Sentences with phrase «practice ideas form»

Not exact matches

A «mastermind» forms when people get together to share ideas, best practices, strategies and more in an effort to simply help one another.

For more ideas on how you can improve your small business finances, review these simple money management practices that can help you form better financial habits on a daily basis.

Such a gift might spring from varied motives — gratitude, homage, or the desire to curry favor — but obviously in the background of the practice of animal sacrifice was the idea that God liked this form of gift and profited by it.

The threat to this idea of secularism arises form religious fundamentalism which is afraid of insecurity through change in traditional religious dogmas, ritual practices of purity and impurity in social laws; the threat also comes from communalism which seeks political power for one's religious community or in the case of Hindutva wants to establish a Hindu state.

The form of argument in this presentation has emphasized several specific points: first, that the Asian values argument, as a challenge to the implementation of constitutional democracy, is exaggerated and fails to account for the richness of values discourse in the East Asian region - local values do not provide a justification for harsh authoritarian practices; second, that the cultural prerequisites arguments fail because they ignore the discursive processes for value development and they are tautological, excessively deterministic and ignore the importance of human agency it, therefore, makes little sense to take an entry test for constitutional democracy; third, the difficulties of importing Western communitarian ideas into an East Asian authoritarian environment without adequate liberal constitutional safeguards; fourth, the positive role of constitutionalism in constructing empowering conversations in modern democratic development and as a venue for values discourse; fifth, the importance, especially in a cross-cultural context, of indigenization of constitutionalism through local institutional embodiment; and sixth, the value of extending research focused on the positive engendering or enabling function of constitutionalism to the developmental context in general and East Asia in particular.

As the Caroline Walker Trust state in their Eating well: first year of life practical guide, «Many of the ideas from baby - led weaning already form part of the good weaning practices currently recommended.

Use of USDA's Meal Modification form will be discussed, along with menu design ideas and best practices in feeding students with special dietary needs.

If you have a clear idea of what you want to do next, then you may value feedback on your CV, tips on completing application forms, a practice interview tailored to your chosen post, or advice on networking.

And so, after taking a class with celebrated Iyengar teacher Roger Cole in 1988, Miller was inspired to play with the form — and to invent his own take on the Sun Salutation, expanding on Cole's ideas of linking static standing poses in the heart of an Iyengar practice.

Yoga practices and philosophy blended with the Ayurvedic system offer a valuable lens through which to play between seemingly disparate ideas: yin and yang, form and no - form, success and failure, goals and no - goals, tamas and rajas, hot and cold, and on and on!

A key idea behind the practice is that any form of Qi Gong has an effect on the cultivation of balance and harmony, positively influencing the human energy complex (Qi meridians / pathways) which functions as a holistic, coherent and mutually interactive system.

The findings in this study show that personal history plays an important role in the teacher candidates» perceptions of VS. Because they all had some form of experience with online or distance education courses, they had misconceptions and preconceptions that resulted in concerns about VS. It was necessary, therefore, to address these inaccurate ideas and to help the teacher candidates modify their preconceptions by allowing them to go through the field experience virtually and placing them with an exemplary VS teacher with whom they could observe good practice.

In the contexts where we have observed the richest forms of inquiry, teachers have had a voice in all aspects of inquiry processes, from conceptualizing problems to choosing professional resources to contextualizing new ideas in practice to monitoring progress based on their collective goals.

Reverberations, the monthly, online publication available to members, publishes models of best practice from Orff Schulwerk classrooms in the form of lesson ideas, student - tested teaching strategies, examples of technology in the creative process, articles related to classroom applications, and more.

The Oakland - based work has formed a structure that comprises the core design of this prospectus: a fellowship of 28 teachers from 16 schools or organizations working together to build individual maker - centered learning practices and think through new ideas as a learning community; a leadership team made up of educators able to offer personalized professional development according to the needs of participants; a grants program designed to provide schools and organizations with the tools and materials needed to reach their goals; thoughtful partnerships with key organizations in the field; and a primary focus on equity in the work.

Research shows that on - the - job support is the most effective form of professional development in terms of supporting teachers in adopting new strategies and ideas into daily practice.

'' A painting must always move beyond its subject,» says British painter Michael Simpson, who sees the practice of painting as» giving form to an idea.»

Working with drawing, video, sculpture, and installations, Hüner's practice focuses on constructed narratives and eclectic assemblages which explore the subjects of utopia, archaeology, ideas of progress, and the future through reimagining spatial and architectural entities and organic and artificial forms.

The exhibition will be accompanied by a fully illustrated two - volume publication: a catalogue with an introduction by the three curators, and an essay by Briony Fer, and a subject index, a second volume in the form of a glossary that is devoted to important ideas in Horn's practice or that relate to individual works.

GPS / Global Practice Sharing provides a platform for the international exchange of ideas, processes and reflective practices surrounding dance and movement based forms between the U.S. and independent performing arts communities internationally.

In the late 1960s poet Ishmael Reed adopted the 19th - century term «HooDoo,» referring to forms of religion and their practice in the New World to explore the idea of spiritual practice outside easily definable faiths or creeds and ritualism on contemporary works of literature and art.

As you formed a cohort and the idea started to seem more and more tangible, what thoughts were you having about the intersection of an artist practice with the sort of social project that's not only bound in politics, but money?

Although most of Tuttle's prolific artistic output since the beginning of his career in the 1960s has taken the form of three - dimensional objects, he commonly refers to his work as drawing rather than sculpture, emphasizing the diminutive scale and idea - based nature of his practice.

Our arts and public programs demonstrate the role artists and curators play in our communities by connecting audiences to creative practices, ideas, art forms, and each other.

«Operating in the legacy of Marcel Duchamp, Chin allows his ideas to dictate the form of his art, yet he looks toward biological and evolutionary models as the underlying framework for his practice,» writes exhibition curator Miranda Lash, curator of contemporary art at the Speed Art Museum in Louisville, Kentucky.

Weekly informal gatherings, inter-studio visits and activities, as well as monthly field trips and meals together, are designed to form a community, foster cultural and exchange of artistic practices and ideas among residency and studio artists, and provide exposure to New York based artists and art institutions.

The talk explores issues pertaining to the intersecting ideas of time, space and form in contemporary sculpture, installation, material practices and their attendant discourses.

Richard Ibghy & Marilou Lemmens have developed a collaborative practice that combines a concise approach to the form and construction of the art object with a desire to make ideas visible.

The dual nature of this approach provides the museum with a diverse range of holdings and opportunities to display histories of recent artistic practice that are disparate, divergent, and reflective of the broader range of identities, disciplines, and forms that give shape to an idea of contemporary life.

Catalogue «Carsten Höller: Experience» will be accompanied by a fully illustrated 248 - page catalogue that takes the form of a scientific dictionary with entries covering key themes and ideas in the artist's practice.

I'm opening up to the idea that groups of people in a room generating artistic practice together actually form something like kinetic energy.

Drawing has long been an integral and vital part of Lee Bul's practice, an outlet for experimentation in ideas and forms that may eventually take shape as finished sculptural works.

The exhibition demonstrates the significant changes in artistic practice that coincided with the burgeoning number of art schools and university art departments, nonprofit art spaces, alternative galleries and artist - run spaces and publications that not only provided exhibition opportunities but, in the relative absence of commercial support, also created a community that fostered an exchange of radical forms and ideas.

March 12 — May 14, 2016 Bait Al Serkal This major retrospective traces the development of the late - Iranian artist's practice from the mid 1950s into the 21st century, reflecting on the evolution of her ideas and expressive forms attuned to the shifting ground beneath her feet.

Alÿs's personal, ambulatory explorations of cities form the basis for his practice, through which he compiles extensive and varied documentation that reflects his ideas and process.

Contour is synonymous with outline, shape, form — in terms of using make - up in art practice it relates to figure drawing and exploring ideas of sculpture within video and photography.

While ikebana is a practice still immersed in centuries of tradition, Kasuya's Ichiyo School seeks to update the form and stress the arranger's ability to express emotions or ideas.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

The forms of organization must advance alongside artistic practice, manifesting in as many iterations as art itself as a collaborator and co-conspirator rather than a passive container of inherited ideas.

All four artists came across Duchamp in the founding years of their careers and all embraced his practice to form the beginnings of the pop art movement and the still highly relevant theoretical ideas of bringing art into life.

The exhibition associates this idea of «offshore art» with past developments in Land Performance and Conceptual Art of the 1960s and 70s — a time when artists moved the creative process beyond the studio — and forms new dialogues with contemporary artists whose processes continue the interdisciplinary and site - specific practices that began with pioneers such as Bas Jan Ader, Dennis Oppenheim, and Robert Smithson.

This takes the form of co-produced sculptural objects but also as a less well - defined relationship between two individual practices — of assembling, reshaping, re-contextualizing and translating each other's ideas and forms.

As part of his wide - ranging practice Kim has always been a writer, publishing his ideas and using language both in essay form and on his canvases.

Fountain caused a great deal of controversy and debate in its» day and began the now standard practice of object re-appropriation and of idea over physical form.

Featured practices connect to ideas of being, animism, and the power of making the imagination take form.

Its curatorial practice shapes a culture of bold new discourse in the form of conversations, performances, and exhibitions, inviting local and international communities to an open inclusive exchange of ideas.

Like many of his radical 1960's contemporaries, Douglas Huebler's conceptual art practice celebrated the dematerialization of form in favor of ideas and concepts.

They experimented with new ways of teaching and learning; they encouraged discussion and free inquiry; they felt that form in art had meaning; they were committed to the rigor of the studio and the laboratory; they practiced living and working together as a community; they shared the ideas and values of different cultures; they had faith in learning through experience and doing; they trusted in the new while remaining committed to ideas from the past; and they valued the idiosyncratic nature of the individual.

Gallery 1313's open, multi-disciplinary approach to programming allows for new ideas, perspectives and forms in art and culture to emerge and cross-pollinate, prompting the criticism and generation of knowledge through discourse and debate around parallels and differences in contemporary practices.

Forming part of the collection's ongoing projects showcasing contemporary photography and video art from Africa, the show focuses on how African photographers are engaging with revolutionary and current photographic practices to respond to ideas and understandings of African diaspora.