Sentences with phrase «practicing artists until»

Not exact matches

With never - ending energy and enthusiasm, the artist continued to experiment in the field of abstraction, and the Abstract paintings dominated his practice until 1987.

Shot over more than a decade from 1993 until 2007, the film will acquaint audiences with Bourgeois» captivating personality, providing insight into the artist's thought processes as well as her practice in the studio.

Browsing the history of artistic practices related to video and sound from the early 1960s until today, Video and après is devoted primarily to artists videos from the collection of the Musée National d'Art Moderne.

Pop Life, the exhibition at Tate Modern formerly known as Sold Out (until one of the artists featured in the show vetoed the title), is a noisy, rambustious, rhinestones - and - fast - cars kind of a show, focusing on the Warholian notion of good art as good business and anatomising this tendency in artistic practice from Warhol and Jeff Koons to Martin Kippenburger and Richard Prince.

He continued to practice as an artist in the US until the late 1970s when he returned to South Korea.

Dalziel & Scullion, Graham Fagen, Kenny Hunter, David Shrigley are among the artists selected for the showcase of contemporary art practice in Scotland at GENERATION: 25 Years of Contemporary Art in Scotland that is taking place at several venues throhugout the country until January 2015.

Drawing on Birmingham Museum's Collection Centre, which consists of over 500,000 objects dating from the Palaeolithic era 200,000 years ago to the present, the commission offers the artist a unique starting point for her research and encourages a new direction for the artist whose practice until now has been entirely studio - based.

This commission will enable the artist to use Birmingham Museums» Collections Centre as her expanded studio, encouraging a new direction for the artist whose practice until now has been entirely studio - based, and enabling a new and wider repertoire of information and engagement.

Although never giving up on her painting practice, she almost completely withdrew from the public eye and it was not until her inclusion in the 2010 traveling exhibition, Seductive Subversion: Women Pop Artists, 1958 - 1968 presented at the Brooklyn Museum, that her work was re-introduced.

The so - called Mexican vogue in the U.S., which lasted until World War II, was given a huge boost by Mexican artists who lived and worked in New York and got commissions to practice the new Mexican form of mural art in the city.

From the 1960s until his death in 1986, German artist Joseph Beuys produced some 557 multiples — small - scale portable and affordable pieces that captured an element of his practice.

Jordan Kantor: Selected Objects (from some time ago until now) provides a singular opportunity to survey the artist's materially - diverse, conceptually - driven practice to date.

Unlike Fairfield Porter, a writer and artist who formed friendships with the avant - gardists of his day but practiced a genteel painterly realism himself, Gorky continually pushed his own work into the crosscurrents of Modernism until his moment of disillusionment.

While rooted in the context of the Cold War and exile, Běla Kolářová's practice is also closely linked to the life of her husband, the influential artist and poet Jiří Kolář, whose work overshadowed her own until its recent rediscovery.

Currently showing at the Jerwood Gallery, Hastings until April 2015, here, in her own words, highly acclaimed contemporary figurative artist Chantal Joffe, gives us a unique insight into the inspiration and motivation behind her art practice:

Palo Alto, CA — Pace Palo Alto is pleased to announce an exhibition of works by Louise Nevelson, highlighting the artist's practice from the mid-1950s until her death in 1988.

-- Pace Palo Alto is pleased to announce an exhibition of works by Louise Nevelson, highlighting the artist's practice from the mid-1950s until her death in 1988.

Running until 23 March, Gracjana Rejmer - Canovas» Colour Into Liquid Air, encapsulates the artist's energetic practice, who is a recent graduate of the Slade School of Fine Art.

Palo Alto, CA — Pace Palo Alto is pleased to announce an exhibition of works by Louise Nevelson, highlighting the artist's practice from the mid 1950s until her death in 1988.

His group exhibitions include Mahjong: Contemporary Chinese Art from the Sigg Collection, which originated at the Kunstmuseum Bern in 2005 and toured Europe and the United States until 2009; The Real Thing: Contemporary Art from China, Tate Liverpool (2007); Negotiations: The Second Today's Documents, Today Art Museum, Beijing (2010); ON OFF: China's Young Artists in Concept & Practice, Ullens Center for Contemporary Art, Beijing (2013); and My Generation: Young Chinese Artists, Orange County Museum, Newport Beach, California (2015).

Although the artist has been practicing in this mode for over 30 years, collecting and organizing objects he finds during daily walks through New York, his work has not been shown widely until fairly recently.

The project received a mandate from November 2004 until December 2008 from the Swiss Cultural Programme in South East Europe and Ukraine to undertake a critical examination and evaluation of the questions raised by contemporary artists, curators, architects and theorists in Macedonia, the Balkan region and beyond, in relation to contemporary society and the practice of art.

London — Pace London is pleased to announce an exhibition of works by Louise Nevelson, surveying the artist's practice from the mid-1950s until her death in 1988.

The exhibition traces the history of assemblage and the potential of recycling from Kurt Schwitters» pioneering work, to the artists who have been articulating this practice through the 80s and until today.

It's not until the past year, however, that the artist's ever - evolving feminist practice was celebrated in her first major retrospective: «Marilyn Minter: Pretty / Dirty» at the Brooklyn Museum.

Until very recently little attention had been paid to contemporary female artists practicing during this turbulent social and political period of history.

These paintings while still fully within the style of Close, represent a new direction in the artist's practice as «he applies multiple thin washes of paint in each cell of the grid, layering red, yellow and blue until they accumulate into extravagant full - color images.»

Entitled «Panorama,» and running until August 14, the exhibition presents highlights from the last 20 years of the artist's varied practice, during which time he has worked in video, installation, and sculpture, as well as works on canvas and paper.

Pace London is currently presenting an exhibition of works by Louise Nevelson, surveying the artist's practice from the mid-1950s until her death in 1988, and is the fourth solo presentation of the artist's work ever in London and the first since 2009.

The first official MOCA gala was in 2001, but the honoring of individual artists didn't begin as an annual practice until 2015, with Baldessari.

Based on sketches and photographs of places he visited, people he met, these records of fragments of life mark a shift in the artist's practice known until now for its mark - making abstract canvases.