That's not even including the millions upon millions of individual victims of ethnic cleansing, religious intolerance and the centuries of human sacrifice
practiced by cults around the planet.
Not exact matches
Although it would be foolish to demarcate too rigidly cultic and other depictions of the emperor, as in some way all imperial ideology was pervaded
by religious conceptualizations of the imperial figure, the emperor was more than the
cult, and imperial ideology was embodied in other forms and
practices, many of which still require extensive examination (for example, its significance in the ideological construction of gender in the empire, and particularly of the body, is only just becoming visible).
``... [the] gulf between the Church and the scientific mind... widens with each generation, and modern means of diffusing knowledge
by the press, radio, and film, have brought us now to such a pass that the Christian, and especially the Catholic, whose beliefs are enriched in their religious manifestation
by the ceremonies and
practices of a most ancient past, finds himself considered the initiate of a recondite
cult whose
practices are not only unintelligible to men around him, but savour to them of superstition and magic.»
But I have been harassed at great lengths
by people
practicing Christianity to try to get me to enter their little
cult.
-- and 5:23) Indeed, Isaiah literally damns the total structure of the formal Yahweh
cult not for the
cult itself but because the ceremonial
practice is accompanied, in the grossest hypocrisy,
by a corporate life of injustice, oppression and violence.
And if you
practice it
by yourself... hey good news, your not in a
cult.
If you think that the god believed in and the christianity
practiced by the early jesus
cult was anything like the pauline
cult or the various evolved mutations throughout history or is anything like the god or religion that «christians» believe or
practice today.
Cult prostitution, scattered idolatrous sanctuaries, the
practice of child sacrifice, and all objects and manifestations of astral worship (ancient Babylonian in origin, taken over
by Assyria) are abolished.
However, it added «the Center continues to note with dismay, however, that governmental accountability and responsiveness have remained highly insufficient (despite delivery of considerable voice to citizenry under the 4th Republic); public corruption remains pervasive; progress of the constitutionally - mandated political, administrative and fiscal decentralization has stalled; the economy remains characterized
by jobless growth; income and spatial inequality are on the rise in spite of poverty reduction; and the nation's two main political parties which have alternated in power in the 4th Republic have increasingly taken on the features of rival
cults (whose primary purpose seemingly is to win elections, achieve «state capture» and
practice «winner - takes - all» politics).
For instance, schools that would be run
by religious «
cults» that lack particular institutional credentials could be excluded, or schools that engage in discriminatory
practices or that engage in teachings that citizens find offensive could be disqualified.
Frieze Artist Award winner Kiluanji Kia Henda merges the
cult of Marxism - Leninism after Angolan independence with the drawn parallels between witchcraft
practices during Angola's civil war and science fiction narratives used
by Cold War superpowers.
But what of the commercialization of occult
practices, the kind done
by corporations, the illegitimate posturing
by en vogue gentrifier covens, mystics, and bro -
cults?
These presentations of modern masters and their tribal influences are complemented
by the expanded Spotlight section, which will highlight solo artist presentations of 31 pioneers of 20th - century
practice, such as Thomas Kovachevich (Callicoon Fine Arts, New York); self - taught artist Felipe Jesus Consalvos (Fleisher / Ollman, Philadelphia); Barbara Chase - Riboud (Michael Rosenfeld Gallery, New York); and Dom Sylvester Houédard — a Benedictine monk turned counter-culture
cult figure of 1960s London (Richard Saltoun Gallery, London).