ño addresses
her practice as an archaeologist hoarder rummaging through a broad cultural system of references, with a particular nod to artifacts and museological aesthetics.
Inspired by consumer goods, industrial debris and autobiographical narratives and objects, Cristina Tufiño addresses
her practice as an archaeologist hoarder rummaging through a broad cultural system of references, with a particular nod to artifacts and museological aesthetics.
Not exact matches
Le marais belongs to a series of pictorial, performative, and textual works that explore archaeological excavations and the figure of the
archaeologist as analogies for artistic
practice.
The artist thus will aim to be an urban
archaeologist who digs from the city these elements, which can serve
as core threads in their artistic
practice.
Or
as the
archaeologists have done with sun spots and ancient cultures — and the correlation with climate and agricultural
practices?