These concepts are presented
predominantly on compositions, where simplicity becomes intensity and strength of the image.
Not exact matches
Working in acrylic
on wood panel or linen, Takenaga arranges the simple components of her paintings,
predominantly thin lines and small dots, into stunningly complex
compositions that undulate, radiate, and recede in seemingly infinite space.
The solid colors (
predominantly red, blue, green, orange) are usually limited to two colors
on a white ground, although the watercolors often use more hues per
composition than the paintings.