Sentences with phrase «practice of contemporary architecture»

Not exact matches

To get a sense of the best practices in contemporary school design, we interviewed four of the top K — 12 architecture firms in the U.S.: Fanning Howey, Corgan, Perkins + Will, and Huckabee.

From iconic modern painters like Brice Marden, to contemporary designers like Jürg Lehni, to artists working across disciplines including photography, architecture, media arts, performance, film, and public practice, we invite you to hear from artists who are shaping the future of contemporary art.

From the RIBA Collections, renowned architectural figures such as Colin Campbell (1676 - 1729), Michael Searles (1751 - 1813) and Robert Adam (b. 1948) are presented alongside lesser - known contributors to the neo-Georgian style while architecture practice Apparata (Nicholas Lobo Brennan and Astrid Smitham), adds a contemporary commentary through a new commission for the Foyer space of the RIBA Headquarters.

She is widely known for her simultaneous engagement with academic scholarship and contemporary architectural practice and for interest in the intersection of architecture and other art forms.

His practice incorporates photographic, textile, installation and papermaking processes to investigate the role of history, collective memory, place and architecture in contemporary identity formation.

With the early Arts and Crafts movement and the Bauhaus vision of art integrated with everyday life as its historical point of departure, the Art and Craft department seeks to elaborate on the relationship between art and life, on matters of materiality (production, sustainability, globalisation), on design and architecture, and on artistic practice in social and political contexts in a contemporary perspective.

Scott Carter's practice is influenced by the experience of living amongst mass - produced materials, spaces, and objects that are inherent in contemporary architecture and design.

«Wang Shu - Amateur Architecture Studio» is the first of a series of monographic exhibitions entitled «The Architect's Studio», dedicated to contemporary architecture and to a new generation of architects that will be invited at the Louisiana Museum of Modern Art, to shape an image of their own practice.

Following the program of 2017, which investigated language materialized in objects and images, KW Institute for Contemporary Art turns its attention towards the body and its relationships to politics, technology, and architecture, while continuing to think through artistic practices.

Her areas of research include the crossover between contemporary art and architecture, video and new media practices, with a special focus on artists working and performing in the landscape.

In its eleventh year, the Serpentine Marathon series continued on its exploration of activism, art, anthropology, architecture, literature, music, philosophy, theology and science through a specific theme or topic of particular relevance in artists» practice and in the wider contemporary context.

Following the success of Surface Tension: Problematics of Site, Surface Tension: Supplement No. 1 presents contemporary site - based practices in art, architecture and performance through writing, documentation and projects.

The 2016 Venice Architecture Biennale redefines architecture in the face of contemporary concerns as a socially and politically engaged practice.

These textual explorations are complemented by extensive documentation of related projects, both historical and contemporary, by artists, architects, and performance artists, including Coughing Piece, a never - before released 1961 audio work by Yoko Ono; an obscure audio work by Nauman from 1969; projects by Suzanne Lacy, a leading figure in the development of conceptual practice and public art; and an experimental text by Jane Rendell on psychic architectures.

For his project «A work in situ», at REDCAT, John Knight revisits this relationship between two cohabiting institutions (Roy and Edna Disney CalArts Theater and Walt Disney Concert Hall), in today's highly developed «cultural corridor» of downtown Los Angeles, considering the relationship between space, architecture, contemporary arts and real estate.Since the late «60s, John Knight has pioneered the practices of site - specificity and institutional critique, always interested in interrogating the underlying geopolitical and economic systems implicit in everyday convention.

Anne Maree Barry's artistic practice uses film to address connections within contemporary urban space, uniting ideas of memory, narrative, geography, sociology and architecture.

Designed by architecture studio Carmody Groarke the exhibition reveals the contemporary practices and creative possibilities of the centuries - long skill of tailoring by presenting and pushing pattern cutting beyond the fashion garment.

Adjaye will talk about the ideas that inform his practice, the main aspects of his work, the role of architecture in the contemporary world, and the need to draw public attention to cultural heritage.

Terris is a contemporary artist and contractor who draws much of his artistic practice from his understanding of building materials and architecture.

An audio recording of Irena Davidovici, in which she discusses minimalist architecture and the influence of Van Der Laan's work on contemporary architectural practice, is available in the Audio - visual section of the Henry Moore Institute's Research Library.

Founded in 1979, the New York City - based practice established its identity through self - generated conceptual art and architecture installations, before reaching international prominence with large - scale cultural and civic projects such as the Blur Building at the Swiss Expo 2002 in Yverdon - les - Bains; the Institute of Contemporary Art, Boston; the Lincoln Center for the Performing Arts redevelopment project and the High Line, both in New York; as well as the Broad museum in Los Angeles and the recently completed Zaryadye Park near Red Square in Moscow, which opened in September 2017.

David A. Bailey, the Senior Curator at Autograph ABP, speaks with Adjaye about his practice and range of influences, from African art and architecture to contemporary art and music.

Phil Coy's (b. 1971 Gloucester) practice collages concepts rooted in the radical art and literature of the 20th century, with the languages and architectures of contemporary global commerce.

This month, when the Museum of Arts and Design in New York opens its show «Out of Hand: Materializing the Postdigital» — the first by a major museum to examine «the increasingly important role of digital fabrication in contemporary art, architecture and design practice» — among the more than 80 artists represented in it will be Frank Stella.