Sentences with phrase «practicing artists from»

Not exact matches

As Stulberg tells Science of Us, behavior scientist K. Anders Ericsson discovered in the 1990's that what separates great performers — musicians, artists, chess players, even physicians — from everyone else was not that they practiced more than their peers.

In short, the student is emancipated from academic servility only as he has the opportunity in a real though often rudimentary fashion to be a practicing linguist, mathematician, scientist, artist or art critic, historian, philosopher, and theologian.

To be a genuinely Christian artist does not require heavy theological content in one's art, but it does require that one refuse to divorce the creation of art from the pursuit of the Triune God, which is simply another way of saying what Brother Lawrence said: One must practice the presence of God in all one's acts.

«Madder dye extracted from roots was often used to color textiles and leather in ancient Egypt, and we see from the chemical mapping of the portrait that the artist chose to paint the noblewoman's dress with madder lake pigment, thus imitating contemporary practices.»

The study, which used new diagnostic techniques, should yield a greater understanding of the practices of artists from long ago, and it could open the way for more detailed analyses of the world's most precious artifacts.

In addition to being an airbrush artist, sculptor, costume maker, and crystal jewelry creator, I'm also a practicing shamanic herbal healer and a massage therapist, as well as a spiritual guide and teacher who learns the most from his students.

• Make it a «non-negotiable» • Recruit and hire teachers who buy - in from the get - go • Provide them with hands - on professional development and plenty of examples • Share and celebrate «best practices» • Identify teachers who do it well and have others visit their classrooms • Give instructional teams time to collaborate and to develop quality prompts • Stockpile successful A.R.T. plans and incorporate them into the school's curriculum map • Hire and / or bring in practicing artists to participate • And, most importantly, get excited - as though you had just seen a narwhal tusk for the first time!

Alumni of Color Conference Alumni, students, practitioners, artists, and scholars from both HGSE and across the nation come together annually to share best practices and research on Diversity, Equity, and Inclusion.

Additionally, all students can benefit from hearing about the professional practice of working artists.

Collaborate with other artists from different disciplines and engage in critical dialogue about contemporary arts practices.

Democratic Practice: TACs encourage teachers and artists to work together, respect each other's ideas, and learn from one another.

Our professional development sessions bring together teachers and artists from many different neighborhoods to foster camaraderie, build respect among the educators, and share best practices.

Publisher's description: Leaping Clear, an online magazine of the arts and literature, is dedicated to featuring accomplished artists and writers world - wide who work from a ground of contemplative practice.

Our company has an inclusive content philosophy, and makes a practice of incorporating as much work as possible from fans, independent writers and artists.

When the artist launched into a carefully practiced presentation about the work, it was clear which lines were excerpted from press releases or articles.

From that figure I (and the gallery staff, as is my practice) may choose 3 or 4 new artists for representation.

Drawing is a fundamental skill that almost any artist can benefit from practicing on a daily basis.

There are faces, but they are depicted in ways that seem to cancel themselves out: a quick, semi-abstract mark, furtive smudges of paint, a collaged face cut out from another painting... Certainly these works present an accomplished artist asking questions about her own practice, questions such as: How can I paint the body in a more immediate way?

Our courses are attended by people of all levels of ability, from independently practicing artists to complete beginners.

We aim to continue to work with professional artists in Sussex to expand the range and quality of our art courses ensuring that each academic year will differ from the previous with the addition of interesting and original courses encompassing both 2D and 3D art practice.

Work of Art: Business Skills for Artists, a free digital toolkit from Springboard for the Arts in St. Paul, Minnesota, guides artists through those business praArtists, a free digital toolkit from Springboard for the Arts in St. Paul, Minnesota, guides artists through those business praartists through those business practices.

Solomon never referred to Short Circuit again, and his shows put an early critical emphasis on the artists» independence and differences from each other, in both practice and personality.

A wide variety of approaches to painting are encouraged for submission, including a range of painting types, from the most academic to the most experimental, but all with some relevance to the artists» honest understanding of the practice of «painting.»

This will include those from older generations of artists, including Malick Sidibé and Carrie Mae Weems, to those by more contemporary artists, such as Deana Lawson, Zanele Muholi, and LaToya Ruby Frazier, who are part of Thomas's generation or younger, and may in turn find inspiration in Thomas's own practice.

In curating this exhibition, Liu Wei and Bowen Li have selected the work of seven young artists, all born in Mainland China, whose practices range from performance to abstract sculpture.

This comprehensive exhibition examines the full scope of the Kabakovs» career, from Ilya's work as a «unofficial artist» in the 1960s, to his move to New York in the 1980s and collaborative practice with Emilia thereafter.

VIA is proud to support the 2017 cycle of a SculptureCenter signature program, In Practice, an annual open call that solicits proposals from local and international emerging artists, and eventually realizes and exhibits their works.

This will include those from older generations of artists, to those by more contemporary artists who are part of her generation or younger, and may in turn find inspiration in Thomas's own practice.

To establish best practices for the Artist - in - Residence Program, the Joan Mitchell Center ran a pilot session from January to June of 2013.

Artists» journeys have been documented throughout art history: Those whose main practice has been «walking» include British artists Richard Long and Hamish Fulton, as well as others like Francis Alÿs, whose counterintuitive trip in «The Loop» (1997), from Mexico to California via a loop around the world (all to avoid the crossing of the US — Mexico border), was message - Artists» journeys have been documented throughout art history: Those whose main practice has been «walking» include British artists Richard Long and Hamish Fulton, as well as others like Francis Alÿs, whose counterintuitive trip in «The Loop» (1997), from Mexico to California via a loop around the world (all to avoid the crossing of the US — Mexico border), was message - artists Richard Long and Hamish Fulton, as well as others like Francis Alÿs, whose counterintuitive trip in «The Loop» (1997), from Mexico to California via a loop around the world (all to avoid the crossing of the US — Mexico border), was message - driven.

The 20 essays and book reviews that comprise Words For Art assess the practices and precepts of a wide range of artists, critics, and historians — from E. H. Gombrich's theory of perception and Walter Benjamin» views on color to the conceptual underpinnings of Mel Bochner's word paintings and the complications of Jack Tworkov's belief in the need for ethics in art.

Los Angeles - based artist Math Bass, whose current solo show Off the Clock at MoMA PS1 runs through August 31st, 2015, has been carving out a dynamic practice that freely shifts from performance to sculpture to...

At this event, parallels and differences in the artistic practice of these two concept artists — two artists who belong to the same generation, but come from very different cultures and social backgrounds — will be discussed.

However, as can be seen from the practice of the great artists, although the text may be strong and durable and able to support a lifetime's work, it can not be taken for granted and there is no guarantee of permanent possession.

From Theory to Practice: Instituting the Hirshhorn Artist Interview Program Gwynne Ryan & Steven O'Banion

In the late 1950s, South Korean artist Suh Se - ok, born in 1929, embarked on a painterly practice that borrowed from traditional Korean ink painting and modernist Western abstraction.

Process and Practice: 40 Years of Experimentation hilights archived ephemera from the institution's famed artist - in - residence program that has been preserved for decades in «artist boxes.»

Representing a stylistic transformation from his previous figurative practice to monumental geometric abstractions, these pieces capture a sense of the Ocean Park community of Southern California where the artist created them between 1967 and 1988.

Both artists experiment with mixed media and incorporate performance into their practice — ranging from totemic found objects and photography to experimental blues music.

American artist Julia Heyward, contemporary of Gordon Matta - Clark, will perform and screen select works from her interdisciplinary practice.

The Palazzo Ducale in Mantova hosts Michelangelo Pistoletto's exhibition «Da Cittadellarte alla Civiltà dell» Arte», which explores the full range of the artist's practice over the past 60 years, from the first self - portraits, through to his celebrated mirror paintings, as well as his ongoing Terzo Paradiso project.

Wittingly parodying the uncomplicated jokes from vernacular literature, the artist has found a way of incorporating a difficult subject - matter — humor — into a deeply serious artistic practice.

Artist - in - Residence Program: 2013 Pilot To establish best practices for the Artist - in - Residence Program, the Joan Mitchell Center ran a pilot session from January to June of 2013.

The collection is remarkable in that scores of artists are represented in depth, including works from the earliest period of their practice through their most recent works.

The encounter between these artists from distinct practices and generations becomes a means of unearthing unknown affinities and historical entwinements.

Formed in 2001, teamLab is a collective, interdisciplinary creative group that brings together professionals from various fields of practice in the digital society: artists, programmers, engineers, CG animators, mathematicians, architects, web and print graphic designers, and editors.

He draws from a history of radical art practices from Soviet avant - garde figures such as Rodchenko and Malevich, to more recent contemporary American artists Jimmie Durham and David Hammons.

The exhibition contains work from UMM's impermanent collection, including art generated through social practice events, and also features events created by diverse LA - based artists.

The format of Rythm Mastr, whether as an animated feature, graphic novel, or multi-panel sequence on newsprint, may feel like a departure from Marshall's painting practice, more tethered to pop culture than the high - brow arena where the artist's large - scale works fetch seven figures.

Anni Albers: Touching Vision was an in - depth survey spanning the pioneering artist's career from 1925 to the late 1970s, exploring the formal developments and continuing influence of her practice.