Sentences with phrase «practice drawing series»

Not exact matches

As part of the project, DoSER is producing a series of booklets that explore the social context for science engagement and provide an overview of best science communication practices, including for engagement with religious publics, drawing on established guidelines and the latest peer - reviewed research.

Complete List of NAACP Image Award Winners Film Categories Best Picture - «The Secret Life of Bees» Best Director - Gina Prince - Bythewood, «The Secret Life of Bees» Best Actor - Will Smith, «Seven Pounds» Best Actress - Rosario Dawson, «Seven Pounds Supporting Actor - Columbus Short, «Cadillac Records» Supporting Actress - Taraji P. Henson, «The Curious Case of Benjamin Button» Independent Film - «Slumdog Millionaire» Documentary - «The Black List» Foreign Film - «The Class» Best Screenplay - Jenny Lumet, «Rachel Getting Married» Television Categories Best Comedy Series - «Tyler Perry's House of Payne» Best Actor in a Comedy Series - LaVan Davis, «Tyler Perry's House of Payne» Best Actress in a Comedy Series - Tracee Ellis Ross, «Girlfriends» Supporting Actor in a Comedy Series - Lance Gross, «Tyler Perry's House of Payne» Supporting Actress in a Comedy Series - Keshia Knight Pulliam, «Tyler Perry's House of Payne» Best Dramatic Series - «Grey's Anatomy» Best Actor in a Dramatic Series - Hill Harper, «CSI: NY» Best Actress in a Dramatic Series - Chandra Wilson, «Grey's Anatomy» Supporting Actor in a Dramatic Series - Taye Diggs, «Private Practice» Supporting Actress in a Dramatic Series - Angela Bassett, «ER» Made - for - TV Movie, Miniseries or Dramatic Special - «A Raisin in The Sun» Best Actor in a Made - for - TV Movie, Miniseries or Dramatic Special - Sean Combs, «A Raisin in the Sun» Best Actress in a Made - for - TV Movie, Miniseries or Dramatic Special - Phylicia Rashad, «A Raisin in the Sun» Best Actor in a Sopa Opera - Bryton McClure, «The Young and the Restless» Best Actress in a Sopa Opera - Debbi Morgan, «All My Children» Best Director in a Dramatic Series - Ernest Dickerson, «Lincoln Heights - The Day Before Tomorrow» Best Director in a Comedy Series - Kevin Sullivan, «30 Rock - MILF Island» Best Screenplay for a Dramatic Series - Shonda Rhimes, «Grey's Anatomy: Freedom Part 1 & 2» Best Screenplay for a Comedy Series - Erica D. Montolfo, «The Game: White Coats and White Lies» News / Information Series or Special - «In Conversation: Michelle Obama Interview» Talk Series - «The View» Reality Series - «American Idol 7» Variety Series or Special - «An Evening of Stars: Tribute to Smokey Robinson» Children's Program - «Dora The Explorer» Best Performance in a Children's Series or Special - Keke Palmer, «True Jackson» Music Categories Best Male Artist - Jamie Foxx Best Female Artist - Beyonce» Best New Artist - Jennifer Hudson Best Duo, Group or Collaboration - Jennifer Hudson, featuring Fantasia - «I'm His Only Woman» Best Jazz Artist - Natalie Cole - «Still Unforgettable» Best Gospel Artist - Mary Mary Best World Music Album - Cheryl Keyes - «Let Me Take You There» Best Music Video - «Yes We Can» - Will.i.am Best Song - «Yes We Can» - Will.i.am Best Album - Jennifer Hudson - «Jennifer Hudson» Literary Categories Fiction - «In the Night of the Heat: A Tennyson Hardwick Novel,» Blair Underwood, Tananarive Due, Steven Barnes Nonfiction - «Letter to My Daughter,» Maya Angelou Debut Author - «Barack, Race, and the Media: Drawing My Own Conclusion,» David Glenn Brown Biography / Autobiography - «The Legs are the Last to Go,» Diahann Carroll Instructional - «32 Ways to Be a Champion in Business,» Earvin «Magic» Johnson Poetry - «Hip Hop Speaks to Children: A Celebration of «Poetry With a Beat»» Nikki Giovanni Children - «Barack Obama: Son of Promise, Child of Hope,» Nikki Grimes (illustrator - Bryan Collier) Youth / Teens - «Letters to a Young Sister: Define Your Destiny,» Hill Harper

Thus, the book — which grew out of a series of three lectures — draws on a range of contemporary science and knowledge as Gardner reframes both the teaching and practice of old virtues within the constraints of a modern society.

It draws from the research base in educational leadership preparation to propose a series of recommendations to improve current state policy and school leadership preparation program (SLPP) practices around the recruitment and selection of aspirant principal candidates.

Once a framework had been established, committee tasks were to then: (1) «zoom in» and break down specific targeted sections of the draft LPFs into what we called more detailed «mini progressions» for a smaller grade span, often adding some additional «interim steps» (progress indicators) to the mini progressions; (2) use the more detailed and focused mini progressions to design sample instructional modules (with a series of 4 ‐ 6 detailed lessons) illustrating how a teacher in the general education classroom might move students along this smaller grain ‐ sized learning progression using best practices in instruction; and (3) draw from best practices in instruction for students with significant cognitive disabilities to incorporate suggestions to each lesson plan for how to make the academic content more accessible for all students.

The power of the Lastinger model lies in the successful deployment of a series of interdependent and mutually reinforcing elements that draw on the latest research and effective practice to produce improvement in teacher practice, student learning and child well - being.

The Life Drawing series at IA&A at Hillyer is the perfect opportunity to practice your skills and independently work with access to a live model.

This exhibition offers a survey of Ahtila's practice through seven film installations made between 2001 and 2018 and a series of drawings.

Cooke's practice has expanded beyond painting and drawing; the new show also includes a series of small bronze heads.

Weatherford's beautiful new series like the land loves the sea continues this practice, and she continues to draw inspiration from inland and small - town California landscapes like Lancaster and Oxnard.

Taking the form of drawings, photographic series and video installations, his work consistently invokes the use of systems as generative part of the artist's practice, investigating the relationships between aesthetic experience, political beliefs and the formation of meaning.

Curated by Shumi Bose, (Curator, RIBA Public Programmes) with support from Suzie Pugh (Curator, RIBA Drawings & Archives Collections) fourteen works are displayed alongside the new drawings series by Bronstein, situating and contextualising the exhibition in a continuity of architectural pDrawings & Archives Collections) fourteen works are displayed alongside the new drawings series by Bronstein, situating and contextualising the exhibition in a continuity of architectural pdrawings series by Bronstein, situating and contextualising the exhibition in a continuity of architectural practice.

Drawing inspiration from his own history and art practice, Flat Screen Nature is informed by the powerful odes to nature and expression found in his earlier series, as well as his Cloud (mid-to-late 1960s), Ocean (late 1980s), and Ozone (early - to - mid 1990s).

Sir John Soane's Museum is a natural fit for Marc Quinn's new series as he shares Soane's affinity with collecting: his own practice draws from the ephemera, diverse artworks and objects with which he fills his studio.

Talking to Action: Art, Pedagogy, and Activism in the Americas (2017) / $ 20 / Distributed for School of the Art Institute of Chicago / Chicago Social Practice History Series Available for purchase online at The University of Chicago Press http://press.uchicago.edu/ucp/books/book/distributed/T/bo28124825.html Softcover 175 pages 51 halftones, 1 line drawing 6 x 9 inches ISBN: 9780930209445 Edited by Bill Kelley, Jr. and Rebecca Zamora, with Contributions by Maria Fernanda Cartagena, David Gutiérrez Castañeda, Bill Kelley, Jr., Grant Kester, André Mesquita, Karen Moss, Jennifer Ponce de León, and Paulina Varas.

In 2013, Rooks organized «Drawing Instruments: Al Taylor's Bat Parts and Endcuts,» which featured a selection of drawings and sculptures from two thematic series illuminating the exchange between two - and - three - dimensional form in his practice.

«Horses, A Series, # 7» emphasizes the angularity of the horses bodies while drawing upon a unique Chinese device practiced in traditional brush painting that allows the viewer to see the subject from a multi-level perspective.

Seen together, these many pieces, including a series of new large - scale, Polaroid photographs, drawings, and an array of collages, help to reveal an aspect of Thomas's work that encompasses the multiplicity of her artistic and studio practice.

The series draws on contemporary documentary practices to reflect the bewildering atmosphere of the region, using pictures of foreboding landscapes and festivities, alongside images of locals uncovering crime scenes, and found material selected from different sources.

series expands upon Martinez's recent practice of utilizing enlarged silkscreens of small Sharpie drawings as a starting point for large - scale works on canvas.

In her Mirror series Lancaster draws upon the historical theme of the Vanitas, and references the occult practice of Scrying - staring into a reflective surface in order to induce visions or revelation.

This new commission drew together long - running textural strands within Bibby's practice, which simultaneously fed into a major publishing project he had developed through a series of commissions and residencies over the past year, orchestrated by Amsterdam - based performance platform If I Can't Dance I Don't Want To Be Part Of Your Revolution, with partner institutions including Kunsthaus Bregenz and CCA Glasgow.

Building upon her past Polyphony series, Luminous Trace also reveals parallels between Schwalb's drawing practice and music.

This exhibition looks at two facets of Pindell's practice that have remained consistent through five decades of artmaking: abstract paintings and constructions on canvas, paper, and board; and a body of work Pindell calls «video drawings», an ongoing series of photographic prints that arise from her unique hybridization of photography, video, and drawing.

Condo's approach to drawing is best exemplified in his «drawing paintings», an ongoing series started in 2009 that allows him to fully explore the reciprocal relationship between the two media which have been an essential part of his artistic practice.

While the wall drawings, which he started in 1968 at the age of 40, constitute LeWitt's most emblematic practice, his oeuvre also includes three - dimensional works (which he referred to as «structures»), innumerable drawings on paper, photographic series and artist's books.

His practice draws on the legacy of non-symbolic abstraction in making the series of works he terms «Black Dada,» which in the MOCA show included large paintings of silkscreen ink on canvas, such as «Black Dada / Column (A / A)» (2015).

Our current dean, the painter Graham Nickson, believes in strong advocacy for an artist's unique sensibility developed through a disciplined studio practice, along with programs like the renowned Evening Lecture Series, the Drawing Marathons, and the Masters and Certificate programs, which have become synonymous with the present day School.

In so doing, the exhibition maintains Chiurai's practice of revisiting and rejecting «colonial futures», which fuel the notion that Africans should think, speak, and act like their colonizers.The entry point into «Madness and Civilization» is a new series of mixed - media drawings.

Appropriate, perhaps, to the gallery name, the Rotterdam - based artist will present a series of illustrations with ink, graphite and coloured pencil on paper, along with some publications, under the acronymic show title and umbrella term for his drawing and painting practice conceived of by the artist in 2013.

The notion of the transformative power contained within artistic practice is brought about in the series of drawings entitled Hard Copy.

«Reunion» will span six decades of Richard Smith's artistic practice, including drawings, paintings, collages and prints alongside a series of archival books, photographs and interviews.

He successfully maintained his own studio practice — making paintings, drawings, woodcuts and lithographs in a series of connecting additions at his home.

The installation also includes a series of ink drawings that are part of the artist's ongoing practice in which he makes visible imagined architectural forms, proposals and impossibilities.

The nine artists featured in the exhibition have created a series of contemporary performances that draw on the tradition of carnival as a vehicle for social commentary, while bringing contemporary performance practice into the wider public arena.

In the 1970s, draftsmanship became central to his practice, and in the 1980s he began a sustained series of drawings based on ancient sculpture.

This type of conversation — perhaps drawn with a bit more circumspection — benefits both client and practice, helping clarify the client's Conditions of Satisfaction (see the previous article in this series).

This paper reports the 12 month follow up results from a controlled trial of the Parent and Child Series Incredible Years programme25 delivered by health visitors in a general practice setting, drawing on both quantitative and qualitative data.

Each month, RISMedia's Agent Webinar Series draws over 1,000 agents from across the country for an inside look at the business practices top - producing agents swear by.