Sentences with phrase «practice oscillates»

After a number of successful shows, including his sell - out solo exhibition at Madder139 in London, he now lives and works in Glasgow where his painting practice oscillates between sculptural form / object / image and performance.

«Alvarez's practice oscillates between expression and constraint, technological innovation and traditional craftsmanship.

Paul Beumer's painting practice oscillates freely between figuration and abstraction.

Not exact matches

They have oscillated in practice between radical centralization and tolerance of relative decentralization (in the form of producer Soviets and compulsory co-operatives when these served a political purpose), but they have never put the social principle above the political nor attempted to realize Marx's dictum that the new society will be gestated in the womb of the old.

In theory these two models seem to present a clear choice between quite different ways of approaching the Christian life, but in practice most American Protestants oscillate between them.

As a combined practice / theory PhD candidate appointed to Aavaa, I hovered or oscillated between departments, inspiring, I suspected, at best confusion, at worst suspicion (where did my true affinities lie?).

His painterly practice has always oscillated freely between figuration and abstraction, but in the past few years gained a specific focus on the relationship and dichotomies between Western and Asian approaches to landscape painting and nature.

On the whole, artistic and curatorial practices automatically oscillate between the role of the user of an already existing visual culture and the role of an active producer of critically revised conceptions of this culture.

Her artistic practice has recently focused on producing works that incorporate found fabrics as well as new textiles, which the artist stretches on wooden frames to create organic and almost painterly compositions that oscillate between transparency and density, foreground and background.

Comprising thirty - six works, it spanned more than three decades and focused on the artist's long - standing interrogation of painting via a practice that oscillates between representation and abstraction and locates the medium within an expanded field.

As in much of her practice, Kohlmann's installation oscillates between real and mythical narratives, constructing a fictional ethnography composed of artifacts that transcend the boundaries between traditional handcraft, pop aesthetics, costume, spiritualism, art and science.

It looks at the «internal exile» of artists and their practice under harsh political circumstances, from the late Cultural Revolution to the eve of the Reform and Open Door policy, considering how individual practitioners had explored, defined, oscillated or adjusted their personal standpoints confronted by the tension between art and politics.

Oscillating between high formal contrasts — figure and ground, image and object, surface and depth — Vanessa Maltese's practice takes its point of derivation from discussions on painting - as - object or painting - as - architecture.

Anna Virnich's artistic practice focuses on textile - based tableaus, incorporating found fabrics as well as new materials, which the artist stretches on wooden frames thus creating organic and almost painterly compositions that oscillate between transparency and density, foreground and background, agility and standstill.

He went on to do his bachelor's degree at the Camberwell College of Arts, University of the Arts, London, which helped him expand his artistic practice to construct layers within his photographic narratives to allow for the viewer to question what they see by oscillating between reality and fiction.

Oscillating between abstraction and representation, Randall Stoltzfus uses the circle as a basis for his practice.

In their artistic practice, both have produced bodies of work that oscillate between the medium painting and its objectuality in different ways.

This edition brings together some questions that are of general importance to Dedobbeleer's practice: it oscillates between different states (in this case from two - to three - dimensionality, as well as from original to reproduction), connects with the history of art and combines everyday elements and artistic setting.