Satish Joshi has dedicated himself to a dual career as a master teacher and
practicing visual artist with a substantial exhibition history.
Not exact matches
The approach that the
artists in Slipped have taken to clay as an extension of their painting or sculptural
practices has resulted in an exciting and innovative works that combine the
visual and sumptuous nature of ceramics
with a conceptual rigour.
How to Flatten a Mountain is an exciting 12 days residency opportunity presented by PhotoIreland Foundation & Cow House Studios, and
with the support of OPW, open to emerging and mid-career
visual artists whose artistic
practice in whole or part, makes use of digital and / or analogue photographic processes.
Gail Swanlund is a designer whose professional
practice includes work for art and design institutions and collaborative projects
with visual artists such as Paul McCarthy, Jennifer Steinkamp, Laura Owens, and Benjamin Weissman.
In a 1989 conversation
with Douglas Crimp on AIDS and
visual art, the activist
artist Gregg Bordowitz commented that institutional critique had ceased to be the main focus of his
practice.
While distinct in their own
practice and aesthetics, the participating
artists from the fields of dance,
visual arts and music, share an affinity
with Jonas» engagement and «insistence» on reading the world (s) against and
with the flow of the times.
Oreet Ashery is an interdisciplinary
visual artist with an unorthodox, multi-layered and eclectic
practice spanning photography, moving image, mass - produced and unique artefacts, text, music, workshops and performance.
In keeping
with He's dynamic and experimental
practice, the works shown at Qiao Space are rooted in the
artist's interest in sensory perception and in developing
visual devices to influence and disrupt the viewer's reactions to his work.
In fact our music programming is both varied and extensive, from a 2012 residency
with an experimental orchestra, wild Up, to our upcoming two day concert as exhibition, ALL THE INSTRUMENTS AGREE, featuring
visual artists whose
practices extend into sound such as Genesis Breyer P - Orridge, Odwalla88, Hassan Khan, and Lonnie Holley, among many others.
Artist with a multi-sited
practice in live performance, theatre, and
visual art.
Located in the historic district of downtown Staunton, Virginia, Beverley Street Studio School (BSSS) has adopted as its mission «providing the community and region
with a variety of opportunities to explore the world of the
visual arts through
practice, professional instruction, and contact
with practicing artists».
Massa Lemu is a Malawian
visual artist and writer whose multi-disciplinary artistic
practice takes the form of drawing, performance, and multimedia installations that are concerned
with the contradictions of migration within globalization and the effects of an immaterial, flexible and mobile capitalism on the post-colonial subject.
Artes Mundi's links
with the international art community make it well placed to initiate dialogue between
artists and the communities, opening up access to the contemporary
visual arts and the ideas and
practice of contemporary
artists.
To this end, the exhibition will highlight Pousette - Dart's intellectual curiosity and open - minded engagement
with a broad range of cultural, intellectual, and even technological stimuli as he continued to push his
practice as a
visual artist forward in ever - ambitious new directions.
Introduction by Steven Henry Madoff, Chair, MA Curatorial
Practice, School of
Visual Arts Followed by a conversation
with Maya Benton, Curator at the International Center of Photography and the
artist.
Not only does the Gallery 2 program broaden the audience's basis of
visual reference and education — as it is important to explore the relationship of contemporary
practice and historical lineage — but it also affords the gallery the opportunity to work and build relationships
with artists who are represented by other galleries,
artists whose trajectories hold a different primary focus than the gallery, as well as young
artists.
Radical Presence provides a critical framework to discuss the history of black performance traditions within the
visual arts beginning
with the «happenings» of the early 1960s, throughout the 1980s, and into the contemporary
practices of a new generation of
artists.
Taking this shift and the
artist's penchant for experimentation across media as a point of departure, Winslow Homer and the Camera questions how new
visual technology impacted the
artist's production and engagement
with subjects, and unveils how photography became increasingly a part of Homer's
visual investigation and broader creative
practice.
Internationally renowned her for her unique
visual practice fusing fashion, art and architecture, the Crafts Council invited
artist and curator Lucy Orta to select works which engage
with patter...
Informed by the interdisciplinary
practices of earlier
visual artists who engaged the applied arts, poetry, theater, and dance, she merges the rarified tradition of abstraction
with techniques and materials common to decor and craft.
For this residency, the Museum is looking to award one
visual artist whose artistic
practice will resonate
with children ages 3 to 8 and their families, and reflect a relationship to the demographics, location or history of Sugar Hill.
2004 PhD Fine Art (
Practice & Theory)
with Aavaa (African & Asian
Visual Artists Archive) School of Architecture & the
Visual Arts, University of East London 1996 MA Feminism & the
Visual Arts Department of Fine Art, University of Leeds (Distinction) 1994 BA Hons Fine Art Bretton Hall College, University of Leeds (First)
Crosstown Arts» Open Crit series, organized in partnership
with ArtsMemphis, is a monthly critique event where
visual artists are invited to bring new and / or in - progress studio work for critical feedback and group discussion particular to each
artist's
practice.
Since 1983 he has developed an interdisciplinary art
practice and exhibited internationally, and his curatorial projects have included innovative collaborations
with visual artists, designers, and contemporary dance.
Diversity: working
with visual artists of different ages, ethnicities, career trajectories, geographies, gender and artistic
practices.
Before assuming relationships between older and contemporary
artists based purely on
visual similarities (about seventy percent of the checklist consists of work by the earlier generation), visitors must reconcile their assumptions
with the particularities of each
artist history,
practice, and sociocultural experience.
Melanie is a London - based
visual artist who works
with photography, film and video as a performative and participatory
practice.
Whitechapel Gallery's Writer in Residence programme seeks to engage
with practices for which writing is an important element, yet one that might get eclipsed by the more
visual aspects of an
artist's work.
The gallery continues to pursue a creative direction that balances the emerging and the established and national and international
artists —
with the constant aim of presenting and supporting outstanding contemporary
visual art
practices.
We are offering an 11 - month residency for one
visual artist whose artistic
practice will resonate
with children ages 3 to 8 and their families, and reflect a relationship to the demographics, location or history of Sugar Hill.
Before the opening of Wave Hill's fall exhibitions this weekend —
with a reception in Glyndor Gallery at 2PM on Saturday afternoon — Danni Shen, Curatorial Fellow in
Visual Arts, interviewed
artist Michelle Stuart about her
practice in relation to Wave Hill's new group...
Artist Bio: Throughout her work, transdisciplinary visual artist Lindsey Dorr Niro aims to make art a practice of critical consciousness, calling viewers deeper into themselves and relation with the
Artist Bio: Throughout her work, transdisciplinary
visual artist Lindsey Dorr Niro aims to make art a practice of critical consciousness, calling viewers deeper into themselves and relation with the
artist Lindsey Dorr Niro aims to make art a
practice of critical consciousness, calling viewers deeper into themselves and relation
with the world.
Throughout her work, transdisciplinary
visual artist Lindsey Dorr - Niro aims to make art a
practice of critical consciousness, calling viewers deeper into themselves and relation
with the world.
Through research - based
practices, the
artist experiments
with interaction and integration; her works concern ethics, community and memories of the human living situation, which is closely intertwined
with her theoretical research area of
visual culture and globalization.
Fabio Morais artistic
practice deals, primarily,
with word and literature under the perspective of a
visual artist.
With a background as a visual artist, Tsatsos is recognized as an artist - centered curator with a practice that is oriented toward artistic collaboration and product
With a background as a
visual artist, Tsatsos is recognized as an
artist - centered curator
with a practice that is oriented toward artistic collaboration and product
with a
practice that is oriented toward artistic collaboration and production.
Ellen Blumenstein's curatorial
practice is international in scope and often involves collaborating
with visual artists and other curators to develop monographic and thematic exhibitions that explore the possibilities and limitations of contemporary art.
Matana Roberts «
Artists Studio» Park Avenue Armory 643 Park Avenue ON: April 14 Fusing song, instrumentals, text, and
visuals, the renowned composer and sound
artist's
practice taps into American history and memory
with indelible power and originality, particularly
with her ongoing, multi-album «Coin Coin» project.
With strong foundations in classical music, we provide strategic career management and consultancy to world - class
artists and organisations across the performing arts sector and contemporary
visual practice.
This volume, published in conjunction
with the Walker Art Center's 2018 exhibition, considers the
artist's
practice and his collaborative works as interdisciplinary investigations that further the fields of experimental jazz and
visual art.
With titles like Blue Moments, Bastard Blues, and Blues in C Sharp Minor (for Teddy Wilson)(all 2015), the
artist delves into the meaning, both
visual and audible, of the «blues» continuing her exploration into the intersections of sound, politics, history, and the
practice of minimalist painting.
June 14 through August 11, 2013 During the Smoky Hill River Festival, New York City - based
visual artist Sharon Louden transformed the Oakdale Park
practice court into a living room furnished
with sculptural objects created from found pieces of furniture, repurposed scraps of discarded material, and paint.
This publication presents Doig as an
artist with a conceptual
practice, a
visual thinker who is not only fascinated by the history of painting but also the process of painting itself.
These presentations highlight the range of the
artist's
practice, in which a tendency for
visual play contrasts
with a devotion to community and self - examination.
The London Group are a community of nearly 100
visual artists with shared commitment to studio
practice and exhibiting their work.
Spanning a period of almost forty years,
with its combination of audio -
visual, paper, and artefact - based archive, Isaac Julien Archive and Collection have been art the core of the
artist's
practice.
An active member of Portland - based
artist collective Appendix, which is known as much for intellectual engagement as physical
practice, his current research explores the resonance of new
visual technologies
with deep - rooted neurological processes.
The Curatorial Intensive: Contemporary Curatorial
Practice at the Bag Factory
Artists» Studios is generously funded by Arts Collaboratory through the Triangle Network,
with additional support by Africalia through the
Visual Arts Network of South Africa (VANSA), the South African National Lottery Distribution Trust Fund, Everard Read Gallery, Sam Nhlengethwa, and the Goethe Institute.
Internationally renowned her for her unique
visual practice fusing fashion, art and architecture, the Crafts Council invited
artist and curator Lucy Orta to select works which engage
with pattern - cutting on a variety of levels.
Priyanka Dasgupta is a
visual artist with an interdisciplinary, research based
practice.