Sentences with phrase «practices at art museums»

Like the Art Workers» Coalition — a movement that profoundly influenced the generation of artists represented at the Hammer — these contemporary collectives are concerned with fair labor practices at art museums that increasingly operate like multinational corporations.

Not exact matches

This week you and your child can learn about camouflage in nature at Harris Lake County Park in New Hill, practice the art of origami at the North Regional Library in Durham, try out improv skills at the Cameron Village Regional Library in Raleigh and explore art and movement at the North Carolina Art Museum in Raleiart of origami at the North Regional Library in Durham, try out improv skills at the Cameron Village Regional Library in Raleigh and explore art and movement at the North Carolina Art Museum in Raleiart and movement at the North Carolina Art Museum in RaleiArt Museum in Raleigh.

Whether it's the Louvre or the Rubin Museum of Art, students are often encouraged to spend time sketching the paintings and sculptures that intrigue them — not to practice their art skills, but to get them to look closer at the details: the complex color of a sky, the figure off in the distance... After taking the time to draw a sketch yourself, you're bound to remember the details of a work and have a greater appreciation for its creatiArt, students are often encouraged to spend time sketching the paintings and sculptures that intrigue them — not to practice their art skills, but to get them to look closer at the details: the complex color of a sky, the figure off in the distance... After taking the time to draw a sketch yourself, you're bound to remember the details of a work and have a greater appreciation for its creatiart skills, but to get them to look closer at the details: the complex color of a sky, the figure off in the distance... After taking the time to draw a sketch yourself, you're bound to remember the details of a work and have a greater appreciation for its creation.

Evening Community Yoga Class Come and practice yoga at the Spelman College Museum of Fine Art on May 9th at 6:00 pm and also learn...

Currently Taylor is hosting an exhibition titled «Camarillo State Hospital» at his other studio / open gallery on 3rd Street in Los Angeles, and has work featured in the group exhibition «A Shape That Stands Up,» organized by Jamillah James at the Hammer Museum in Los Angeles in conjunction with Art + Practice.

W.A.G.E., the New York organization devoted to ensuring sustainable labor practices at arts institutions, issued an open letter today about the New Museum's expansion into a neighboring building.

The artist has participated in numerous group exhibitions including Mirror Cells at the Whitney Museum of American Art, Moma PS1's Greater New Yorkand Sculpture Center's In Practice: Fantasy Can Invent Nothing New.

About Teen Programs Teen Programs at MASS MoCA expose area youth to contemporary art - making practices, build confidence and leadership abilities, provide creative avenues for self - expression, and deepen teens» connections to the museum and greater North Adams community.

10/3/2013 — Celebrated American sculptor Robert Gober discusses the work of Forrest Bess and curatorial practice with Elisabeth Sussman, curator and Sondra Gilman Curator of Photography at the Whitney Museum of American Art.

MARK BRADFORD Venturing beyond the creative thrust of his Los Angeles - based practice and embracing his power as a major figure in the art world, Mark Bradford launches Art + Practice, a groundbreaking community project, and joins the boards of the Los Angeles Museum of Contemporary Art and the Rose Art Museum at Brandeis University practice and embracing his power as a major figure in the art world, Mark Bradford launches Art + Practice, a groundbreaking community project, and joins the boards of the Los Angeles Museum of Contemporary Art and the Rose Art Museum at Brandeis University in 20art world, Mark Bradford launches Art + Practice, a groundbreaking community project, and joins the boards of the Los Angeles Museum of Contemporary Art and the Rose Art Museum at Brandeis University in 20Art + Practice, a groundbreaking community project, and joins the boards of the Los Angeles Museum of Contemporary Art and the Rose Art Museum at Brandeis University Practice, a groundbreaking community project, and joins the boards of the Los Angeles Museum of Contemporary Art and the Rose Art Museum at Brandeis University in 20Art and the Rose Art Museum at Brandeis University in 20Art Museum at Brandeis University in 2014.

She has been featured in major international exhibitions including the Museum of Modern Art; the Centre Georges Pompidou; the Whitney Museum of American Art; the Fowler Museum at UCLA; Art + Practice; Prospect.3: Notes for Now New Orleans Biennial; the Institute of Contemporary Art, Philadelphia; and at the Studio Museum in Harlem.

Also that year, her first solo exhibitions in her hometown of Los Angeles were on view concurrently at Art + Practice and the Hammer Museum.

Now Emerita Professor of Art at Queens College, CUNY where she co-founded Social Practice Queens (SPQ) in 2010 in partnership with the Queens Museum, she also co-founded the Pedagogy Group, a cooperative of art educators from many institutions who consider how to embody anti-capitalist politics in the ways we teach and leaArt at Queens College, CUNY where she co-founded Social Practice Queens (SPQ) in 2010 in partnership with the Queens Museum, she also co-founded the Pedagogy Group, a cooperative of art educators from many institutions who consider how to embody anti-capitalist politics in the ways we teach and leaart educators from many institutions who consider how to embody anti-capitalist politics in the ways we teach and learn.

TALK April 24: Ethiopian - born American painter Julie Mehretu discusses her practice with Karen Milbourne, a curator at the Smithsonian's National Museum of African Art, for the Meet the Artist series at the Hirshhorn Museum.

TER.FER.EN.CE, The Farjam Foundation, Dubai, UAE NOW - ism: Abstraction Today, Pizzuti Collection, Columbus, OH Alter / Abolish / Address, as part of 5 × 5:2014, a project of the D.C. Commission on the Arts and Humanities, LAND (Los Angeles Nomadic Division), Washington, D.C. Four Decades of Drawings and Works on Paper, John Berggruen Gallery, New York, NY Tarīqah, Barjeel Art Foundation, Maraya Art Centre, Sharjah, United Arab Emirates Graphicstudio: Uncommon Practice at USF, Tampa Museum of Art, Tampa, FL BLACK / WHITE, curated by Brian Alfred and Shay Kun, LaMontagne Gallery, Boston, MA

He returned to his artistic practice in 2005, and has since exhibited in several group exhibitions including State of Mind: New California Art Circa 1970 co-organized by the Berkeley Art Museum and the Orange County Museum of Art; Ends of the Earth: Art of the Land to 1974 at the Museum of Contemporary Art, Los Angeles; and Afterlife: A Constellation, curated by Julie Ault as part of the 2014 Whitney Biennial.

Over the past two years, she has transformed her practice, producing large - scale and multi-panel paintings first presented at the 2015 Venice Biennale, and in 2016 at Salon 94 and the Modern Art Museum of Fort Worth in Texas.

Graphicstudio: Uncommon Practice at USF is curated by Jade Dellinger and co-organized by USF Contemporary Art Museum and the Tampa Museum of Art.

2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

In April, Mehretu discussed her practice with Karen Milbourne, a curator at the Smithsonian's National Museum of African Art, for the Hirshhorn's Meet the Artist series.

Her work has been included in solo and group exhibitions at Tramway in Glasgow, the New Museum, and Art + Practice, among others.

Her practice has been generously supported by numerous residencies and awards: Bronx Museum Artist In the Market Place Program, Emerging Artist Fellowship at Socrates Sculpture Park, Center for Book Arts Workspace Residency, Martin Wong Foundation Scholarship, among others.

She is a practicing visual artist and has exhibited at various organizations including, Biennale Internationale de Céramique d'Art, Vallauris, France; Paradox Gallery, Zurich, Switzerland; San Francisco Museum of Modern Art; Stroud House Gallery, UK; and Roman Susan, Chicago.

HOUSTON — Atlas, Plural, Monumental, an exhibition at CAMH thanks to the museum's curator Dean Daderko, is a midcareer retrospective of the artist Paul Ramírez Jonas, known for his public art, sculpture, social practice projects.

On March 16 and 17, Using the Self to Imagine the World places a spotlight on the life and practice of Ree Morton, with participants including Tang Museum Director Ian Berry; artist Nayland Blake; art historian Sabine Folie; Alexander and Bonin Gallery Director Kathryn Gile; Founder and Principal of Art Agency, Partners, and Chairman of Sotheby's Fine Art Division Allan Schwartzman; and Director of Exhibitions at the University of the Arts, Philadelphia Sid Sacart historian Sabine Folie; Alexander and Bonin Gallery Director Kathryn Gile; Founder and Principal of Art Agency, Partners, and Chairman of Sotheby's Fine Art Division Allan Schwartzman; and Director of Exhibitions at the University of the Arts, Philadelphia Sid SacArt Agency, Partners, and Chairman of Sotheby's Fine Art Division Allan Schwartzman; and Director of Exhibitions at the University of the Arts, Philadelphia Sid SacArt Division Allan Schwartzman; and Director of Exhibitions at the University of the Arts, Philadelphia Sid Sachs.

CALL artist Juan Sánchez will sit down with VoCA Program Committee member and Associate Conservator at Modern Art Conservation Jennifer Hickey at the Bronx Museum of the Arts to discuss his practice and the experience of documenting his life's work.

Since his rise to prominence years ago at the 1985 Whitney Biennal to his recent ambitious street art survey Art In the Streets at the Museum of Contemporary Art, Los Angeles, Scharf continues to approach his practice with playfulness and a youthful spirart survey Art In the Streets at the Museum of Contemporary Art, Los Angeles, Scharf continues to approach his practice with playfulness and a youthful spirArt In the Streets at the Museum of Contemporary Art, Los Angeles, Scharf continues to approach his practice with playfulness and a youthful spirArt, Los Angeles, Scharf continues to approach his practice with playfulness and a youthful spirit.

In her artistic practice, recent works include the large - scale sculptural installations Raked at Spencer Brownstone Gallery in New York (2014), and Floor / Ceiling at The Aldrich Contemporary Art Museum, Connecticut (2013).

Recent projects such as Crash Pad for the 8th Berlin Biennial, Every End is a Beginning at the National Museum of Contemporary Art in Athens and Fin de Siècle at Swiss Institute will be used to highlight aspects from Angelidakis's exhibition practice where the artist becomes curator, the exhibition becomes a medium and the exhibition device an exhibited object.

This curatorial practice will be developed on the exhibition's tour, starting at the Astrup Fearnley Museum of Modern Art in Oslo, with a section curated by the artist Bose Krishnamachari.

Riley's practice, which first achieved widespread international acclaim with the 1965 exhibition «The Responsive Eye» at The Museum of Modern Art in New York, has returned to her now iconic stripe motif at crucial moments in her career.

His role at the Lunder Institute for American Art will be a three - year appointment, where Gates will convene artists and thinkers from around the world for retreats, provide opportunities for students and faculty to engage in his practice, and identify opportunities for additional artist residencies, projects, and exhibitions at the Institute, founded in 2017 at the Colby College Museum of Art.

Her work has previously been exhibited in solo shows at the Hammer Museum and Art + Practice, both in Los Angeles, and the Norton Museum of Art, West Palm Beach, Florida, and has been featured at San Francisco Museum of Modern Art and the Whitney Museum of American Art in New York.

Prior to her trumpeted appointment, she'd made her mark on the Los Angeles art landscape at the Hammer Museum, where she not only shepherded the first L.A. solo shows of contemporary visionaries Simone Leigh and Njideka Akunyili Crosby into fruition, but was also integral in realizing the exhibitions at Art + Practice (such as a show by Alex Da Corte), the arts and social services foundation established by influential artist Mark Bradfoart landscape at the Hammer Museum, where she not only shepherded the first L.A. solo shows of contemporary visionaries Simone Leigh and Njideka Akunyili Crosby into fruition, but was also integral in realizing the exhibitions at Art + Practice (such as a show by Alex Da Corte), the arts and social services foundation established by influential artist Mark BradfoArt + Practice (such as a show by Alex Da Corte), the arts and social services foundation established by influential artist Mark Bradford.

In February, in connection with Charles Gaines: Gridwork 1974 — 1989 at the Hammer Museum, Art + Practice will show Charles Gaines's Librettos: Manuel de Falla / Stokely Carmichael in the gallery at A+P in Leimert Park.

03.12.2018 Architect Magazine: Architecture Embraces Performance Art (Again) 02.22.2018 ArtNews: Adrienne Edwards Named Curator of Performance at Whitney Museum 01.2018 Something We Africans Got: Performa 17, a focus on live art practice and contemporary African art and cultArt (Again) 02.22.2018 ArtNews: Adrienne Edwards Named Curator of Performance at Whitney Museum 01.2018 Something We Africans Got: Performa 17, a focus on live art practice and contemporary African art and cultart practice and contemporary African art and cultart and culture

Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, BRIC, Bronx Museum of Art, Bureau of General Services — Queer Division, Caribbean Cultural Center African Diaspora Institute, Community Access Art Collective, Decolonize This Place, Discwoman, El Museo de Los Sures, Eyebeam, Flux Factory, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Social Practice Queens, Studio Museum in Harlem, Swale, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.

His work has been featured in group exhibitions in museums worldwide including the Whitney Biennial, Whitney Museum of American Art, New York (2017); Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (2016); Astrup Fearnley Museet, Oslo, Norway (2016); Hammer Museum at Art + Practice, Los Angeles, CA (2016); Camden Arts Centre, London, UK (2016); Studio Museum, Harlem, NY (2013); Carnegie Museum of Art, Pittsburgh, PA (2013); Museum of Contemporary Art, Los Angeles, CA (2012); Los Angeles County Museum of Art, Los Angeles, CA (2011); and the Rubell Family Collection, Miami, FL (2011).

The Hammer Museum at Art + Practice is a Public Engagement Partnership supported by a grant from the James Irvine Foundation.

A thorough examination of his practice, «Charles White: A Retrospective,» accompanies the White's long - awaited survey which will be on view this summer at the Art Institute of Chicago, before traveling to MoMA in New York, and the Los Angeles County Museum of Art.

Based on the acclaimed juried publication, an exhibition - in - print, this year's version was selected by Kelly Schindler, associate curator at the St. Louis Contemporary Art Museum, and features an equally diverse group of artists and practices from across the Midwest.

Monash University Museum of Art [MUMA], in association with Monash Art, Design and Architecture [MADA], present a special lecture by Italian - American curator, author and researcher Carolyn Christov - Bakargiev, Artistic Director of the 14th Istanbul Biennial 2015 and Visiting Professor in Art Theory and Practice at Northwestern University, Illinois, USA.

Hunt graduated from the Curatorial Practice program at the California College of the Arts in San Francisco, and has worked at various galleries and institutions since 2002, including Whitechapel Gallery, London; Friedrich Petzel Gallery, New York; the Wattis Institute for Contemporary Arts, San Francisco; and the Philadelphia Museum of Art.

A focus on the collective seems to be the theme of choice this summer, be it collective practice at Klaus Von Nichtssagend, collective movement at the EFA, or simply an art collective at the Brooklyn Museum.

This month will offer his fans a chance to luxuriate in his warmly welcoming art when it comes to the Bronx Museum for a sweeping retrospective of Feher's work, which promises plenty to marvel at for both newcomers to contemporary practice and experience veterans.

His work has been featured in group exhibitions at Pace Gallery, New York (2016); the Renaissance Society at the University of Chicago (2016); Hammer Museum at Art + Practice, Los Angeles (2016); the Rennie Museum, Vancouver (2016); White Columns, New York (2016); the Solomon R. Guggenheim Museum, New York (2015); MoMA PS1, New York (2014); the Museum of Modern Art, New York (2014); and the Museum of Contemporary Art, Cleveland (2013), among others.

She is a Senior Lecturer in the MFA Social Practice Area Emphasis at Otis College of Art and Design, and a member of the Board of Directors of the College Art Association, where she chairs the Museums Committee.

Opening: «Martin Wong: Voices» at P.P.O.W Concurrent with his retrospective «Human Instamatic» on view at The Bronx Museum of the Arts, P.P.O.W presents Voices, an exhibition of more than 100 works focusing on language as the source of Martin Wong's artistic practice.

Vikram has guest curated exhibitions for the Craft and Folk Art Museum, Shulamit Nazarian Gallery, Mills College Art Museum, ProArts Gallery, and the DeYoung Museum Artist Studio, and held curatorial positions at UC Berkeley Department of Art Practice, Headlands Center for the Arts, Aicon Gallery, and Richmond Art Center.

Screening: «An Evening with Raha Raissnia» at the Museum of Modern Art The Iranian - born artist and filmmaker presents an evening of her multidisciplinary practice, which combines painting, drawing, filmmaking and performance.