Not exact matches
Consisting
of three crimson canvases bearing the phrases «One Thing», «1965» and «Viet - Nam» respectively, the
triptych conveys both the consistency and also the expansiveness
of Kawara's
practice, and signals its inevitable enmeshing with the time and place
of its making.
This distance from everyday reality was enhanced by McNairn's
practice of creating
triptychs or diptychs, in homage to Renaissance and medieval altarpieces, as in Through the Valley or In a High Place, both exhibited in 1997.
These single,
triptych, and five - part pieces delve into the hyper - religious aspect
of southern living that was amplified and used to justify slavery as a humane
practice.