Sentences with phrase «practice explores the spaces»

Not exact matches

Daan Roosegaarde will explore the social role of design and share how his innovative practice merges people, technology and space to create a better world.

We have found that this process creates wonderful spaces our family to further explore our Christian faith by examining and practicing at least one of the traditions that the first Christian converts themselves practiced.

She uses flowing movement and breath to explore the inner spaces of the mind / body / spirit connection, and believes yoga is a practice that should be shared and enjoyed.

She uses flowing movement and breath to explore the inner spaces of the mind / body / spirit connection, and believes yoga is a practice that...

These programs are an invitation to dive deeper into your own practice and explore new ways to nourish yourself as a teacher, all within the safe and intimate space of a small group of like - minded teachers.

After preparing the body with some subtle openings, we will explore 10 - 15 minutes of conditioning to build strength and stamina, followed by a yoga practice that will balance creating space and strength in the body, finishing up with flexibility training that will help create some extra room in your body..

My intention is to create a space with both structure and freedom, for my students to explore themselves, honor what they're feeling and make the practice their own.

Finally, all folkloric elements that are explored and which are minimally allocated to products, give space to artisans to be creative with handmade embroideries, hand - loom yarn weaving and a plethora of handcrafted practices which offer a uniqueness to the end products.

This model has provided teachers with the processes, time and space to continually improve practice and to explore new and emerging pedagogies.

We focused on similarities and differences in enacted example spaces in order to explore, on a micro-level, effects of the intervention on teaching practice.

Questions about teacher practice and how students learn best in these spaces need to be explored and contextualised for all schools.

Emerging architecture and research practice Space Popular has unveiled its UK debut, The Glass Chain, a unique installation for Sto Werkstatt's gallery space in Clerkenwell that explores an alternative future for glass in architecture, inspired by the legacy of The Glass CSpace Popular has unveiled its UK debut, The Glass Chain, a unique installation for Sto Werkstatt's gallery space in Clerkenwell that explores an alternative future for glass in architecture, inspired by the legacy of The Glass Cspace in Clerkenwell that explores an alternative future for glass in architecture, inspired by the legacy of The Glass Chain.

The commitment to books at Hauser & Wirth Los Angeles can also be seen in the Book & Printed Matter Lab, a separate project space and initiative of Hauser & Wirth Publishers, devoted to exploring the important place that books and prints occupy in the practice of artists.

At a time when few opportunities were present for women to explore creative practices, Houghton's work draws attention to the role of women within society by creating an alternative space through ritual.

From large scale murals to go - kart races, her practice explores ways to re-appropriate spaces from the bottom up and to create strong shared experiences between people and in places.

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

The program's mission, to support artists «to push their artistic practice and expand their horizons,» runs parallel to that of the 18th Street residency program, which provides artists with time and space to explore new approaches to their work in a new and stimulating environment.

Since 2002 they develop a joint artistic practice, exploring the overlapping space between art and politics.

For students enrolled in the full - time programs, the School offers the opportunity to combine historical practice with independent, creative thought, and benefit from the studio - based method while having the time and space to explore their own individual creative efforts.

Sarah Cain's practice is founded upon exploring new territories for abstraction and her 40 - foot - long painting, titled Now I'm going to tell you everything, is created from a call - and - response method of working with the space, both unpredictable and impromptu.

The artist has said of this new series that, as with a previous body of work in which he articulated a fascination with Futurism, he is «exploring new ways of interpreting a definitive and somewhat overlooked period in cultural history, developing works centred around the kinds of characters who populate my practice, imagining who is the boy / man who would make this sort of space his own, what his home might look like... and what sort of psychosis would lead to this?»

A visionary to this day, Jonas has always understood art to be an intrinsically hybrid practice that allowed her to dissolve classifications while exploring physical and object - based boundaries of art through gestures and space.

TRANSFER is an exhibition space that explores the friction between networked practice and its physical instantiation.

The Embedded residency programme was aimed at composers at an early stage in their career, providing a professional development opportunity, offering support and space to explore creative ideas and compositional practice, as well as gaining experience in producing and presenting new work.

Recent projects include Another Utopia (2015), a year - long project culminating in an installation and film exploring the squatting and housing co-operative movement of the 70's and 80's in London, and The Potential Space (2014), a film looking at parallels between making utilitarian objects and artistic practice, developed with members of Friends of Cathja, a charity that supports people experiencing mental health issues.

KELSEY BROOKES — PSYCHEDELIC SPACE examines three years of work, four solo exhibitions by the artist and explores in depth his former background as a biochemist and his current meditative practice as a painter.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

Expanding on her performance practice exploring the presence of women in public space, Ogunji presents If I loved you.

Febrik, a collaborative platform for participatory art and design research, present an exhibition which unravels the politics of the right to public space and explores relationships between invented, inherited and modified play practices.

This course surveys the history of museums, galleries, and other exhibition spaces and explores how social and cultural conditions, institutional requirements, and aesthetic conceptions have shaped past and current exhibition practices.

Each artist and musical guest will respond to Fallah's own practice with art and performance of their own creation, inviting visitors to explore the secret spaces of the Bergamot campus by discovering artworks and performances situated in unexpected places.

Nova Jiang's artistic practice explores the expanding definition of public space, often through interaction and community collaboration.

The talk explores issues pertaining to the intersecting ideas of time, space and form in contemporary sculpture, installation, material practices and their attendant discourses.

His idiosyncratic practice is about getting inside and exploring this space like a language of his own — somewhere between drawing, painting, and sculpture and between subject, image, and form.

Transparency, reflection, and surface, have long been important formal themes in Wermers» practice and she explores them further in the «Buhuu Suites,» a series of photographs installed with «Wasserregal,» in the main space.

Using her body, its breathing, touching, shaping and transitioning to explore space and time, her practice engages in decolonial and feminist explorations of the present through performance, installation, video and sound.

According to Wilson, the gesticulations are «professional - social, then coercive, then oratorical, then a nervous breakdown,» while apparent relief comes in the form of mindfulness meditation music (a practice Wilson explored before with his «Body Deselect» mix) comes in the form of the ubiquitous simulated helicopter sounds filling the exhibition space.

In her painting practice Earnest uses unconventional materials such as aluminum tape, carpet fuzz, insulation, drywall tape, cement, contact paper, latex gloves, and joint compound, and she seeks to explore how abstract spaces such as «home» can be defined through the complex relationship between objects and memory.

Rosa Barba's work ultimately extends into a conceptual practice where the medium of film is employed to explore any possible aspect of its material, sculptural, and narrative qualities and the ways it articulates space.

Their practices are informed by similar themes that explore measurements in time, influences in geography and limitations in space.

Nathan Coley is interested in the idea of «public» space, and his practice explores the ways in which architecture becomes invested — and reinvested — with meaning.

FLULUXspacace (Philadelphia) is a Philadelphia based 501 (c) 3 contemporary arts space which provides artists, curators, and instigators the opportunity for unrestricted and uncensored experimentation, professional presentation, and critical dialogue for the purpose of exploring and creating new art practices and media.

«The Everywhere Studio exemplifies the thematic surveys that we now have the space to mount, which explore critical topics in contemporary practice through the work of today's leading artists and their predecessors.

The show focused on a subgenre of this practice, «drawings for installations,» in which, as Michael Auping observes in his catalogue essay, «we can seemingly experience Nauman contemplating the peculiar types of space his installations explore.»

In 1996, the Addison opened an apartment designed by San Francisco - based artist David Ireland and a studio space for visiting artists to explore new dimensions of their practice.

The three artists in Sweet Creature use their practices to explore microcosms of how power operates, manifesting spaces for dialogues that are productively uncomfortable.

Through this practice the artist explored the political and personal implications of the museum space by enabling the place of art creation and art presentation to become one.

Along her artistic practice exploring female subjectivity through photo and video works, she is the founding director of Franklin Furnace, an artist - run space founded in 1976 supporting the exploration, promotion, and preservation of artist books, temporary installation, performance art, as well as online works.

The exhibition retraces the collaborative encounter of the two artists and explores the nature of artistic practice, its preservation, and its interpretation, as well as the representation of space, time, and movement.

Finally, a program of performative works titled «Theory Opera» explores the intersection of philosophy, art theory, art practice, sound, and movement inside the exhibition space, adding yet more depth to this already rich biennale.