The book attempts to address the question of how societies represent themselves through
the practice of figurative art.
Not exact matches
Rejecting the
figurative and abstract
art of the era, and in an effort to transform the Japanese psyche from wartime regimentation to independence
of thought, Gutai artists fulfilled their commitment to innovative
practices by producing
art through concrete, performative actions.
Performative, Poetic, Powerful Examining the various aesthetic and conceptual turns that typify César's
practice, the show at Luxembourg & Dayan will present historically significant examples from his Compression, Human Imprint, and Expansion series, as well as such early
figurative works as the Venus - like welded iron sculpture Torso (1954), on loan from the permanent collection
of The Museum
of Modern
Art.
Her study and observation
of the
figurative and realistic tradition in Western
art has resulted in her accumulating a body
of knowledge that she draws on directly in her artistic
practice.
Timed for the new milleneum, this group show embraced a wide view
of ends and endings — philosophical,
figurative, apocolyptical, mortal, grammatical — to survey ideas and
practices in contemporary
art.
Rather than conforming to the era's dominant trends
of pop
art and conceptualism, he defied expectation by turning instead to
figurative painting — unfashionable in London at that time — and began to develop a unique painterly
practice informed by diverse
art historical precedents.
Subsequent exhibitions include Inter + Vista, an exploration
of contemporary vignettes via
figurative and formalist
practices, shown at L + M
Arts, Los Angeles in 2013 and most recently «Colony», a series
of paintings depicting the conditioned movements
of a group
of young adults ensconced in the setting
of anonymous apartments, exhibited at Galerie Haas in Berlin in 2016.
The encounter had its influence on Caro's
practice, turning him away from the
figurative style that had characterized his
art at that time and toward the kinds
of geometric forms he had seen in Noland's work.
Chief among them was the notion that Chicago was an isolated, provincial backwater unsupportive
of sophisticated
art practice, favoring only a
figurative, psychological tradition.
Simon's artistic
practice is informed by an academic interest in theoretical ideas behind abstraction in
art and explores the act
of transformation
of figurative elements in painting into abstract planes.
Independent
art critic and curator Sacha Craddock discusses
figurative painting
practices in the context
of the exhibition Figuratively Speaking curated by Marcelle Joseph.
Although a master
of both landscape and
figurative works, Tomás O'Maoldomhnaigh is chiefly noted for his portrait
art, which forms the basis
of his thriving
practice.
Eisenman's continual representation
of women (both «butch» and «femme») and female love not only imbues the
practice of figurative painting with an audaciously queer bent but also recasts
art history in a feminist light.