worked on when I was on a residency program in Paris, as I wanted to develop my practice as a painter.

She continues her artistic practice as a painter in Studio 223.

Similar to many artists who later found their true voices in relatively more alternative mediums, New York performance legend Allan Kaprow began his artistic practice as a painter, studying at the famed Hans Hoffman School of Fine Arts under the German Abstract - Expressionist who heavily influenced his work on canvas.

While she balances a studio practice as a painter and printmaker in Oakland, she presently works with Youth in Arts, Young Audiences, and the Contemporary Jewish Museum.

Over the past twenty years, he has translated his artistic practice as painter and collage artist into the medium at hand, positioning Henzel Studio as one of the most progressive luxury rug brands in the world.

The participating speakers will discuss their studio practices as painters in New York City.

We will also discuss his project «The Plan of Escape from the Donetsk Region», part of the Pinchuk Art Prize 2013 in which Minin took an essential step in combining his artistic practice as a painter with social engagement.

His practice as a painter extended into the»70s and»80s, by which

Al Taylor began his studio practice as a painter and although he is more widely known for the three - dimensional works he started making in 1985, the artist maintained that his constructions weren't «at all about sculptural concerns; [they come] from a flatter set of traditions.»

Having begun his studio practice as a painter and draftsman, in 1985 Al Taylor (1948 - 99) devised a uniquely innovative approach to process and materials that enveloped drawings and three - dimensional objects as he created compositions that were grounded in the formal concerns of painting.

You have had such a long practice as a painter; it was interesting to see you work with video, sound and light installations for «Spectrum Version 2.2».

Through multiple practices as a painter, critic and educator, Jeremy Gilbert - Rolfe has challenged contemporary ideas of aesthetics and purpose in art since the 1970s.

Not exact matches

The practice also developed of copying particular types — icon painters were to avoid the production of likenesses that might be recognizable as being made by them in particular, and were not to sign them.

He then provides a fascinating account of how painters such as Hals and Turner discovered through the practice of their painting color discriminations that established standards of excellence that make impossible relativistic judgments.

«Robert Bresson began as a painter and, while he would rarely practice the art, it was a guiding force in the development of his unique film style.»

I don't know what's «industry standard practice» for fine art galleries these days, regarding pricing works on paper vs. works on canvas, but my suspicion is that the reason for the * historical * difference between the two is that works on paper are perceived to be less «serious» (after all, watercolor started out as a quick way for oil painters to sketch out drafts), and less long - lasting (historically, a lot of watercolors were fugitive, and tended to fade with time, unlike varnished oil paintings).

Another painter based in L.A., Lecia Dole - Recio earnestly focused on the importance of Jasper Johns's catenary works to her practice and the related process by which she constructs her «queer formalist» paintings, as she describes them.

Yves Klein (1928 — 1962), was a conceptual artist par excellence, a radical, utopian dreamer described by the French critic, Pierre Restany as «a painter, but also infinitely more: a believer living in his own sense of the divine», whose diverse practice included ephemeral works in his quest for immateriality.

Though the experience of space and light in the studio, one can imagine, is essential for a painter, Neel's developments were certainly the fruit of many years of practice and gaining freedom of expression — as an individual unbound to conventions in figuration.

Katz was first exposed to the notion of plein air painting at Skowhegan, which would prove pivotal in his development as a painter and remains a staple of his practices today.

Crossings: Larry Rivers & His Milieu Curated by Nicholas Martin March 29 - May 7 «Crossings» tracks Larry Rivers's work as a painter, poet, and performer, as well as the influential experiences and relationships that informed his practice.

As a painter and sculptor, she has insulated her own practice among the dialogues and encouragement of her peers.

'' A painting must always move beyond its subject,» says British painter Michael Simpson, who sees the practice of painting as» giving form to an idea.»

Curated by artist Daphne Wright, this exhibition takes these specific aspects of Freud's intimate studio practice as a starting point to explore themes of vulnerability, longing and loss that permeate the painter's work.

This conviction is as central to him as his use of paper is to his practice as an abstract painter,» said BMA Director Christopher Bedford.

Hesse's practice as an expressionist painter led her to experiment with industrial and every - day materials including rope, string, wire, rubber, and fiberglass.

In practice, figures and, especially, landscape elements peep out everywhere, just as for a painter he influenced, Joaquín Torres - García.

She had crossed the Alps to flee revolutionary France and to recover her practice as a portrait painter.

With a practice spanning the 1920s to the 1980s, Neel is widely regarded as one of the foremost American figurative painters of the twentieth century.

With practices and insights that prefigure many important discoveries in biology, chemistry and physics, alchemy likewise fascinated and continues to fascinate poets and painters, serving as an allegory for the physical manifestation of immaterial spirit.

Having initially trained as a painter, Hackney's practice has developed a multidisciplinary approach to making, as shaped by the conceptual forces behind the work.

In this Tuesday Evenings presentation, Bradford is back to share insights into the paintings featured in her FOCUS exhibition, as well as other works and the enduring path of her practice as a devoted painter and longtime member of the New York art community.

Hales Project Room put the spotlight on rarely seen, richly stained abstractions created in the 1970s by American painter Virginia Jaramillo, whose practice has recently been rediscovered through important group shows such as Soul of a Nation: Art in the Age of Black Power and We Wanted A Revolution: Black Radical Women, 1965 - 85.

Julian Schnabel (b. 1951) emerged as a painter around 1980 and ushered in, almost single handedly, a return from the minimal and conceptual art practices of the 1970s to image - based art that defined the 1980s art world and continues to this day.

Trained as a painter, Graham's practice also incorporates photography, a medium which she uses to explore the geometry that architecture imposes on nature.

He has a dual career as a painter and as an advanced practice psychiatric nurse.

Drawing in Tintoretto's Venice will be the first exhibition since 1956 to explore the drawing practice of this major figure of the Venetian Renaissance and will offer an entirely new perspective on Tintoretto's evolution as a draftsman, his individuality as an artist, and his influence on a generation of painters in northern Italy.

From the press notes: Contemporary artists collaborate for Kat Hutter and Roger Lee: Another California Day; an unprecedented collaboration at the intersection of the artists» independent practices (Hutter's as a painter and Lee's as a ceramicist).

The talk unpicks themes within Kehinde Wiley's work, focusing on evolving notions of identity and cultural influence, globalisation and youth culture, as well as exploring his practice as a contemporary painter within portraiture and the wider international art scene.

during that time he switch his practice from full time painter to multimedia based practice, and since 2004 he started his career as a video and installation based artist.

Working initially as a painter of surrealistic carnival scenes and cityscapes, he later came into contact with Abstract Expressionists like Willem de Kooning, which ushered in a dramatic shift in his practice towards purer abstraction.