Sentences with phrase «practice draws material»

The ongoing research that informs his practice draws material from the study of botany, ethnology, history, pedagogy, architecture and design.

Not exact matches

Drawing on her extensive experience in health communications, editing and writing, Dr. Weinberg provides sophisticated articles, done - for - you materials, blog posts, newsletter content, workshop packages and more to help other professionals build their practices and spread their message of health.
Content: This U.S. Department of Education - sponsored site, whose mission is translating research - based practices into practical tools to improve classroom instruction, draws heavily on material from the What Works Clearinghouse.
Year 7 - Term 1 - Basic Drawing Skills Scheme of Work / Practice Makes Permanent (Literacy Bank) / Assessment and Feedback Materials This resource has been developed in response to the Knowledge Rich Curriculum advocated by teachers, researchers and administrators who have inspired the Free School Movement.
All our qualifications and modules are based on a set of key principles which take account of the needs of leaders and the education system; draw on the very best international research and evaluation evidence; ensure both academic rigour and leadership practice; involve leaders in the creation of materials; and provide opportunities for modules to be adapted to reflect different contexts.
Ofqual also suggests exam boards draw up clear contractual arrangements setting out the obligations of teachers, directly contact schools to emphasise the importance of ethical practice and consequences of wrongdoing, and require «annual declarations» from teacher - examiners that they are complying with obligations to protect the confidentiality of assessment materials.
When comprehension was implemented in school curricula, the same infrastructure of tasks used to create test items was used to create instructional and practice materials — finding main ideas, noting important details, determining sequence of events, cause - effect relations, comparing and contrasting, and drawing conclusions.
Job Description: • Represents the Kansas City Pet Project in a professional, polite and enthusiastic manner • Assists the veterinarians on a daily basis with preparing surgery patients, health assessments, and treatments of animals • Assist in medical rounds with Shelter Veterinarians or identifying animals that need to be seen by a Shelter Veterinarian • Administer medications to both cats and dogs in accordance with veterinarian's prescribed doses and ensure all treatment protocols prescribed for sick / injured animals are performed timely, safely, and humanely • Responsible for following best practices for sanitation protocols in all veterinary clinic and isolation areas to reduce / eliminate disease transmission • Input all medical notes, health assessments, vaccinations, surgeries, treatments, etc., into PetPoint • Provides support for other departments, such as Intake, Foster, Placement & Transport, or Adoptions by assisting as needed for vaccinations, deworming, blood draws, etc. • Prepares and sanitizes surgical instruments / packs each day to ensure packs are ready for use the following day • Assists with discharging animals to the public post-surgery or following up with sick pet appointments, explaining any medical issues, medications, after care instructions, etc. • Ensures adequate medical supplies and medications are available and reports any shortages to Vet Clinic Manager • Enforces and maintain KCPP safety and cleanliness, and all health and security rules and procedures • Follows disease prevention procedures and completes cleaning of veterinary clinic areas daily and ongoing throughout the day to decrease biological risks to humans and other animals • Care, feed, and safely handle animals to avoid injury to persons / animals • Properly store and maintain inventory of medical supplies, including Schedule II narcotics • Performs laboratory analysis techniques to assist Shelter Veterinarians • Reads, understand, interpret, and apply department policies and procedures • Prepares reports and other written materials in a logical, concise, and accurate manner • Functions calmly in situations that require a high degree of sensitivity, tact, and diplomacy • Communicates effectively with a variety of individuals representing diverse cultures and backgrounds and function calmly in all situations which require a high degree of sensitivity, tact and diplomacy • Treats employees, representatives of outside agencies, volunteers, and members of the public with courtesy and respect • Provides prompt, efficient and responsive service for all phone calls forwarded to the Vet Clinic.
Murillo's huge and physically enveloping canvases (seen at Art Basel 20135), echo familiar threads through contemporary fine art painting practice — the energetic gestures and scribblings of Cy Twombly, the haptic scruffs and mixing of materials of Antoni Tàpies and Anselm Kiefer, the calling out (in script) of Colin McCahon6 and the drawing, foodstuffs and performances of Joseph Beuys and William Pope.L.7
Whereas Martin operated largely within the confines of painting and drawing, Tuttle's practice eludes formal categorization and is grounded in handmade constructions of ordinary materials, such as wire, tape, thread, and cardboard that are raised to the pinnacle of beauty.
Drawing on memories of familiar objects from her surroundings, Barlow's practice is grounded in an anti-monumental tradition characterised by her physical experience of handling materials in an expedient and direct way.
Orozco's work often draws inspiration from his surrounding environment and he regularly incorporates locally found materials into his practice.
Alison O'Daniel engages materials and color in a tactile practice that extends across drawing, films, sculpture and performance to explore perceptual, emotional and bodily comprehension.
Athena Papadopoulos's multidisciplinary practice encompasses a range of processes, including painting, collage, drawing and stitching, and unusual materials such as mustard, red wine, Pepto - Bismol and shoe polish.
As these artists have drawn their practices and thought lives down to the intimate scale of the gallery, a love language has formed from material and incident.
Her drawings on mylar and paper in diverse wet and dry materials have long been at the root of her artistic practice, serving as a means to map the development of her thinking.
A shift in his practice reclaims the source material for his drawings as finished art objects themselves, where they had been discarded in earlier work.
In my studio practice, I tend to approach technology with the eye of a folk artist, often using found, damaged, or impromptu materials as the basis for my work, and I combine high and low tech to draw atte ¬ ntion to the machinic circuits of art and representation.
Using the excess fabrics from this work, Alloro developed Big Screen (Remix), drawing parallels between digital remix culture and the craft of quilting, both of which traditionally involved collaborative practices as well as found materials.
, drawing parallels between digital remix culture and the craft of quilting, both of which traditionally involved collaborative practices as well as found materials.
Drawing has been an extended practice for Moshekwa, integrating elements of graffitti, thread, yarn and other material into his work.
Both have the mission to preserve them, publicise their content and support research on contemporary artistic practices that draws on these documents as its raw material.
His practice shifts across appearance and materials, from drawing and sculpture to photography.
In addition to drawings, photographs, and installation images from the exhibition Reusable Universes: Shih Chieh Huang at the Worcester Art Museum, the catalogue includes an essay by Vivian Li and interview with the artist by Aida Yuen Wong that expands on how nature, technology, and everyday materials inspire Huang's artistic practice.
Stocked with more than 100 of Johns's seminal paintings, sculptures, prints, and drawings, this retrospective sheds light on the innovative materials and techniques, pop images, and themes that frame the six - decade practice of this towering figure in American art.
Her visual work integrates digital drawing practices with photographic material, laser - etching, or specific software.
For this commission, on view through Aug. 19, the artist developed a multi-channel sound installation of compositions that subtly examine the material history of the two sites and their acoustic qualities, using everyday objects and acoustic environments unique to each site, and drawing on his practices of focused listening and architectural acoustics.
She works with both traditional and non-traditional materials in a contemplative painting and drawing practice that explores the surface, objecthood, color, language, spatial relationships, and the spirit of materiality.
Cai Guo - Qiang's practice draws on a wide variety of symbols, narratives, traditions and materials such as fengshui, Chinese medicine, shanshui paintings, science, flora and fauna, portraiture, and fireworks.
The artist creates performance objects from man - made and natural materials that merge storytelling with the practices of sculpture, painting and drawing.
Recognized for a diverse practice that draws inspiration from architectural space and natural materials, Moyer fashions compelling hybrids that abstract the languages of painting and sculpture.
Illustrated with over 500 images, Vitamin D2 features practices ranging from highly accomplished figurative drawing to abstract explorations of the medium, in materials including pencil, charcoal, crayon, pastel, ink, watercolour and digital drawing.
Although remarkably inventive and prolific, Trockel has deflected any identifiable stylistic signature: films and videos, knit paintings, projects for children, ceramics, drawings, and collages, plus a panoply of sculptures in a range of materials, are among the myriad forms that comprise her practice.
However, as is usual with his practice, nothing is literal; the primary source material — magnified images drawn -LSB-...]
His practice mainly consists of drawings that hearken back to a personal archive of photographs derived from vulgarizing scientific magazines such as National Geographic, from biographies of artists and scientists... Lately, he often re-enacts found footage or even stages non-existent scenes in photographs, which he then uses as source material.
Within his practice Todd explores the spatial construction of paintings and their material properties through combining drawing and painting materials — including acrylic paint, gesso, ink, pencil and varnish — through a multi-layered approach.
The material references European colonial practices in Africa and, in the context of Dreaming Rich, draws a comparison between the perspectives of colonial wealth and power in Africa and China.
Tapley notes that the five painters in the show, Robert Anderson, Daniel O'Connor, Tim Parsley, Emil Robinson and Tina Tammaro, have each committed to «a curiously old - fashioned choice: to keep making pictures by hand, using simple drawing materials, and a grand old medium, oil paint... these painters [also] devote themselves, at least in part, to another old practice: working from «life.»
The series draws on contemporary documentary practices to reflect the bewildering atmosphere of the region, using pictures of foreboding landscapes and festivities, alongside images of locals uncovering crime scenes, and found material selected from different sources.
With an extensive training in dance and a background in painting, Peake's performance practice uses drawing, painting and sculpture materials combined with found and fabricated objects placed in relationship to the moving body.
For installation, performance, social practice, site - specific, and web - based work, please submit no more than a ONE - page description of the proposed project, how you intend for it to be displayed at SoEx and up to two visual support materials such as a schematic, prototype, drawing or image.
He engages with non arts sector institutions in large scale collaborative projects where he deconstructs drawing, painting and sculptural processes and disseminates concepts, methods and material usage through his practice and interactive workshops.
Ruth Beale's practice includes performance, drawing, video work and the collection and the collection and re-presentation of archive material.
Using found materials, El Anatsui draws on traditional African idioms and contemporary western art practices, to comment on West African culture, history, and society.
Francis Upritchard (b. 1976, New Zealand) incorporates a vast variety of materials and found objects within her practice and draws upon the legacy of applied arts.
Her practice encompasses paintings, drawings, printmaking and film, where she manipulates archival material and popular cultural sources to examine notions of race and identity.
Untitled (2015) and Chair (2013) are strong examples of Tompkins» practice and they will enable Touchstones Rochdale to draw meaningful links with other sculptural artworks that explore the use of found materials, colour and form.
She derives inspiration from ritual practices and philosophies from eastern religions like Hinduism and Buddhism, which manifest in the themes that underlie her work, her choice of materials and method of drawing and painting.
By placing a group of his key works in juxtaposition with contemporaneous masterpieces by American and European peers, the show draws attention to the most powerful tool of the artist's practice: a lifelong penchant for experimentation with an ever - expanding arsenal of materials and techniques.
2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI
a b c d e f g h i j k l m n o p q r s t u v w x y z