Sentences with word «precisionism»

An important figure in early 20th century American art, the painter and photographer Charles Sheeler was - along with Charles Demuth (1883 - 1935)- the leading exponent of Precisionism, a style of architectural painting that combined the hi - tech aesthetics of Futurism with the sharp geometrics of Analytical Cubism in the depiction of factories, power stations, warehouses and other industrial plant, of the new technological age.
The Cult of the Machine: Precisionism in American Art, by Emma Acker with Sue Canterbury, Adrian Daub, and Lauren Palmor, is published by the Fine Arts Museums of San Francisco / de Young in association with Yale University Press.
Other influences include exponents of American Precisionism of the 1930s, such as Charles Sheeler (1883 - 1965) and Charles Demuth (1883 - 1935).
The Phillips» collection began as a museum of modern art, exemplifying Paris - based European art movements such as French Realism (c. 1850 onwards) Impressionism (c.1873 - 83), Post-Impressionism (c. 1880 onwards), Fauvism, Intimism, Expressionism, Primitivism, Symbolism, and Cubism, before taking on 20th century styles such as Precisionism, American Realism, Ashcan School, Abstract Expressionism, Colour Field painting, Kinetic art, and geometric abstract art.
His favourite subject matter was colonial and industrial architecture, and on his return to the United States, he became associated with Precisionism - one of the first indigenous movements of American art - in which industrial buildings and commercial landscapes were depicted using sharply defined Cubist - style geometric forms.
Bernarducci Gallery exhibits contemporary realist painting, specializing in New Precisionism.
Cubism had a strong influence on the urban landscapes of the American Precisionism movement, led by Charles Demuth (1883 - 1935) and Charles Sheeler (1883 - 1965).
Connections between the past and the present will be explored throughout this large - scale survey, which will feature more than 100 masterworks of American Precisionism by such modernists as Charles Sheeler, Georgia O'Keeffe, and Charles Demuth.
From the press release: «The exhibition is a celebration of contemporary mark making whilst embracing and taking inspiration from traditional art movements such as Futurism, Abstract Expressionism and Precisionism among others.
Annie Pearlman's quirky little paintings suggest a torqued urban Precisionism crossed with early Cubist landscape.
Steiger's graphic paintings zero in on geometrical traditions much like the work of machine — age Precisionism figures Charles Sheeler and Charles Demuth.
Abstract cityscape of down town New York - an exemplar of the urban Precisionism style.
Reconciling realist imagery with abstracted forms, Precisionism married the influence of avant - garde European art styles such as Purism, Cubism, and Futurism with American subject matter.
He paints the Brooklyn Bridge after Joseph Stella because Walt Whitman had celebrated it before them both, and he loved Demuth's Precisionism for quoting William Carlos Williams.
Precisionism typically characterizes American paintings and works on paper produced between the two World Wars that employ a linear aesthetic, pronounced contours and localized colors to depict architectural, infrastructural, mechanical and often urban imagery.
Modern and contemporary styles represented in the collection include precisionism, surrealism, abstract expressionism, geometric abstraction, pop and op art, Fluxus, photo realism, and minimalism, as well as works that explore social and political issues.
With a range of artistsic styles, directions and techniques are displayed by the group, they all retain the vibrancy of their graffiti backgrounds as well as embrace the visual vocabulary imbued by traditional art movements such as Futurism, Abstract Expressionism, Geometric Abstraction, Hard - Edge, Op - Art and Precisionism within their collective work.
Her austere views of a men's shelter seen from her New York window evoke the abbreviated Precisionism of George Ault, just as the pale reflected sunburst of «Winter Sunset, Blair Pond,» echoes Arthur Dove's visionary moons.
Its true - to - life focus on modernist architectural subjects (like factories, water towers, silos - even skyscrapers), made Precisionism a species of Realism, and, in fact, it was sometimes referred to as Cubist - Realism.
Representing a fire - engine, emblazoned with the figure 5, flashing noisily through a dark, wet city, it references Precisionism and Art Deco, and even looks ahead to the Pop art of the 1960s.
Precisionism History, Characteristics, American Industrial Landscape Painting.
Precisionism remained Demuth's forte and main concern until the mid-1920s, when he was drawn to still life painting as a tribute to Cezanne.
He also formed important friendships with Charles Sheeler - with whom he would later develop Precisionism - Arthur Carles, and the poet William Carlos Williams.
Trained in an impressionist approach to landscape painting, Sheeler experimented early in his career with compositions inspired by European modernism before developing a linear, hard - edged style now known as Precisionism.
Numerous exhibitions and catalogue essays include Reordering Reality: Precisionism in America 1915 - 1941 (1994), Waxing Poetic: Encaustic Art in America (1999), Will Barnet: A Timeless World (2000), Cézanne and American Modernism (2009), Warhol and Cars: American Icons (2011), and The New Spirit: American Art in the Armory Show, 1913 (2013).
Bernarducci's inaugural Chelsea show, New Precisionism, brought together paintings and photographs by 19 artists, including John Baeder, Nathan Walsh, and Sally Davies.
She was included in many historical surveys of Precisionism.
The gallery handles artwork from early 20th - century movements including American Modernism, African American Art, Social Realism, Regionalism, Magic Realism, and Precisionism by such artists as Milton Avery, Thomas Hart Benton, Oscar Bluemner, Paul Cadmus, Arthur Dove, Marsden Hartley, Edward Hopper, Rockwell Kent, John Marin, Reginald Marsh, PaJaMa, Fairfield Porter, Ben Shahn, and others.
Her work references Cubism, Futurism, and American Precisionism as well as earlier historical predecessors — trompe l'oeil artists such as John Peto and William Harnett.
«Because we follow a process of precision, we take perfectionism and flip it upside down and call it «precisionism,» and that means you measure everything,» Grobbel says.
Then he turned to a cleaner approach reminiscent of Charles Sheeler's Precisionism.
«Cult of the Machine: Precisionism and American Art» is at the de Young Museum in San Francisco through August 12, 2018, after which it will travel to the Dallas Museum of Art from September 9, 2018 through January 6, 2019.
One may be tempted to situate Commito within a modernist lineage celebrating the machine and the city (think Italian Futurism or American Precisionism), but Commito is more interested in entropy and folk architecture than paeans to progress.
Butler's title for the show is Precisionist Casual, which invokes the early American modernist movement, Precisionism, which was practiced by Charles Sheeler and Charles Demuth, as well as the New Casualists, a term she coined in an essay published in The Brooklyn Rail (June 2011):
Considering how many nineteenth - century photographers struggled to give their images the handcrafted look of paintings, Sheeler's demonstration that he could do the exact opposite speaks directly to Precisionism's technocentric view of the modern world, and prefigured the Photorealist painters of the 1960s.
The collection begins with Ashcan School painting and follows the major movements of the twentieth century in America, with strengths in Modernism and Social Realism, Precisionism, Abstract Expressionism, Pop Art, Minimalism, Postminimalism, art centered on identity and politics that came to the fore in the 1980s and 1990s, and contemporary work.
Bringing to mind diverse sources of influence such as early Pop art, Precisionism and New Objectivity, these paintings suggests that a level, clear - eyed gaze at our contemporary experience does not preclude an affective relationship with it.
I recognized the name from a favorite painting in the Whitney, by Charles Sheeler, one that the museum has since displayed not as Cubism or Precisionism but as American Surrealism.
She writes, «Rather than organize our exhibition on a specific set of artists, the paintings were selected because they exhibited the following characteristics of Precisionism: carefully edited, hard - edged architectural elements within static, balanced, and smoothly painted compositions of interlocking designs.
Acker is the curator of «Cult of the Machine: Precisionism and American Art,» the first broad survey of precisionism in nearly 20 years.
The clean lines and uninflected surfaces he uses to paint the interior scene predict the crisp geometric depictions of industrial architecture that would make him a leading practitioner of Precisionism.
He was younger than Charles Demuth and Charles Sheeler, but he shared such subjects as warehouses and utility poles with their Precisionism.
Perhaps the best - known painting which will be exhibited is the famous Saw the Figure 5 in Gold painted in 1928 by Charles Demuth, a prominent figure of Precisionism.
«Cult of the Machine: Precisionism and American Art.»
Their collective approach to art - making is steeped in academic discourse, and whilst retaining the vibrancy of their graffiti backgrounds, traditional art movements such as Futurism, Abstract Expressionism and Precisionism are also embraced by the visual vocabulary imbued within their work.
As such, the style was related to other similar genres such as Op art, kinetic abstraction, geometric abstract art, ABC art, Cool art, non-gestural painting, non-relationalism, abstract mannerism, precisionism...
If I had to describe the architectural design in terms of American painting, I'd say it's a mash up of Charles Demuth or Elsie Drigg's Precisionism (on view on the eighth floor) and the expressive, clunky form of Arthur Dove or Marsden Hartley.
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