Sentences with phrase «practice crafting works»

You might think that with all his practice crafting works of fiction, from his education history to DWP statistics, that Iain Duncan Smith could deliver an interesting creative novel.

Not exact matches

In 2011, I was working at a prominent, Christian - owned craft store (you know the one) when I began to see a real disconnect in the way American Christians practice Christian ethics.

These resource - independent best practices are crafted with input from student - athletes, coaches and administrators to support the important work of our membership in promoting the health and safety of college athletes.

For elementary schoolers, craft kits are often a way to practice what they're learning at school or see science at work in a fun... MORE application.

You can practice by grabbing all of your craft materials and starting to work on patterns and ideas to make your egg unique this year!

Through their work between the 2004 and 2008 presidential elections, BSD's founders refined the technologies and organizing practices first crafted during the Dean campaign and made them more powerful.

Meanwhile, Derrick Morse and his wife, Kaleigh Morse, have been practicing yoga for three years and working in the craft beer industry since 2008.

She also works with other healers and health care providers to help them bring customized resources to their own practices as well as with corporations to craft powerful health communication and corporate wellness programs!

Players will also have the option of placing pets, mounts, and useful functional items in your homes, including Assistants, Crafting Stations, working light fixtures, and even Target Skeletons (with which players can practice combat and builds).

Hourihan: [For everyone], it is important to learn and practice the basics of your craft, to work as a team toward a common goal, to make good decisions, to respect the other guy and the rules, and know what is truly important in your life.

'' [For everyone], it is important to learn and practice the basics of your craft, to work as a team toward a common goal, to make good decisions, to respect the other guy and the rules, and know what is truly important in your life.

Oh, and if Lady Gaga had to work forty hours a week waiting tables or writing computer code in order to keep a roof over her head (because she couldn't make a living playing clubs), she wouldn't have as much time to practice, craft new routines, or cut songs.

Applicants also should: • Have the motivation and work ethic to continue refining their craft as a leader • Be open to learning new leadership strategies and to immediate feedback during practice sessions.

We worked with ReVision Learning to develop the Professional Learning Map, Increasing Instructional Effectiveness through Evidence - Based Observation and Feedback, which is focused on increasing observer capacity to craft evidence - based feedback in order to strengthen instructional practice.

When [District A] joined MELAF as a demonstration site, the discussions and reflections on content standards and best practice ideas were like a vitamin megadose intensifying the power of the instructional strategies and curriculum work we had been crafting as a district.

Such networks «work against the traditional isolation of teacher from teacher, university from classroom, novice from experienced educator... to craft a new professional community with a new discourse for the understanding and improvement of practice» (Raphael et al., 2001, p. 606).

They see how much work it is to craft a meaningful platform, to understand who their readers are, to do something more than the «best practices,» so they make token efforts and go back to waiting for luck to happen.

It is necessary to have both qualities in any successful work of fiction, but skill (or craft) is something that can be articulated, practiced and acquired, whereas heart is a much sublter matter.

Here in the Literature and Fiction department, we meet a lot of aspiring writers looking for a chance to practice their craft and get a second opinion on their latest work.

Not understanding writing craft, story structure or honing one's skills (something that often takes years of practice, study and hard work) will not produce a book that sells well.

Read in your genre, practice your craft, and polish your work.

Working with a professional editor will help you protect your writing practice so you can develop your craft in peace.

However, thanks to encouragement from Kim Clune, Susan Tauber, and the other rescuers who stepped up to help (see the Acknowledgements section of the manual for a complete list), I believe we've crafted a best practices manual that truly will help new rescues get started and assist existing rescues to work more effectively.

Ashleigh is continually practicing her craft by grooming her own dogs but she also enjoys gardening and working on her home.

We should focus more on working to prevent problems with our dogs instead of concentrating on treating problems after they have developed, and that includes how we craft and implement veterinary practices, dog training methods, dog ownership practices, and dog laws.

We view this space as a temporal solo exhibition, with each large work staying on the wall for at least 6 months, before being painted over and recommissioned for the next show.The site specific installation pushes the artists craft and practice to create something beyond their normal scale — the wall being 20 foot long and 14 foot high.

Harrod writes and makes work that employs traditional and contemporary craft and sculptural practices.

Her practice centres on the valuing and placement of craft practice within a wider visual arts context; and building audiences for this through work with a wide range of venues and organisations, not all of which are art - specific.

These exhibitions come in the midst of much renewed attention to and discovery of her work, particularly the issues of materiality and craft that have been at the heart of her practice for four decades.

Katie Schwab's practice interweaves personal, social, and craft - based histories, often drawing from marginalised and overlooked traditions of making and working collectively.

It might perhaps be a little simplistic to condense her oeuvre to these nine prints, but they certainly provide a concise synopsis of the visual landmarks of her extended practice, throughout which she continually transcended notions of gender - specific craft, elevated textile art to a revered and respected art form, and contributed, following her Bauhaus roots, to the redefinition of a work of art as reproducible design.

Her work, which exists at the intersection of fiber art, design, social practice and activism, inquiries into how community is created and how craft, design and materiality play into its formation.

September 16 — December 9, 2017 Narrative Horizons presents the work of three women — Kay Healy, Sophia Narrett and Erin M. Riley — whose contemporary studio practices are heavily influenced by traditions steeped in functional craft and the handmade.

Using the excess fabrics from this work, Alloro developed Big Screen (Remix), drawing parallels between digital remix culture and the craft of quilting, both of which traditionally involved collaborative practices as well as found materials.

Asawa's work comes out of a practice — fiber art — that was long lumped in with craft but is now understood, in the context of so much contemporary use of alternative materials, as a serious endeavor.

Kelley brings to these projects an ironic sensibility and stringent conceptual processes, tending to layer the accepted high - art practices like painting with craft, working class and popular culture references.

But Tseng was also a prolific artist in his own right, leaving behind an extraordinary body of work, crafting an enigmatic persona and anarchic performance - based practice, and bringing a devious and incendiary sense of humor to his highly sophisticated inquiry into the politics of representation.

However, the recent exhibition of Jess Jones» and Lillian Blades» work at Atlanta's Swan Coach House Gallery tosses all that patriarchal competitive comparison out the door by presenting the strength of their individual practices, as well as their shared interest in the history and procedures of craft.

The first publication to document the Museum's collection and its connections to dramatic changes in artistic practice over the past 70 years, Unpacking the Collection introduces this vital regional center for craft through photographs of work, essays, texts, archival photographs, decade - by - decade accounts of the institution's links to modern craft history and an abbreviated exhibition chronology.

Internationally renowned her for her unique visual practice fusing fashion, art and architecture, the Crafts Council invited artist and curator Lucy Orta to select works which engage with patter...

Craft & Care highlights Aguiñiga's practice at the intersection of fiber art, design, social practice, and activism, with a focus on motherhood, care, border issues, and the creation of community — themes that run throughout the artist's work.

571 Projects supports the work of dynamic emerging and mid-career artists by bringing conceptually strong, well - crafted work to the notice of an engaged art going and collecting public, via special exhibitions, independent curatorial practice and an informed art consulting practice.

, all of the works have ties to the fiber arts, whether it is the materiality or the methodologies, while proposing new directions and hybrids that represent the interdisciplinary nature of a contemporary craft practice.

Across her work, Harrod underscores how associations between craft practice and feminized labor have led to the marginalization of craft within contemporary art.

Miller is one of the foremost camera-less photographers working today whose practice applies a craft ethos to his experiments in the dark room, and his ongoing research into the possibilities colour in photographic image.

This significant new work synthesizes Uklański's ongoing interest in craft and aesthetic practices from the fringes of Modernism, while also suggesting Feminist forms and the seminal role of visual pleasure.

Within Somewhere Between Black and White, all of the works have ties to the fiber arts, whether it is the materiality or the methodologies, while proposing new directions and hybrids that represent the interdisciplinary nature of a contemporary craft practice.

They own a machine press to accomplish this work by hand, a practice that was celebrated with the inclusion of BANK (images of $ 100 & $ 100,000 US bank notes) in PRESS: Artist and Machine, a group show at the Kentucky Museum of Art and Craft that also included works by William Blake, William Morris, and David Shapiro.

In his practice, a use of traditional craft (from hand knitting and crochet to machine knitting, weaving, embroidery, as well a macramé) allows the work to maintain a personal and familiar nostalgia: pushing an audience to confront new and unexpected perspectives on the use of the craft.

Claire Barclay's installation Perching Two was acquired with the support of The Art Fund and has links to other artists whose work is represented in Touchstones Rochdale's collection who adopt craft and sculptural elements in their practice, such as Alison Britton, Taslim Martin, Cornelia Parker and Nicholas Pope.