Not exact matches
I don't know what's «industry standard
practice»
for fine art galleries these days, regarding pricing works on paper vs. works on canvas, but my suspicion is that the reason
for the * historical * difference between the two is that works on paper are perceived to be less «serious» (after all, watercolor started out as a quick way
for oil
painters to sketch out drafts), and less long - lasting (historically, a lot of watercolors were fugitive, and tended to fade with time, unlike varnished oil paintings).
Yves Klein (1928 — 1962), was a conceptual artist par excellence, a radical, utopian dreamer described by the French critic, Pierre Restany as «a
painter, but also infinitely more: a believer living in his own sense of the divine», whose diverse
practice included ephemeral works in his quest
for immateriality.
Though the experience of space and light in the studio, one can imagine, is essential
for a
painter, Neel's developments were certainly the fruit of many years of
practice and gaining freedom of expression — as an individual unbound to conventions in figuration.
TALK April 24: Ethiopian - born American
painter Julie Mehretu discusses her
practice with Karen Milbourne, a curator at the Smithsonian's National Museum of African Art,
for the Meet the Artist series at the Hirshhorn Museum.
In
practice, figures and, especially, landscape elements peep out everywhere, just as
for a
painter he influenced, Joaquín Torres - García.
We investigate Rachel Whiteread's sculpture US Embassy (Flat pack house) at the new American Embassy in London, Mark Tansey's friendships with and reverence
for Soviet Socialist Realist
painters and their Chinese counterparts, Jonas Wood's printmaking
practice, Jeff Koons's love
for the Baroque, and much more!
She has written on curating and exhibition
practices for numerous publications and magazines, including Parkett, Modern
Painters, Mousse, Art in America, Manifesta Journal, the Exhibitionist, and Frieze.
«This generally intimate art form has historically been more accessible to women, who
for many years were excluded from a conventional studio
practice; collage was the medium that could be done «on the kitchen table,»» writes Zoubok in the catalog introduction to a conversation between himself and the
painter Melissa Meyer.
With
practices and insights that prefigure many important discoveries in biology, chemistry and physics, alchemy likewise fascinated and continues to fascinate poets and
painters, serving as an allegory
for the physical manifestation of immaterial spirit.
One artist I am excited about representing is Louis Savage, who is a talented abstract
painter who was forced by his previous gallery to do representational portraits, which resulted in him stepping away from galleries
for years, but not his
practice.
Morris Louis Unveiled — The Baltimore Museum of Art's newly reopened Contemporary Wing is the setting
for an exhibition of more than 25 works that illuminate seldom seen aspects of Baltimore - born
painter Morris Louis's artistic
practice.
From the press notes: Contemporary artists collaborate
for Kat Hutter and Roger Lee: Another California Day; an unprecedented collaboration at the intersection of the artists» independent
practices (Hutter's as a
painter and Lee's as a ceramicist).
For that reason, this exhibition is one not to be missed by aspiring
painters and portrait artists, or those interested in painting
practice.
By cropping and reframing moments I decide where the moment of desire exists.My
practice has been primarily as a
painter for my last nine years in New York.
Hierophany: Tobi Kahn and the Manifestation of the Sacred November 17 - January 7, 2001 The concept of hierophany, a Greek word meaning the demonstration religious rites or
practices, provides the theoretical framework
for New York
painter Tobi Kahn.
Through ongoing, generous donations from Dr. Daum and other patrons, and judicious purchases with funds from an endowment
for acquisitions, the museum's permanent collection has grown to encompass more than 1,500 artworks by some of the most highly regarded artists of the past 50 years, including Pop art practitioners, Color Field
painters, Neo-Expressionists of the 1980s and 1990s, and artists of diverse
practices who have emerged during the last 20 years.
Painting now became a field of madly intense activity of the mind and eye that could happen in whatever format the
painter is attracted to.Painting has existed
for millenia, and has been
practiced by innumerable cultures
for religious or political or decorative purposes.
The first step, which took place at the Cini Foundation
for the 56th Venice Biennale, was the first major European institutional exhibition to fully explore Liu Xiaodong's unique
practice, as one of China's most influential
painters of the last two decades.
He is a
painter, improvising musician, and published poet and has been a
practicing artist
for twenty years.
In fact, his concern
for a contained pictorial statement, as opposed to a documentary reflection of the world, more closely aligns him to a
painter's artistic
practice.
Starting out «somewhere between a conceptualist and a
painter»,
for Searle, he is an artist whose varied
practice comfortably merits the term «multidisciplinary».
Tuymans has specifically selected these artists
for the individual nature of their
practice and the paradoxical way each of them uses their medium — as the artist himself is a figurative
painter who constantly seeks to extend the traditional boundaries of his own
practice — Tuymans has sought to recognise a similar trait in the artists he has chosen to exhibit; their works collectively investigate the potential, formal and conceptual tensions within the notion of abstraction.
David Brian Smith is one of a few interesting
painters represented by Carl Freedman — including,
for example Michael Fullerton and Ivan Seal — all of whom draw on the conventions, genres and histories of painting in their contemporary
practice.
As a Fulbright scholar, Glaser studied with the
painter, Giorgio Morandi in Bologna, and is an articulate spokesman
for the ethical
practice of design.
Bourbon a
painter, critic and associate professor of art at the University of North Texas in Denton, will use it in the spring to conduct research
for his painting
practice in Tokyo and Kyoto.
A platform
for contemporary painting
practice in the UK with «
Painter to
Painter» interviews, solo and group exhibitions and talks around painting in the 21st Century.
For Gibson's first major institutional exhibition, the Choctaw - Cherokee
painter and sculptor will show work made between 2011 and the present — a period in which the artist's
practice began to allude to his Native American roots.
It became a serial motif
for her and linked her
practice in New Mexico with that that of younger New York abstract
painters, such as Mark Rothko and Ellsworth Kelly, who created multiple works around a repeated form.
Carlos Rigau's video «P.I.U. - A Motivational video
for painters» parodies the connotation of the
painter and his
practice in the art world.
Painter living in Aldgate BA Fine Art Winchester and MA Illustration Anglia Ruskin Cambridge
Practicing artist
for over 25 years Recent double prize winner at Nottingham Castle
The Charlatan Ink Art Prize
for the Visual Arts is open to all artists
practicing VISUAL ART:
painters (in any medium & stylistic expression from classical painting to collages to illustrations to graffiti to drawing to print); photographers (film / digital); sculptors... Continue reading →
The MAP is a 3 - year fully comprehensive course of study
for painters looking to master their craft and achieve a professional
practice.
The late Swiss
painter Rudolf de Crignis who together with his partner Michael Paoletta collected tantric drawings
for many years is a perfect example how the study of yantra has attracted and bridged artistic
practices over many centuries.
Trained as a sculptor and
painter, Chance Dunlap's recent
practice has focused on his passion
for handmade fishing lures.
Australian
painter Mandy Martin's ongoing art and social
practice in Paruku (an Indigenous Protected Area in Western Australia) brings awareness to challenges facing Aboriginal peoples, and simultaneously informs positive environmental and cultural change in the area surrounding Lake Gregory — a terminal desert lake that has been a source of food and site of Aboriginal cultural production
for fifty thousand years.
Betty Goodwin: At Work is one of a three - part exhibition examining the studio
practice of three exceptional innovators (the others are the American sculptor Eva Hesse and Saskatchewan - born abstract master
painter Agnes Martin), and
for me, the absolute standout.
Likening Manet's process to his own video / performance art
practice, Kalup Linzy shared his thoughts on the
painter's matador portraits
for The Met's Artist Project.
Our current dean, the
painter Graham Nickson, believes in strong advocacy
for an artist's unique sensibility developed through a disciplined studio
practice, along with programs like the renowned Evening Lecture Series, the Drawing Marathons, and the Masters and Certificate programs, which have become synonymous with the present day School.
Matt Nolen was trained as a
painter and architect and has maintained a professional studio
practice in NYC focusing on ceramics
for 30 years.
Described by New York Times art critic Holland Cotter as «a classic artist's artist and one of our few important
practicing history
painters» Saul is best known
for his paintings depicting exaggerated, provocative images of pop culture ranging from well - known art references to political icons.
``... Beginning in 2009 [Christopher Ho] abandoned his New York - based conceptual art
practice for one year to become an abstract
painter in Telluride, Colorado, a rustic mountain town with a population just over 2,000.
«Jeffrey Gibson: Like a Hammer» Denver Art Museum May 13 — August 12
For Gibson's first major institutional exhibition, the Choctaw - Cherokee
painter and sculptor will show work made between 2011 and the present — a period in which the artist's
practice began...
While Reynolds»
practice of aristocratic portraits seem exactly matched to his talents, Gainsborough, if not forced to follow the market
for his work, might well have developed as a pure landscape
painter, or a portraitist in the informal style of many of his portraits of his family.
Al Taylor began his studio
practice as a
painter and although he is more widely known
for the three - dimensional works he started making in 1985, the artist maintained that his constructions weren't «at all about sculptural concerns; [they come] from a flatter set of traditions.»
Richard Prince is an American
painter and photographer best known
for his
practice of re-photography — appropriating existing works previously made by other artists.
The ideologies of artistic
practice may motivate
painters and fix their positions in the discourse of art history, but
for viewers of the work itself, the painting exists as image and / or object - an image -LSB-...]
The ideologies of artistic
practice may motivate
painters and fix their positions in the discourse of art history, but
for viewers of the work itself, the painting exists as image and / or object - an image or object whose relationship to the quotidian world of perception is ambiguous and multivalent.
You have had such a long
practice as a
painter; it was interesting to see you work with video, sound and light installations
for «Spectrum Version 2.2».
In addition to clearing a path of possibilities
for a generation of
painters Tom has made a
practice, reputation and career as an artist who seeks and conveys «rightness» in all the unorthodox, lush, gorgeous, challenging and exciting ways that it can appear.
For me her output gives the impression of a
painter once persistently scorned by her art teachers; an ugly duckling so obsessed with painting that through a persistent and rebellious belief in her dubious
practice the work has become brilliantly sophisticated and fascinating to behold.