Sentences with phrase «practices of other artists»

Binion's distinctive insertion of narrative and personal history and his emphasis on content, distinguished his work from the more reductive Minimalist practices of other artists and continues to do so today.

Not exact matches

A graduate of five fellowship and teaching certification programs related to her work as a Jewish educator, Iyengar - based yoga instructor and movement / expressive artist, Julie has nineteen years of experience guiding others in exploring Jewish wisdom, text and practices via the body in a variety of settings.

I've seen this in fellow artists and former students: Artists are often inspired by fields outside of the arts, and exposure to those other fields of study serves to deepen their artistic prartists and former students: Artists are often inspired by fields outside of the arts, and exposure to those other fields of study serves to deepen their artistic prArtists are often inspired by fields outside of the arts, and exposure to those other fields of study serves to deepen their artistic practice.

• Make it a «non-negotiable» • Recruit and hire teachers who buy - in from the get - go • Provide them with hands - on professional development and plenty of examples • Share and celebrate «best practices» • Identify teachers who do it well and have others visit their classrooms • Give instructional teams time to collaborate and to develop quality prompts • Stockpile successful A.R.T. plans and incorporate them into the school's curriculum map • Hire and / or bring in practicing artists to participate • And, most importantly, get excited - as though you had just seen a narwhal tusk for the first time!

Taiwan Journal of TESOL Teacher Development Teacher Education and Practice Teacher Education and Special Education Teacher Education Quarterly Teacher Educator Teacher Educators» Journal Teachers and Curriculum Teachers and Teaching: Theory and Practice Teachers College Record Teaching & Learning Inquiry Teaching Artist Journal Teaching Children Mathematics Teaching Education Teaching English in the Two - Year College Teaching English with Technology TEACHING Exceptional Children Teaching History Teaching in Higher Education Teaching Mathematics and Its Applications Teaching of Psychology Teaching Public Administration Teaching Science Teaching Sociology Teaching Statistics: An International Journal for Teachers Teaching Theology & Religion Technology and Engineering Teacher Technology, Knowledge and Learning Technology, Pedagogy and Education TechTrends: Linking Research and Practice to Improve Learning TEFLIN Journal: A publication on the teaching and learning of English Tertiary Education and Management TESL Canada Journal TESL - EJ TESOL in Context TESOL Journal TESOL Quarterly: A Journal for Teachers of English to Speakers of Other Languages and of Standard English as a Second Dialect Texas Journal of Literacy Education Texas Music Education Research The EuroCALL Review The Mathematics Educator Themes in Science and Technology Education Theory and Research in Education Theory and Research in Social Education Theory Into Practice Thought & Action To Improve the Academy Topics in Early Childhood Special Education Topics in Language Disorders Tribal College Journal of American Indian Higher Education Turkish Online Journal of Distance Education Turkish Online Journal of Educational Technology - TOJET

First, as the narrator Marc shared with us, humorously and candidly, his views on the practice of medicine, his patients, artists and entertainers and women, among other subjects.

View works by contemporary Ubudian artists as well as traditional schools of art such as Batuan — practiced by Brahman artists — and Sanur, which features highly stylized paintings of sea creatures and other animals.

Skill challenges is an excellent design choice as it is a highly effective set of tutorials that provide a genuine feeling of how it would be for a mixed martial artist to practice in a multitude of sparring sessions in the gym; even to the realism of having a variety of other fighters training throughout the gym.

On the other hand, if you're able to use your creative mind to offer somethingon fivrr that would be fun, easy, and related somehow to the work you really love to do (rather than something that feels trivial) then it could be a stream of income to test ideas, practice sketching out quirky concepts, and as Chris said above, «create value, relationships or a portfolio that will build over time», selling work on fivrr / or donating work to silent auctions for organizations you believe in could complement a proactive artist's other marketing efforts.

In other cases, the artist's use of paper is essential in varying their practice, contributing to a greater narrative.

Through conversations with a wide spectrum of painters, performance artists, sculptors, photographers, video artists, and others, Trigg set out to investigate contemporary artmaking practices.

Artists» journeys have been documented throughout art history: Those whose main practice has been «walking» include British artists Richard Long and Hamish Fulton, as well as others like Francis Alÿs, whose counterintuitive trip in «The Loop» (1997), from Mexico to California via a loop around the world (all to avoid the crossing of the US — Mexico border), was message - Artists» journeys have been documented throughout art history: Those whose main practice has been «walking» include British artists Richard Long and Hamish Fulton, as well as others like Francis Alÿs, whose counterintuitive trip in «The Loop» (1997), from Mexico to California via a loop around the world (all to avoid the crossing of the US — Mexico border), was message - artists Richard Long and Hamish Fulton, as well as others like Francis Alÿs, whose counterintuitive trip in «The Loop» (1997), from Mexico to California via a loop around the world (all to avoid the crossing of the US — Mexico border), was message - driven.

Nested within the show is a complementary presentation of images curated by Thomas, photographs by fellow artists — Derrick Adams, LaToya Ruby Frazier, Lyle Ashton Harris, Deana Lawson, Malick Sidibé, and Carrie Mae Weems, among others — whose practices have inspired her own.

Erin Sweeny recounts her performative action of walking the length of Manhattan on Good Friday, and relates the project to other artists who incorporate walking in their practice.

Jessica complements her solo show, Door Hinges, with the work of sixteen other artists with diverse practices in a group show, ASSISTED.

Some of the artists mine popular culture to produce scathing or defamatory indictments of consumer mores; others take the moral corruptions of public and political acts as their defamed subject; and others practice détournement — using elements of well - known media to create new work with a different or opposing message — to elevate injury and injustice into the realm of high art.

Many of the artists mentioned, as well as many others, have practiced all three modes at one phase of their careers or another.

This selection of exhibitions opening this month, features some of the most productive artists in the art world, others whose well - established practices are finally getting the attention they deserve, and promising emerging artists.

In the Company of Alice presents portraits and figurative paintings by a diverse group of artists - some established and some emerging, some for whom portraiture is the crux of their practice and others for whom creating a portrait has been a new exercise.

Many artists have taken a «provisional» stance, while others are producing highly finished work that so blurs the line between two and three - dimensional practice that categories of media such as painting and sculpture become all but useless.

This group show will feature preparatory drawings and ideas «so you can glimpse some indicative sketches, meaningful items or other types of procedural steps in the creative practices of a range of local artists» (Legends of Drafts press release, Centotto).

In the wake of the 2016 presidential election, where news media was deemed the «the enemy of the people,» and The New York Times directly attacked and labeled as «fake news,» FLAG began developing an exhibition examining how seminal artists, such as Robert Gober, Ellsworth Kelly, Lorraine O'Grady, Fred Tomaselli, and others, who have used and been inspired by this newspaper in their practice.

He doesn't like to be called a curator, but part of his artistic practice involves organizing collections of other artists» things.

Since then, it has become common practice for artists, or their estates, to license the usage of imagery for the creation of textiles, ornaments, jewelry, or other works of decorative art.

Among other topics, the conversation covered why the artist uses a common writing implement to produce some of her finest work and the artists who have most influenced her practice:

If you are or were part of an avant - garde center, gallery, non-profit organization, publication, artist group, or other type of artistic initiative that operated according to an alternative or avant - garde mission or practice, we are interested in hearing from you.

Drawing upon their complementary areas of expertise, they will work closely with Frank Stella and one another on exhibitions, publications, and other ambitious projects that fully engage the span of the artist's remarkable career, emphasizing his dynamic current studio practice and addressing its significance within in context.

BLACKLEY: I'm interested in asking you about your situation at Participant now, with commercial galleries or other more institutionalized or long - standing nonprofits, such as White Columns or Artists Space, and this kind of peer group or any sort of commonality or common practice that you may share.

We can see these drawings as a return to «the root» of the practice of an artist who strives never to lose sight of the essential humility of creation which is, probably more than any other philosophy, political thought, or religion, the true guarantor of society and evolution.

The works are organized thematically into groups including self - portraits, portraits of fellow artists and intimate scenes with family and friends, among other genres most practiced by women artists at the time.

After 20 years of working in production for other artists, both to gain experience and to support his own practice, James L. Hayes reflects on his early career experiences in «A Near Visible Past,» a solo exhibition at UNO St. Claude Gallery.

In this fully illustrated publication, Griffey situates Dial, Holley, and others within the historical institutional embrace of self - taught artists, including Henri Rousseau and Jean Dubuffet, and the modernist practice of repurposing found and salvaged materials.

Her substantial career has resulted in an extensive body of work, whose influence can be seen on many other practicing artists.

Ordinary Pictures Featuring works by some 45 artists, Ordinary Pictures surveys a range of conceptual picture - based practices since the 1960s through the lens of the stock photograph and other forms of industrial image production.

With some of my daughter's heartbreaking reproaches about my art practice seared in my brain, I ventured out this week to see «To Be A Lady: Forty - five Women in the Arts,» a superb exhibition, curated by Jason Andrew, that features work by many legendary artist mothers, including Louise Nevelson and Grace Hartigan who famously left their offspring to be raised by others, and Alice Neel, an unconventional mother whose grandson Andrew's documentary reveals his father's deep resentment about Neel's choices.

To nearly everyone's surprise, Stella appreciated Hawkinson as someone who has inexplicably made memorable art from «gestures as lightweight, banal and self - absorbed» as those any other artist of his generation practice.

Here, Ortel contextualizes the personal and historical transformation of Saint Phalle's art practice, her reception of Pollock and other American artists, and the development of Nouveau Réalisme within postwar French visual culture.

S / he will be an integral member of the Bemis Center's Artist - in - Residence Program, stimulating intellectual discourse surrounding contemporary art practice through studio visits, knowledge - sharing workshops, and other organized programs with fellow artists - in - residence.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

Seeing this enables the viewer to truly appreciate Auerbach's ability to explore a subject with the commitment and perseverance that is very rare in the practice of other practicing artists today.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

MoMA presents the exhibition as an «Open monograph,» inviting other artists who influenced Rauschenberg's life and career to display their work, documenting the exchange of ideas that the artist held as a central tenet of his art - making practice.

Décio Vieira's Untitled (ca. 1950s) shows a different approach to the geometric style practiced by the other artists through the use of a softer, less saturated color palette.

Organized by the SCAD exhibitions department and overseen by Laurie Ann Farrell, SCAD executive director of exhibitions, with support from chief curator Isolde Brielmaier, Ph.D., the 2013 schedule includes exhibitions of work by major international contemporary artists with a diverse range of practices and media, including Ursula von Rydingsvard, Uta Barth, Candice Breitz, Chakaia Booker and Regina Silveira, among others.

Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Organized by Rhizome's Artistic Director, Michael Connor, Brushes convenes artists Laura Brothers and Andrej Ujhazy, art historian Alex Bacon, and others to explore digital painting as a practice for screen - based display and online circulation, against the backdrop of a current surge of interest in digital painting for the gallery.

The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman joins other exhibitions at the Broad MSU examining work by living artists from the U.S. and around the globe who are addressing a range of social and political issues through their practice — including recent exhibitions of South Asian artists Naiza Khan, Imran Qureshi, and Mithu Sen.

• A new site - specific installation by social practice artist and disability activist Carmen Papalia, premiering at the BCMA, which will consist of performance documentation such as text - based banners, photographs, and other ephemera reflecting the artist's collaboration with members of the campus community on the subject of nonvisual learning.

The high quality of Goya's artistic practice inspired Simon to acquire more works by this artist than any other in his collection — nearly 1,400 prints, three paintings and one double - sided drawing.