Bill Paxton's
presence as Cage's ideology - spewing new Master Sergeant seems meant to align Edge of Tomorrow with Aliens on some level, if not to suggest a dystopia where the dim - bulbed Private Hudsons of the world now ceaselessly march their impressionable troops into the maw of the enemy.
Not exact matches
This one, without a solid
presence from
Cage as Officer Mike Chandler, will be another that you can add to the list.
Cage's
presence and baggage are enough to push this into the «so bad it's kind of good» domain, but
as a viewer you're more laughing at him than with him.
With
Cage being the more established
presence in New York art circles, it follows that Rauschenberg — a slightly younger gay man working to define his own role in the same circles — would have used
Cage's strategies
as a jumping - off point for his own.
«We should probably see Furlong
as a peculiarly English autodidact figure scrupulously orchestrating a record of the international art world over the last 40 years... We begin with a bang, with Marcel Duchamp -LSB-...] his spiky
presence as a provocateur and dandy exactly preserved... Some of the earliest interviewees, such
as John
Cage, Tadeusz Kantor and Philip Glass, suggest a programme accommodating figures on the margins of a traditional definition of a visual arts discourse.