PaceWildenstein is pleased to present a group exhibition that brings together works by some of the most significant artists of the twentieth and twenty - first centuries, paying homage to the square, an elemental form that has helped to define and shape
the practice of modern and contemporary art.
Reduced to their basic characteristics, the selected works pay homage to the line, an elemental form that has helped to define
the practice of modern and contemporary art.
Not exact matches
She has been featured in major international exhibitions including the Museum
of Modern Art; the Centre Georges Pompidou; the Whitney Museum
of American
Art; the Fowler Museum at UCLA;
Art +
Practice; Prospect.3: Notes for Now New Orleans Biennial; the Institute
of Contemporary Art, Philadelphia;
and at the Studio Museum in Harlem.
In planning Tate Gallery St Ives from 1991, I was sharply aware
of how it had to combine respect for the history
and tradition
of modern art in Cornwall with fostering
contemporary practice.
Through the
practice of modern and contemporary sculptors, the three - dimensional
art form has certainly come a long way since the marble busts
and butts
of yore.
Stuart Comer (formerly Curator: Film at Tate
Modern, London, now Chief Curator
of Media
and Performance
Art at MoMA) commented that his section of the Biennial «acknowledges the complexity of contemporary art practice by including many types of cultural producers: editorial collectives, artist - curators, activists, musicians, poets, dancers, filmmakers, painters, sculptors and photographe
Art at MoMA) commented that his section
of the Biennial «acknowledges the complexity
of contemporary art practice by including many types of cultural producers: editorial collectives, artist - curators, activists, musicians, poets, dancers, filmmakers, painters, sculptors and photographe
art practice by including many types
of cultural producers: editorial collectives, artist - curators, activists, musicians, poets, dancers, filmmakers, painters, sculptors
and photographers.
From iconic
modern painters like Brice Marden, to
contemporary designers like Jürg Lehni, to artists working across disciplines including photography, architecture, media
arts, performance, film,
and public
practice, we invite you to hear from artists who are shaping the future
of contemporary art.
The relationship between drawing
and sculpture is particularly interesting in
contemporary art practice; Antony Gormley is one
of the most eloquent artists when it comes to articulating ideas that pertain to individual perception, collective needs, intellectual processes, or the applications
and development
of a visual language to assuage the spiritual or emotional privations
of the
modern world.
Current projects include In the Shadow
of the Negress: A Brief History
of Modern Artistic
Practice, which explores the constitutive role played by fictions
of black womanhood in Western
art from the late - eighteenth century to the present,
and a companion volume — tentatively entitled Touched by the Mother:
Contemporary Artists, Black Masculinities,
and the Ends
of the American Century — that brings together many
of his new
and previously published critical essays.
His work has been featured in group exhibitions at Pace Gallery, New York (2016); the Renaissance Society at the University
of Chicago (2016); Hammer Museum at
Art +
Practice, Los Angeles (2016); the Rennie Museum, Vancouver (2016); White Columns, New York (2016); the Solomon R. Guggenheim Museum, New York (2015); MoMA PS1, New York (2014); the Museum
of Modern Art, New York (2014);
and the Museum
of Contemporary Art, Cleveland (2013), among others.
With a collection encompassing both
modern and contemporary art, the gallery is an amazing archive
of 20th -
and 21st - century
practice.
Fifteen years on, their Dear
Art exhibition, originally conceived for and shown at the Museum of Modern Art Ljubljana / Museum of Contemporary Art Metelkova, is a response to Stilinović's text in the form of a snapshot of art's relationship to politically and critically engaged practice in the present d
Art exhibition, originally conceived for
and shown at the Museum
of Modern Art Ljubljana / Museum of Contemporary Art Metelkova, is a response to Stilinović's text in the form of a snapshot of art's relationship to politically and critically engaged practice in the present d
Art Ljubljana / Museum
of Contemporary Art Metelkova, is a response to Stilinović's text in the form of a snapshot of art's relationship to politically and critically engaged practice in the present d
Art Metelkova, is a response to Stilinović's text in the form
of a snapshot
of art's relationship to politically and critically engaged practice in the present d
art's relationship to politically
and critically engaged
practice in the present day.
Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker
and PhD candidate in the Department
of Film
and Media at the University
of California, Berkeley Robin Clark, Director
of the Artist Initiative, San Francisco Museum
of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist
and associate professor, Sculpture
and New Genres at the San Francisco
Art Institute Tim Hyde, artist
and assistant professor, Department
of Art and Art History, University
of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum
of Modern Art Tomoko Kanamitsu, program associate, Higher
and Continuing Education, Education
and Public
Practice, San Francisco Museum
of Modern Art Emily Liebert, associate curator
of Contemporary Art, Cleveland Museum
of Art Peggy Phelan, Ann O'Day Maples Chair in the
Arts, Professor
of Theater & Performance Studies
and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator
of Painting
and Sculpture, San Francisco Museum
of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University
of San Francisco Meredith George Van Dyke, curatorial assistant, Painting
and Sculpture, San Francisco Museum
of Modern Art John Zarobell, associate professor
and undergraduate director
of International Studies at the University
of San Francisco
Indira Allegra, artist Beth Bird, documentary filmmaker
and Ph.D candidate in the Department
of Film
and Media at the University
of California, Berkeley Robin Clark, director
of the Artist Initiative, San Francisco Museum
of Modern Art Gregory G. Geiger, artist Maria Elena González, artist
and associate professor, Sculpture
and New Genres, at the San Francisco
Art Institute Tim Hyde, artist
and assistant professor, Department
of Art and Art History, University
of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum
of Modern Art Tomoko Kanamitsu, program associate, Higher
and Continuing Education, Education
and Public
Practice, San Francisco Museum
of Modern Art Emily Liebert, associate curator
of Contemporary Art, Cleveland Museum
of Art Peggy Phelan, Ann O'Day Maples Chair in the
Arts, Professor
of Theater & Performance Studies
and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator
of Painting
and Sculpture, San Francisco Museum
of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University
of San Francisco Meredith George Van Dyke, curatorial assistant, Painting
and Sculpture, San Francisco Museum
of Modern Art John Zarobell, associate professor
and undergraduate director
of International Studies at the University
of San Francisco
A
modern update
of the Medieval trade manuals — the «come - along - with - me» (vade mecum)
of Medieval craftsmen — Words
of Wisdom: A Curator's Vade Mecum is an invaluable guidebook for anyone interested in
contemporary art and the
practice of curating.
Building an expansive
practice as a curator
of modern and contemporary art — most recently as Curator at Large at the Blanton Museum of Art — Carlozzi has created seminal exhibitions, produced important commissions, and acquired major works by a wide range of artis
art — most recently as Curator at Large at the Blanton Museum
of Art — Carlozzi has created seminal exhibitions, produced important commissions, and acquired major works by a wide range of artis
Art — Carlozzi has created seminal exhibitions, produced important commissions,
and acquired major works by a wide range
of artists.
The graduate program at the Center for Curatorial Studies at Bard College provides practical training
and experience in a museum setting
and an intensive course
of study in the history
of the
contemporary visual
arts, the institutions
and practices of exhibition making,
and the theory
and criticism
of the visual
arts in the
modern period.
«Each artwork was made in the last year or two
and reflects the most critical ideas
and issues motivating artistic
practices today,» Suzanne Weaver, the institution's curator
of modern and contemporary art, said.
He has lectured on various subjects in
modern and contemporary art, the history
of cinema
and photography,
and not - for - profit leadership
practice both nationally
and internationally.
For his exhibition for the Artist
of the Year prize in 1998, at the National Museum
of Modern and Contemporary Art, in Gwacheon, Kwon underscored this change in his
practice, showing mostly works that combine objects
and pure, white paper.
And yet the participatory, immersive aspect of Person of the Crowd signals a new way of presenting art that contemporary audiences expect — and it's one that deeply validates the attitude and practice of the flâneur as central to our modern, connected, urban existen
And yet the participatory, immersive aspect
of Person
of the Crowd signals a new way
of presenting
art that
contemporary audiences expect —
and it's one that deeply validates the attitude and practice of the flâneur as central to our modern, connected, urban existen
and it's one that deeply validates the attitude
and practice of the flâneur as central to our modern, connected, urban existen
and practice of the flâneur as central to our
modern, connected, urban existence.
These critiques
of neo-expressionism reveal that money
and public relations really sustained
contemporary art world credibility in America during the same period that conceptual
and feminist
art practices were systematically reevaluating
modern art.
Language
of the Birds: Occult
and Art considers over 60
modern and contemporary artists who have each expressed their own engagement with magical
practice.
«Nora Abrams is a major young scholar who promises to raise curatorial
practice and discourse around
contemporary art to a new level,» said Harry Cooper, Curator of Modern & Contemporary Art, at the National Gal
contemporary art to a new level,» said Harry Cooper, Curator of Modern & Contemporary Art, at the National Gallery of A
art to a new level,» said Harry Cooper, Curator
of Modern &
Contemporary Art, at the National Gal
Contemporary Art, at the National Gallery of A
Art, at the National Gallery
of ArtArt.
«Wang Shu - Amateur Architecture Studio» is the first
of a series
of monographic exhibitions entitled «The Architect's Studio», dedicated to
contemporary architecture
and to a new generation
of architects that will be invited at the Louisiana Museum
of Modern Art, to shape an image
of their own
practice.
Istanbul Museum
of Modern Art presents Neighbours — Contemporary Narratives from Turkey and Beyond, an exhibition that investigates contemporary art practices in Turkey and the surrounding
Art presents Neighbours —
Contemporary Narratives from Turkey and Beyond, an exhibition that investigates contemporary art practices in Turkey and the su
Contemporary Narratives from Turkey
and Beyond, an exhibition that investigates
contemporary art practices in Turkey and the su
contemporary art practices in Turkey and the surrounding
art practices in Turkey
and the surrounding...
Her works have been featured at international museums
and in institutional collections including The Norton Museum
of Art, The Whitney Museum
of American
Art, The Hammer Museum,
Art +
Practice, Tiwani
Contemporary, Sensei Exchange, Franklin
Art Works, Gallery Zidoun,
Modern Art Oxford, 32 Edgewood Gallery, The Moore Building, The Studio Museum in Harlem, The Rubell Family Collection /
Contemporary Arts Foundation, New Museum, Stevenson Gallery, Landcommandery
of Alden - Bisen, Brand New Gallery, Marianne Boesky Gallery, BRIC, Bronx Museum, American Academy
of Arts and Letters, Brooklyn Academy
of Music, Clifford Chance US LLP, Museum
of New
Art Detroit, Benrimon
Contemporary, Swarthmore College List Gallery, Kravets / Wehby Gallery, Green Gallery, Hunter College Times Square Gallery, Yale University
Art Gallery, San Francisco Museum
of Modern Art, The Pennsylvania Academy
of the Fine
Arts, The Nasher Museum
of Art at Duke University, The Tate
Modern, The New Church Museum, Zeitz MOCAA, Los Angeles County Museum
of Art,
and The Museum
of Modern Art.
Curated by Daniela Ferrari,
art historian and curator at the Museum of Modern and Contemporary Art of Trento and Rovereto (MART), Italy, the exhibition will explore the use of text and the written word in the practice of major Post-War Italian artists including, Vincenzo Agnetti (1926 - 1981), Alighiero Boetti (1940 - 1994), Dadamaino (1930 - 2004), Lucio Fontana (1899 - 1968), Emilio Isgrò (b. 1937), Piero Manzoni (1933 - 1963), Mimmo Rotella (1918 - 2006), Salvo (1947 - 2015) and Mario Schifano (1934 - 1998), alongside key international artists including Cy Twombly (1928 - 2011), Joseph Kosuth (b. 1945), Jannis Kounellis (1936 - 2017), Mel Bochner (b. 1940), John Baldessari (b. 1931) and Tracey Emin (b. 196
art historian
and curator at the Museum
of Modern and Contemporary Art of Trento and Rovereto (MART), Italy, the exhibition will explore the use of text and the written word in the practice of major Post-War Italian artists including, Vincenzo Agnetti (1926 - 1981), Alighiero Boetti (1940 - 1994), Dadamaino (1930 - 2004), Lucio Fontana (1899 - 1968), Emilio Isgrò (b. 1937), Piero Manzoni (1933 - 1963), Mimmo Rotella (1918 - 2006), Salvo (1947 - 2015) and Mario Schifano (1934 - 1998), alongside key international artists including Cy Twombly (1928 - 2011), Joseph Kosuth (b. 1945), Jannis Kounellis (1936 - 2017), Mel Bochner (b. 1940), John Baldessari (b. 1931) and Tracey Emin (b. 196
Art of Trento
and Rovereto (MART), Italy, the exhibition will explore the use
of text
and the written word in the
practice of major Post-War Italian artists including, Vincenzo Agnetti (1926 - 1981), Alighiero Boetti (1940 - 1994), Dadamaino (1930 - 2004), Lucio Fontana (1899 - 1968), Emilio Isgrò (b. 1937), Piero Manzoni (1933 - 1963), Mimmo Rotella (1918 - 2006), Salvo (1947 - 2015)
and Mario Schifano (1934 - 1998), alongside key international artists including Cy Twombly (1928 - 2011), Joseph Kosuth (b. 1945), Jannis Kounellis (1936 - 2017), Mel Bochner (b. 1940), John Baldessari (b. 1931)
and Tracey Emin (b. 1963).
The gallery showcases the prestigious Jerwood Collection
of modern and contemporary art, which focuses particularly on British
practice.
Returning exhibitors including Acquavella (New York), Hauser & Wirth (New York), Lévy Gorvy (New York)
and Skarstedt (New York) will curate cross-generational dialogues between
modern works
and new
contemporary art, shedding light on the evolution
of artistic
practice.
Designed by the architectural
practice HAT Projects, the gallery houses the Jerwood Collection
of modern and contemporary British
art, along with a changing exhibitions programme.
Visionary Africa —
Art at Work is an itinerant urban exhibition of contemporary African artistic practices organised jointly by the European Commission and the Palais des Beaux - Arts (Centre for Fine Arts) in Brussels, including artist residencies, showcases of local artists, and workshops on art and development in modern urban centers in Afri
Art at Work is an itinerant urban exhibition
of contemporary African artistic
practices organised jointly by the European Commission
and the Palais des Beaux -
Arts (Centre for Fine
Arts) in Brussels, including artist residencies, showcases
of local artists,
and workshops on
art and development in modern urban centers in Afri
art and development in
modern urban centers in Africa.
MORE THAN WORDS... Feb 23 - May 18, 2018 FINAL WEEK MORE THAN WORDS... is a fascinating group exhibition that explores the use
of text
and the written word in
modern and contemporary art practice since the 1960s.
This three - day institute takes inspiration from MCA exhibition, Alexander Calder
and Contemporary Art: Form, Balance, Joy, which pairs the work of Alexander Calder with the work of seven contemporary artists whose practices are bound to Calder's legacy as a mode
Contemporary Art: Form, Balance, Joy, which pairs the work
of Alexander Calder with the work
of seven
contemporary artists whose practices are bound to Calder's legacy as a mode
contemporary artists whose
practices are bound to Calder's legacy as a
modern sculptor.
Introducing the work
of critically important, but under - recognized, black artists to the canons
of modern and contemporary art through both research
and curatorial
practice.
We'll be looking back at the legacy
of Modern and Contemporary African
Art while looking forward to the future possibilities
of artistic
practices, communities
and markets on the continent.»
The exhibition explores the significant influence
of these two exemplary artists on
modern art and contemporary life, focusing on the parallels, intersections
and points
of difference between the two artists»
practices.
These works evoke the actual use
of hide in a range
of Native American aesthetic
practices (such as clothing, drums,
and shelters)
and the history
of the shaped canvas in
modern and contemporary art.
September 25, 2016 ISConnects: Creative Reuse: Edith Abeyta, Vanessa German,
and Steven Siegel discuss their
art practices Eric Crosby, Richard Armstrong Curator of Modern and Contemporary Art at the Carnegie Museum of Art, leads a dynamic discussion with artists Edith Abeyta, Vanessa German, and Steven Sieg
art practices Eric Crosby, Richard Armstrong Curator
of Modern and Contemporary Art at the Carnegie Museum of Art, leads a dynamic discussion with artists Edith Abeyta, Vanessa German, and Steven Sieg
Art at the Carnegie Museum
of Art, leads a dynamic discussion with artists Edith Abeyta, Vanessa German, and Steven Sieg
Art, leads a dynamic discussion with artists Edith Abeyta, Vanessa German,
and Steven Siegel.
Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit
of Matter
And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrin
And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek
and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrin
and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik
Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah
Arts Museum, Sharjah, UAE Two in One
Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money
And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrin
And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles,
And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrin
And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years
of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'
Art Contemporain, Chamarande, FR
Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts
and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrin
and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part
of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos
and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrin
and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years
of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics
of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target
Practice: Painting Under Attack 1949 - 78, Seattle
Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read
Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out
of Amsterdam: Travels in Conceptual
Art, 1960 - 1976, curated by Christophe Cherix, Museum
of Modern Art, New York, US Memory Labyrinth.
During the symposium, a selection
of key experts in the field have addressed these questions
and framed them in the wider context
of the naissance
of the
modern and contemporary art museum
and the role models
of Pontus Hultén
and Willem Sandberg, our continuous engagement with the
art production
of the 1960s, the place
of these exhibitions in the wider artistic oeuvres
of the participating artists, post-1960s «labyrinthine» exhibition
practices at large,
and the growing discipline
of exhibition history.
Marshall N. Price, Nancy Hanks Curator
of Modern and Contemporary Art, offers History
and Theory
of Curatorial
Practice, a core course in the Concentration.
Students gather in the gallery with Marshall N. Price, Nancy Hanks Curator
of Modern and Contemporary Art, who has taught the undergraduate course History
and Theory
of Curatorial
Practice, part
of the new Concentration in Museum Theory
and Practice, a collaboration between the Nasher Museum
and Duke's Department
of Art,
Art History & Visual Studies.
Nayland Blake will participate in a panel discussion on diversity
and artistic
practice in
contemporary and modern art with artists David Diao and Chie Fueki, moderated by Andrew Weinstein, assistant professor in the History of Art department at the Fashion Institute of Technology, in FIT's Katie Murphy Amphitheat
art with artists David Diao
and Chie Fueki, moderated by Andrew Weinstein, assistant professor in the History
of Art department at the Fashion Institute of Technology, in FIT's Katie Murphy Amphitheat
Art department at the Fashion Institute
of Technology, in FIT's Katie Murphy Amphitheater.
Green
Art Gallery aims to become not only an exhibition space, but also as a supporter and point of reference for the regional trends in modern and contemporary art practic
Art Gallery aims to become not only an exhibition space, but also as a supporter
and point
of reference for the regional trends in
modern and contemporary art practic
art practices.
The curators are: Sally Tallant, Director, Liverpool Biennial Dominic Willsdon, Curator
of Education
and Public
Practice, San Francisco Museum
of Modern Art Francesco Manacorda, Artistic Director, Tate Liverpool Raimundas Malasauskas, curator
and writer Joasia Krysa, Head
of Research, Liverpool Biennial
and Director, Exhibition Research Centre Rosie Cooper, Head
of Programmes, Liverpool Biennial Polly Brannan, Education Curator, Liverpool Biennial Francesca Bertolotti - Bailey, Head
of Production
and International Projects, Liverpool Biennial Ying Tan, Curator, Centre for Chinese
Contemporary Art (CFCCA) Sandeep Parmar, Co-Director, Centre for New
and International Writing Steven Cairns, Associate Curator
of Artists Film
and Moving Image, ICA
, Museum für
Modern Kunst, Frankfurt, Germany Cloud, Cranbrook Academy &
Art Museum, Bloomfield Hills, USA
Contemporary Vision, Oulun City
Art Museum, Oulu, Finland
Contemporary Visions, Wäinö Aaltonen Museum, Turku, Finland Emergencias, Musac — Museo de Arte Contemporáneo de Castilla y León, Spain De la Comtesse De Castiglione à Cindy Sherman, Galerie de France, Paris, France Beyond the Irish Sea, Liverpool Biennial, England The Forest: Politics, Poetics
and Practice, The Nasher Museum
of Art at Duke University, Durham, USA YOUgenics, Betty Rymer Gallery, School
of the
Art Institute
of Chicago, Chicago, USA
«Each artwork was made in the last year or two
and reflects the most critical ideas
and issues motivating artistic
practices today,» says Suzanne Weaver, The Brown Foundation Curator
of Modern and Contemporary Art.
Selected group exhibitions include: Love me, Love me not, Collateral exhibition, 55th Venice Biennale (2013); Re: emerge — Towards a New Cultural Cartography, Sharjah Biennial 11 (2013); City States — Makhachkala, Topography
of Masculinity, 7th Liverpool Biennial, (2012); Rewriting Worlds, ArtPlay Сentre, The Fourth Moscow Biennale
of Contemporary Art, (2011); Greater Caucasus, PERMM Museum
of Contemporary Art, Perm (2011); Affirmative Action (Mimesis), Laura Bulian Gallery, Milan (2011);
Practice for Everyday Life, Calvert 22, London (2011);
and History
of Russian Video
Art, Volume 3, Moscow Museum
of Modern Art (2010).
Performance has become such a catchword in
contemporary art circles, as artists
and critics alike seek to characterize the current shifts in production toward acting out or interacting with audiences — frequently in order to intersect artistic
practice with political agency
and redefinitions
of protest — that I ought to have entered Tate
Modern's «The World as a Stage» with ears prickling
and eyeballs peeled.