CB1 Gallery is pleased to
present Dystopia, Merion Estes first exhibition at the gallery and her first in LA since 2009.
«The Handmaid's Tale»
presents a dystopia; «Alias Grace» is a piece of postmodern historical fiction — one that incorporates fragments of actual historical record with first - person narration and epistolary structure.
Not exact matches
After a post-apocalyptic
dystopia (The Road) and Prohibition - era America (Lawless), Australian director John Hillcoat brings his edgy Wild West sensibilities to this gritty
present - day heist thriller.
The film is brought home by its wonderfully understated future, a world that is not an active
dystopia or technological wonderland, but simply a plausible and slightly enhanced
present.
Allan Stone Projects is pleased to
present Dancing with
Dystopia, on view June 11 - August 7, 2015.
Set in the fantastical city of Mjar Opti, the novella
presents a grubby
dystopia pieced together from pulp fiction, erotica and video games tropes.
Unearthing the complex relationships between 1960s counterculture and
present day
dystopias, the installation immersed visitors in a labyrinthine assemblage of possible sites for modern day alchemical transformation.
Her curatorial project for the Dhaka Art Summit, The Missing One, flirts with the convergence of futurism, sci - fi,
dystopia and enchantment via works of art made between 1922 and the
present.
In New Land, Valenzuela
presents a suite of newly commissioned desert images on canvas that address the intersecting ideas of home, man - made borders, and
dystopia.
She
presents a reality where utopia and
dystopia are not polar opposites, but rather fold together in an uneasy coexistence.
With this body of work, Kurland
presents a reality where utopia and
dystopia are not polar opposites, but rather fold together in an uneasy coexistence.
The exhibition and event surrounding it will serve to
present the research findings undertaken while in Russia and will examine the effects of control and surveillance, and the
dystopia of Internet freedom.
In the exhibition space, however, she constructs fictitious micro-perspectives: she creates imaginary images, between
dystopia and utopia, which could be
presented in extreme enlargement on a screen only as coarse pixels.
The Museum of Fine Arts, Houston
presents Utopia /
Dystopia: Construction and Destruction in Photography and Collage.
Even if every environmentalist and climate campaigner agreed with me that we need a radical reappraisal of our
present «growth at all costs» orthodoxy (hint: they don't), that still wouldn't mean the only alternative to business - as - usual is some anarcho - primitivist
dystopia.