Both types of horror come from the beliefs and
practices of a religious cult («Faults») from which deprogrammer Ansel (Leland Orser; Taken / Taken 2, 2008/12) attempts to rescue Claire (Mary Elizabeth Winstead; 10 Cloverfield Lane, 2016).
Not exact matches
Although it would be foolish to demarcate too rigidly cultic and other depictions
of the emperor, as in some way all imperial ideology was pervaded by
religious conceptualizations
of the imperial figure, the emperor was more than the
cult, and imperial ideology was embodied in other forms and
practices, many
of which still require extensive examination (for example, its significance in the ideological construction
of gender in the empire, and particularly
of the body, is only just becoming visible).
``... [the] gulf between the Church and the scientific mind... widens with each generation, and modern means
of diffusing knowledge by the press, radio, and film, have brought us now to such a pass that the Christian, and especially the Catholic, whose beliefs are enriched in their
religious manifestation by the ceremonies and
practices of a most ancient past, finds himself considered the initiate
of a recondite
cult whose
practices are not only unintelligible to men around him, but savour to them
of superstition and magic.»
That's not even including the millions upon millions
of individual victims
of ethnic cleansing,
religious intolerance and the centuries
of human sacrifice
practiced by
cults around the planet.
Concern about the risk
of entanglement
of secular courts in the business
of regulating
religious beliefs and
practices, insofar as it relates to tort liability on the part
of destructive
cults, is misplaced.
Although
religious practice is nominally free in France, with completely secular state that does not interfere in
religious beliefs, there are mechanisms that could be used against «dangerous»
cults which threaten rule
of law, especially if said
cults endanger human life.
Both types
of horror come from the beliefs and
practices of Faults, a
religious cult from which deprogrammer Ansel (Leland Orser) attempts to rescue Claire (Mary Elizabeth Winstead).