Sentences with phrase «presence of an abstract art»
We find ourselves in the presence of an abstract art.
https://www.nationalgalleries.org/ Not exact matches
Fans of abstract performance art should note that Shia LaBeouf will have a presence at Cannes.
Like the gestural painting of abstract expressionism, Grossman's art retains traces of the artist's presence, the processes by which she created it.
[3] While he believed that all art was abstract to some degree, he preferred to call his paintings «presences» and «implosions of color» rather than abstractions.
Maychack studied art in the San Francisco Bay Area, and absorbed its traditions of assemblage, trompe - l'oeil illusionism and personal mythology; but also the post-minimalist interest in imbuing emotion and presence into abstract structures; he cites the personal, idiosyncratic work of Jessica Stockholder and Martin Puryear as major influences.
In keeping with his signature approach, Marshall has painted his figures in strikingly opaque black pigments, both fashioning and abstracting their presences in order to assimilate the limitations and contradictions of style, subject, and chronology inherent in art - historical narratives written from a white, Western perspective.
«It was such a beautiful location and Larry was very personable and we were really looking to showcase the art and give Suzy and George a bigger market presence,» says Kinney Frelinghuysen, nephew of abstract artist Suzy Frelinghuysen and her husband, artist George Morris.
Also, Laura Owens» evocative figural painting and Franz West's expressive abstract sculptures, that stir up the past with allusions to art history, to Gabriel Orozco's series of works that preserve the presence of the present with images of his own physicality.
Paintings from the 1950s include such works as Stephen Pace's Untitled (51 - 90), a dynamic abstract painting in which forms move into and through the picture plane in the mode of the art of Pace's teacher Hans Hofmann, Melville Price's Untitled (ca. 1959), a gestural painting in the abstract expressionist idiom in which figurative elements have a suggestive presence, and George Segal's Three Nudes (1959), in which a psychological tension is conveyed in the expressively treated figures that are integrated into spaces defined by veils or blankets of color.
The exhibition curated by Paul Carey - Kent is a thorough investigation of the nature of negative space and absence in the language of art, and exemplifies how spacial types in art implicitly effect the viewers experience, not merely as an abstract rationale of»em ptiness» but as an effecting presence across all artistic media.