Not exact matches
To break categorically with the
present evil aeon is to cut the
ground from under one's feet, to
open oneself physically to death by breaking with the power structure of an evil society, and to
open oneself spiritually to death by renouncing self - seeking as a motivation and giving oneself radically to the needs of one's neighbour, as one's real freedom and love.
No matter what the world is serving me on any given day, I know that after I practice I will be much more
grounded, calm,
open, aware, and
present.
A high would be the fantastic
opening and great cinematics, and a low would be repetitively
grinding for hours in order to reach the right level for a quest (problem not
present in new game +).
Suzanna Stinnett
presents The Indie Collision posted at
Open Salon, saying, «With friendly greetings from the grappling
ground of everything Indie.»
The light & bright apartment is very well
presented with a fitted kitchen which
opens to the living area with sofa & dining area and straight out onto the
ground floor terrace and private garden.
Opening levels will teach you basic horizontal and vertical movement before you're moved on and introduced to level - specific mechanics that range from
grinding on rails to moving platforms with fans and inking a rolled - up floor so that it shoots out to
present you with a new path.
If the latter is intrinsic to the experience of his «Flo» paintings, in the four large diptychs Richter has
presented in the main
ground floor space, reflection has been employed almost entirely in lieu of mark - making in itself, which
opens up fundamentally different readings of the monochrome.
CCS BARD
PRESENTS SECOND SERIES OF SPRING EXHIBITIONS
OPENING APRIL 15, FEATURING 20 ARTISTS Three exhibitions — in someone else's skin, Facts on the
Ground, Stutter and Twitch — feature artists Allora & Calzadilla, Yael Bartana, Johanna Billing, David Claerbout, Nancy Davenport, Leon Golub,... read more →
«
Presenting Sun Splashed at the Barnes Foundation
opens up a fascinating dialogue between the
ground - breaking work of Nari Ward and the Barnes collection,» said Thom Collins, Executive Director and President of the Barnes Foundation.
Construction started after the
ground - breaking ceremony in April 2014; the
opening of the main building on site is scheduled for 2018, while an artistic programme is already
presented every summer in the refurbished former railway warehouses.
2009 Mayer, Sally, Straight Man, Wonderland, April - May Sculptor Shows his Own Poetry in Motion, The Southland Times, March Sherwin, Skye, Exhibitionist: The Best Art Shows to See this Week, The Guardian, 18 September De Wilde, Femke, Room With a Political View, Frame, March - April Lutticken, Sven, Taped Together: On The Bijlmer Spinoza Festival by Thomas Hirschhorn, Texte Zur Kunst, September Weiner, Emily, ArtForum (Review of show at Gladstone Gallery, NYC), March ArtForum (Review of show at Galerie Susanna Kulli), April Thomas Hirschhorn to
Present his First Ever Solo Exhibition in a UK Public Art Gallery, Art Daily, 8 September Indepth Art News: Anschool by Thomas Hirschhorn, Absolute Arts, April 2008 Rappott, Mark, Strange Love, Art Review, June Stroh, Frank, Thomas Hirschhorn: Hotel Democracy, Creative Europe Online, June Thomas Hirschhorn's «Hotel Democracy» at Art Basel 2008, Designboom, June Art Basel Becomes More Global, Swissinfo.com, 5 June Basel Art Blow - Out, Artnet, 30 May Art 39 Basel: El Dorado of the International Art World Set to
Open in Switzerland, Art Daily Online, June Art Basel
Opening, Zimbio.com, June Bowes, Elena, Thomas Hirschhorn, Indagare, June Vogel, Carol, Hotel Democracy, New York Times, 21 March Crow, Kelly Culture Clash: Soccer Fans, Art Elite Butt Heads, The Wall Street Journal, 30 May Vogel, Carol, New York Times, 21 March Harris, Gareth, Art Basel, Financial Times, 24 May Reust, Hans Rudolf, Infinite Glass: The Arts Beyond the Discipline, Parkett, No. 84 2007 Demos, T. J., On the
Ground - London, Artforum, December Nesbit, Molly, Le plan d'amitie entre art et philosophie, Le Monde Diplomatique, August Kultureflash.net, no. 124, 3 August Downey, Anthony, Thomas Hirschhorn, Flash Art, July - September, p. 134 Pennell, Arden, This is Your Brain on Reality, Whitehot magazine of contemporary art, Issue 3, May Icon, issue 046, April Sam, Serman, Thomas Hirschhorn, The Brooklyn Rail, April Kulture Flash, issue 198, 28 March Jones, Jonathan, How War Made Art Better Again, Guardian Unlimited Art Blog, 26 March Thomas Hirschhorn - Substitution 2 at Stephen Friedman Gallery, www.artvehicle.com, Issue 12, 23 March Coomer, Martin, Thomas Hirschhorn, Time Out London, 20 March Hubbard, Sue, This is the father of all battles, The Independent, 14 March Westcott, James, ArtReview: blog, 13 March Hirschhorn, Thomas, Eternal Flame, Artforum, Vol.
If the
Ground Should
Open... is part of the official Ireland 2016 Programme and is
presented as part of an exciting on - going initiative, New Art at IMMA, proudly supported by (External) Matheson, which allows IMMA to continue to support artists» vital work in a strand of programming that recognises and nurtures new and emerging talents, new thinking and new forms of exhibition - making.
Tyra Tingleff is
presenting solo exhibition
Grinding your teeth to keep out the wind at London's The Sunday Painter,
opening April 15 and running to May 14.
If the
Ground Should
Open... is a specially commissioned work
presented on the centenary of the historic Easter uprisings of 1916.
The
opening exhibition at the Hestercombe Gallery
presents ground breaking artists such as Tracey Emin, Mark Wallinger, Mark Quinn, Mike Nelson and Susan Philipsz among others, many of them Turner Prize winners and nominees.
Opening in Minneapolis, this is the first museum exhibition of his interdisciplinary practice, which is «
grounded in musical composition, yet bridges the visual and performing arts through stagecraft,» he is
presenting
Live Event If the
Ground Should
Open... Tues 13 December 2016 / 7.30 pm Great Hall, IMMA / $ 8 Jaki Irvine
presents the entire work performed live by the project performers; Louise Phelan, Cats Irvine, Cherry Smyth, Hilary Knox, Izumi Kimura, Liz McClaren, Jane Hughes, Aura Stone and Sarah Grimes.
A major new commission for IMMA by Irish artist Jaki Irvine, If the
Ground Should
Open..., is
presented here for the first time on the occasion of the centenary of the historic Easter uprisings of 1916.
If the
Ground Should
Open... is part of the official Ireland 2016 Programme and is
presented as part of an exciting on - going initiative, New Art at IMMA, proudly supported by Matheson, which allows IMMA to continue to support artists» vital work in a strand of programming that recognises and nurtures new and emerging talents, new thinking and new forms of exhibition - making.
19 Sep 2016 Irish artist Jaki Irvine
presents a major new sound and video work at IMMA: a contemporary call to the lost aspirations of the Rising A major new commission for IMMA by Irish artist Jaki Irvine, If the
Ground Should
Open..., is
presented here for the first time on the occasion of the centenary of the historic Easter uprisings of 1916.
Other works include The Humanizer by Simon Fujiwara; a sound and installation work of an imagined Hollywood biopic of Sir Roger Casement and If the
Ground Should
Open... by Jaki Irvine, a sound and film work currently on view in IMMA that traces our past and
present from the forgotten women of the Rising through to the leaked Anglo Irish tapes of recent years.
Jaki Irvine If The
Ground Should
Open... November 2016 Taking her novel, Days of Surrender (2013), as a starting point Jaki Irvine's new film work If The
Ground Should
Open... (2016), will be
presented alongside a live performance event.
Jo - ey Tang is
presenting solo exhibition Like An Intruder, The Speaker Removes His Cap, Walking In The Air With His Hands To The
Ground at Porcino of Berlin's Chert,
opening September 16 and running to October 22.
From that link's words, the DMI «green line» IS the best way to consistently compare the daily estimate of NORTH areas of the arctic — those areas north of 70 latitude to 83 north latitude NASA - GISS extrapolates «surface»
ground - based temperatures as far as 1200 km from where their land - based measurements were made from 60 - 70 latitude over the ever - greening (and darker) tundra and forests OUT to the
open sea where where the arctic sea ice actually is
present.
Another hazard
present on many construction sites — particularly those involving repairs to roads or pipes — are holes or other
openings in the
ground.
«Here is how I help: I offer
grounded and compassionate therapy that is
open,
present, and realistic.