Sentences with phrase «presence as a performer»

Though we are largely spared Leonard Nimoy's stentorian presence as a performer, we must endure his miscalculations as a director: the dialogue scenes are often hilariously turgid; the action scenes — when Nimoy can be bothered to descend from his podium and film them — are zanily maladroit.

Mostly everyone else shows their own distinctly appealing energy, style, and presence as performers, from Amber Riley's (Mercedes Jones) easy - going demeanor pleasantly tempering her trademark rafter - raising, earth - shattering vocals; to Heather Morris (Brittany S. Pierce) and Harry Shum Jr.'s (Mike Chang) sultry and smooth dance moves; to pop - superstar - sensation - in - waiting Naya Rivera's (Santana Lopez) soulful rasp and overwhelming star quality (her blistering duet with Riley, «River Deep, Mountain High,» is even more the electrifying highlight here than it was this past season).

Not exact matches

WWE's renaissance with Levesque as an integral member of its corporate structure makes more sense when his strengths as an on - screen performer and presence backstage are taken into deeper consideration.

Time for some brutal honesty... this team, as it stands, is in no better position to compete next season than they were 12 months ago, minus the fact that some fans have been easily snowed by the acquisition of Lacazette, the free transfer LB and the release of Sanogo... if you look at the facts carefully you will see a team that still has far more questions than answers... to better show what I mean by this statement I will briefly discuss the current state of affairs on a position - by - position basis... in goal we have 4 potential candidates, but in reality we have only 1 option with any real future and somehow he's the only one we have actively tried to get rid of for years because he and his father were a little too involved on social media and he got caught smoking (funny how people still defend Wiltshire under the same and far worse circumstances)... you would think we would want to keep any goaltender that Juventus had interest in, as they seem to have a pretty good history when it comes to that position... as far as the defenders on our current roster there are only a few individuals whom have the skill and / or youth worthy of our time and / or investment, as such we should get rid of anyone who doesn't meet those simple requirements, which means we should get rid of DeBouchy, Gibbs, Gabriel, Mertz and loan out Chambers to see if last seasons foray with Middlesborough was an anomaly or a prediction of things to come... some fans have lamented wildly about the return of Mertz to the starting lineup due to his FA Cup performance but these sort of pie in the sky meanderings are indicative of what's wrong with this club and it's wishy - washy fan - base... in addition to these moves the club should aggressively pursue the acquisition of dominant and mobile CB to stabilize an all too fragile defensive group that has self - destructed on numerous occasions over the past 5 seasons... moving forward and building on our need to re-establish our once dominant presence throughout the middle of the park we need to target a CDM then do whatever it takes to get that player into the fold without any of the usual nickel and diming we have become famous for (this kind of ruthless haggling has cost us numerous special players and certainly can't help make the player in question feel good about the way their future potential employer feels about them)... in order for us to become dominant again we need to be strong up the middle again from Goalkeeper to CB to DM to ACM to striker, like we did in our most glorious years before and during Wenger's reign... with this in mind, if we want Ozil to be that dominant attacking midfielder we can't keep leaving him exposed to constant ridicule about his lack of defensive prowess and provide him with the proper players in the final third... he was never a good defensive player in Real or with the German National squad and they certainly didn't suffer as a result of his presence on the pitch... as for the rest of the midfield the blame falls squarely in the hands of Wenger and Gazidis, the fact that Ramsey, Ox, Sanchez and even Ozil were allowed to regularly start when none of the aforementioned had more than a year left under contract is criminal for a club of this size and financial might... the fact that we could find money for Walcott and Xhaka, who weren't even guaranteed starters, means that our whole business model needs a complete overhaul... for me it's time to get rid of some serious deadweight, even if it means selling them below what you believe their market value is just to simply right this ship and change the stagnant culture that currently exists... this means saying goodbye to Wiltshire, Elneny, Carzola, Walcott and Ramsey... everyone, minus Elneny, have spent just as much time on the training table as on the field of play, which would be manageable if they weren't so inconsistent from a performance standpoint (excluding Carzola, who is like the recent version of Rosicky — too bad, both will be deeply missed)... in their places we need to bring in some proven performers with no history of injuries... up front, although I do like the possibilities that a player like Lacazette presents, the fact that we had to wait so many years to acquire some true quality at the striker position falls once again squarely at the feet of Wenger... this issue highlights the ultimate scam being perpetrated by this club since the arrival of Kroenke: pretend your a small market club when it comes to making purchases but milk your fans like a big market club when it comes to ticket prices and merchandising... I believe the reason why Wenger hasn't pursued someone of Henry's quality, minus a fairly inexpensive RVP, was that he knew that they would demand players of a similar ilk to be brought on board and that wasn't possible when the business model was that of a «selling» club... does it really make sense that we could only make a cheeky bid for Suarez, or that we couldn't get Higuain over the line when he was being offered up for half the price he eventually went to Juve for, or that we've only paid any interest to strikers who were clearly not going to press their current teams to let them go to Arsenal like Benzema or Cavani... just part of the facade that finally came crashing down when Sanchez finally called their bluff... the fact remains that no one wants to win more than Sanchez, including Wenger, and although I don't agree with everything that he has done off the field, I would much rather have Alexis front and center than a manager who has clearly bought into the Kroenke model in large part due to the fact that his enormous ego suggests that only he could accomplish great things without breaking the bank... unfortunately that isn't possible anymore as the game has changed quite dramatically in the last 15 years, which has left a largely complacent and complicit Wenger on the outside looking in... so don't blame those players who demanded more and were left wanting... don't blame those fans who have tried desperately to raise awareness for several years when cracks began to appear... place the blame at the feet of those who were well aware all along of the potential pitfalls of just such a plan but continued to follow it even when it was no longer a financial necessity, like it ever really was...

And though Reiner appeared to retire from directing following That Old Feeling, he still maintained a notable presence in film and television with roles in Steven Soderbergh's Ocean's Eleven and it's two sequels, House M.D., Hot in Cleveland, and Parks and Rec.Carl Reiner is the father of directors Rob Reiner and Lucas Reiner; his wife Estelle has enjoyed a latter - day career as a night club singer and as a cameo performer in her son Rob's films (she's the lady who says, «I'll have what she's having!»

Hill plays Finkel as polite, cautious, and matter - of - fact, but the weight of the scenes always fall on Franco, whose media presence is so saturated with irony that it's hard to remember what a talented performer he can be.

By the time the absolutely inexplicable final 20 minutes rolls around (in which David takes to cross-dressing), All Good Things has certainly cemented its place as an utterly misguided piece of work with little worth recommending - which is a shame, really, given the presence of several undeniably talented performers within the supporting cast (Frank Langella, Philip Baker Hall, etc).

It's a breakout performance that showcases O'Connell as an true performer, from his body and physicality to the subtly of his emoting and, conversely, the gravitas of his presence in some of the movie's big dramatic moments.

There's a scene in which Hoffman, Moore and Jeffrey Wright (returning as gadget guru Beetee) are sitting around a conference table in the District 13 war room, strategizing with Lawrence as Katniss, which feels way more substantive than it might through the sheer presence of these performers.

As it turns out, Scott's a surprisingly talented and charismatic performer whose presence is more than a little reminiscent of a young Tom Cruise.

Angela Bassett brings gravitas to T'Challa's mother Ramonda, even as she's too often a secondary presence onscreen (as much as a performer of Bassett's ferocity can ever be secondary, anyhow).

Director James Wan's choice to digitally recreate Walker's image for the film's last few scenes, using two of the actor's brothers as body doubles with Walker's face superimposed on their own, points toward a future in which a performer's ongoing biological existence may no longer be required in order to synthesize his or her presence on screen.

The Place Georges Pompidou in front of the museum is noted for the presence of street performers, such as mimes and jugglers.