Sentences with phrase «present a projected image»

This September, TCM proudly presents The Projected Image: The Jewish Experience on Film, a month - long showcase of movies focusing on Jewish history and heritage...

Goldin + Senneby will present a projected image with voice - over that documents their quest to find the source of the Microsoft Windows» desktop image.

Not exact matches

Conversely the projected future is already exercising its influence on the present through these images, and by continuous interaction it is also affecting the construction of revised images of the future.

Without assuming that every thinker associated with this movement presents an identical position, we may make some general observations concerning the possible psychological impact of the image of God which most of them somehow silently project.

«If these moms can't make the angry face, or they can't project this angry image, maybe they are presenting a more positive image to their kids,» he says.

Sexualised images of underage girls in beauty pageants are presented in the same publications, accompanied by sub-headings that project a sexual «knowingness» onto their behaviour.

The OSSOS project uses powerful computers to hunt the images, and Kavelaars was presented with a bright object moving at such a slow rate that it was clearly at least twice as far from Earth Neptune and 120 times further from the Sun than Earth.

This image shows QBO amplitude near the equator at a height of 11 miles: Observed values from balloon wind measurements from 1950s to present; simulations from a climate model driven with observed concentrations of greenhouse gases from 1900 to 2005 and then with projected increase through 2100.

The Galaxy Zoo 2 project builds on the original Galaxy Zoo, launched in 2007, which presented volunteers with images of galaxies for classification as elliptical or spiral — and, if spiral, clockwise or counterclockwise.

One study, led by Gene Serabyn of JPL, the overall lead of the Keck vortex project, presents the first direct image of the brown dwarf called HIP 79124 B.

Unfortunately, neither ever proved to be as dependable as the filtering of present light through that moving strip of celluloid which projects past images and voices onto a screen.»

Then, each group presented its findings to the class, projecting the PowerPoint images up on the screen.

In a collaborative writing project, students could present their writing in a stream, embellished with related videos, links or images for deeper understanding.

You could leave it at that, but my pupils went on to do a project in teams where each group had a different Desnos poem and had to work out what it was about (the gist rather than translating it) and present it to the class by reading it out in French, alongside a powerpoint with images to illustrate it, and then explain in English what it was about.

Misuse of the IDS included projecting PowerPoint slides that consisted mostly of text and notes for students to copy and presenting digital images as simple add - ons that did not support instructional goals.

After debuting the new Altima at the 2012 New York Auto Show, Nissan is moving on to its next project by presenting a teaser image showing five redesigned models that will be launched in the next 15 months.

In this photography project that began in 2013, the Big Apple is presented in a series of haunting and cinematic images as seen in the nighttime facades and storefronts of buildings that boast neon marquees and signage, eerily preserved in all of their nostalgic and kitschy glory, to undeniably sleek and contemporary exteriors with more daring architectural design.

The coveted Photographer of the Year title was presented to British artist Alys Tomlinson for her series Ex-Voto, a personal project that encompasses formal portraiture, large format landscape and small, detailed still - life images of the «ex-votos» (offerings of religious devotion) found at pilgrimage sites of Lourdes, Ballyvourney (Ireland) and Grabarka (Poland).

Presenting images from 2010 to 2017, the show at the Ground Floor Project in London, charts a movement in which the body is captured in extraordinary gestures and poses, tracing a new aesthetic in fashion photography that originated in 2010 and continues to develop today.

«LATOYA RUBY FRAZIER: Performing Social Landscapes» @ Carré d'Art - Musée d'Art Contemporain Nimes, France Photographer LaToya Ruby Frazier «s first solo institutional exhibition in France presents selections from several of her documentary projects, including the video «Frazier Take on Levi's» and photographs from «Pier 54,» and the foundation of her work, images that examine the decline of the population and steel industry of her hometown of Braddock, Pa. («Campaign for Braddock Hospital» and «The Notion of Family»).

These silkscreens and his larger video project Blind, both conceived from reappropriated stills, speak to our image - immersed present while still glorifying the mood and imagery of film noir and a rich cinematic past.

The artist will present «Son» (2018), a video projected in the main gallery that interweaves appropriated and handmade still images into a long - duration animation inspired by the 2017 solar eclipse.

The website is a crucial element to the project and presents an access point (360 view image) for those who don't live in Richmond.

An ambitious project initiated by Harvard University in 2010, «The Image of the Black in Western Art» assiduously documents artistic depictions of African - descended people, from the earliest known examples to the present.

In his ongoing investigation of the archive, Workshop of Projects and Images in Crisis (1996 — present), Hadjimichalis uses commercially available objects, found and created images, and texts to generate open - ended narratives that deal with the technologies of classification and recoImages in Crisis (1996 — present), Hadjimichalis uses commercially available objects, found and created images, and texts to generate open - ended narratives that deal with the technologies of classification and recoimages, and texts to generate open - ended narratives that deal with the technologies of classification and recording.

New to the fair was a sector called Survey, bringing gravitas with a deliberately digital - free zone that called on 13 galleries to present tightly curated historical projects — the standout, New York artist Alison Knowles's The Boat Book, 2014, eight 8ft - high, wood - framed movable pages covered with images described by her dealer, James Fuentes, as «seminal social sculpture» that is «read» by crawling through it.

Esopus 23 presents specially - commissioned projects exclusive to this issue including a series of images printed on translucent and metallic stocks by Marilyn Minter, a portfolio of die - cut works by Mickalene Thomas, a collection of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.

Eisler will be presenting her latest project Voices East London (2017) which features a series of striking images from the streets of East London - the City's «creative ghetto» known for spearheading the UK's biggest population rise over the past decade.

Cosmococas (1973) was among his most striking projects of writing and photography at the time, presented as the pages of a notebook containing his odes to various types of cocaine and slide shows with images devoted to the drug.

The project culminated in a comprehensive showing presented in 1991 at the National Gallery of Art that included the ROCI USA (Wax Fire Works) series based on images collected by the artist in the United States.

«The exhibition and book presented images from Evans» various projects out of their original contexts, and without textual explanations — a radical concept for the time,» explains Darius Himes, Christie's International Head of Photographs.

Xtreme Archive: Project X 1992 - 1999 Concluding their curatorial residency at 18th Street Arts Center, Project X presents Xtreme Archive: Project X 1992 - 1999, an exhibition of ephemera, images, and audio recordings about the exhibitions of Project X in the nineties.

The exhibition presents works by thirty - five artists created between 1860 and today: from a walk - in camera obscura in which the lights of Salzburg's old town are transmuted into a projected image to Hito Steyerl's installation How Not to Be Seen (2013).

In her project «Post Internet Survival Guide» (2010), Novitskova and her collaborators collectively gathered images and texts from the Internet to create a book that does not lament the powerless state of the image but rather attempts to «interpret and index this ocean of signs» in order to present us with strategies of «survival.»

The Queens Museum will present her most ambitious work to date, The Wandering Lake (2009 - 2017), a project that redefines the role of artist, image, object and performance in the construction of narratives through an exhibition that integrates video projection, photography, sculpture, publication, and performance as one expansive body of work.

For this, her only major curatorial project, Murray ransacked the storage vaults and brought to light a wealth of work by women usually consigned to the shadows — reminding us that women have always been a part of art history, even insofar as MOMA»S acquisition policies are concerned, but rarely get their due when that history is presented as images and objects on exhibition.

Apart from the film, the exhibition presents many different items: on - the - spot sketches, preliminary drawings, storyboard, collages, ink roughs and watercolours which fill out the project's origins and development; portraits of riders and of costumed horses and the actual costumes used on the day, as well as sculptural installations where images from the film are printed onto sections of car bodies.

Dill's project combines images and text culled from Morgan's art to create a layered multi-media installation that speaks to Morgan's vital artistic legacy as well as the power of prophecy and revelation, both a form of truth - telling about the present and a way of reimagining the future.

This exhibition will present several of Camille Utterback's highly original interactive digital installations including Text Rain, in which letters seem to drop slowly and come to rest on the projected image of the gallery visitor, forming words and nonsense syllables into human shape.

+ Second, Sable Elyse Smith presented a reading from Blue is Ubiquitous and Forbidden, a limited edition zine, which takes its title from the artist's current exhibition in the + / - Project Space, considering the trauma of mass incarceration by scaffolding perspectives and proximity — through image, video, voice, and text.

This landmark fair will present the finest in video art and digital installations from around the world as part of the special project «Moving Image Experience,» curated by Paul Young.

Baxter St at the Camera Club of New York presents Let Me Hold Your Breath, an exhibition consisting of projected images and installation by artist duo Tal Gilboa and Elizabeth Stehl Kleberg, curated by Zachary Lucero.

Another recent exhibition, BitStreams (2001), co-curated with Debra Singer, presented projects that harness digital media to achieve new dimensions of artistic expression through the transformation of images, space, data, and sound.

In the pavilion, the ten project will be presented through images, models, graphic chronologies, collaborative maps, and objects directly brought from the ten sites (which Encore Heureux call the «madeleines», citing Proust).

NYU's Grey Art Gallery Presents Rare Glimpse of Portrait Photography From the Arab World A Project by Walid Raad and Akram Zaatari — Arab Image Foundation January 11 — April 2, 2005 [DOWNLOAD FULL RELEASE] New York City, October 25, 2004.

2017 — «UPROOT» Smack Melon, Brooklyn, NY 2017 — «Sea of Trace» 505 Johnson Studios, Brooklyn, NY 2017 — «How We Come and How We Go» Trestle Projects, Brooklyn, NY 2017 — «PAPER: work & Jua Kali» 1:54, London, UK 2017 — «Making Africa» High Museum of Art, Atlanta, Georgia 2017 — Brassage Photographique, Villers - la - Ville, Belgium 2017 — «My Collection», MoCADA, Brooklyn, New York 2017 — «PAPER: work», Pioneer Works, Brooklyn, New York (solo) 2017 — Biennial Fotografica Bogota 2017, Bogota, Colombia 2017 — «PAPER: work», Art Africa Fair, Cape Town, South Africa 2017 — Figure 8, Foley Gallery, New York, New York ---------- 2016 — In Dialog II — Photobastei, Zurich, Switzerland 2016 — Addis Foto Festival, Addis Ababa, Ethiopia 2016 — «Jua Kali» as part of «Making Africa» at Kunsthal Rotterdam, Netherlands 2016 — «Tumia» part of Frontiers of The Present Exhibition, Circle Art Agency, Nairobi Kenya 2016 — «Jua Kali» at Africa Reframed, Copenhagen, Denmark 2016 — «Tumia» at GALERIA OLIDO for Afreaka Festival, São Paulo, Brazil 2016 — «Value» Exhibition at Brooklyn College Library, Brooklyn, New York (solo) 2016 — «Jua Kali» as part of «Making Africa» at CCCB, Barcelona, Spain 2016 — «Jua Kali» Exhibition at United Photo Industries, Brooklyn, New York (solo)---------- 2015 — «Displaced» as part of «FUSE», SVA Gallery, New York, New York 2015 — «Jua Kali» as part of «Making Africa» at Guggenheim, Bilbao, Spain 2015 — «Jua Kali» in OBSCURA Festival, George Town, Malaysia 2015 — «Jua Kali» in Rencontres Internationales de la Photo de Fès, Fès, Morroco 2015 — «Jua Kali» in LagosPhoto Festival, Lagos, Nigeria 2015 — «Jua Kali» in IFCV Festival International de Fotografia, Mindelo, Cape Verde 2015 — «Jua Kali» as part of «Image Afrique» 15» in ArtBasel, Theaterplatz, Basel 2015 — «Jua Kali» in Rencontres Internationales de la Photographie, Ghar el Melh, Tunisia 2015 — «Jua Kali» as part of «Edition POPCAP» at Artificial Image, Berlin 2015 — «Jua Kali» as part of «Making Africa» at Vitra Design Museum, Weil Am Rhein, Germany ---------- 2014 — «Untitled» — Art Cabinet, Nairobi, Kenya (solo) 2014 — «Jua Kali» — Exhibition at Kuona Trust Arts Centre, Nairobi, Kenya (solo) 2014 — «Value» — Exhibition at Kuona Trust Arts Centre, Nairobi, Kenya (solo)

Salvaged decorative pieces from the site's current restoration are presented as sculptural interventions while filmed images of a Buddha figure, originally from the 3rd - century Kushan Empire in what is now Pakistan, are projected onto layered screens on the top floor.

The Chicago Artists Coalition is pleased to present Body as Image, a HATCH Projects exhibition featuring works by Kioto Aoki, Colleen Keihm, and Darryl DeAngelo Terrell.

This exhibition, entitled Effects of Good Government in the Pit, presents Faldbakken's works and preoccupations from the last decade, during which he has developed his project of questioning the function of objects and images in contemporary art and society.

He was a 2015 artist - in - residence at ISSUE Project Room and has presented solo and collaborative films, performance, and audio works at the Serpentine Gallery, London; the Whitney Museum, New York; Tramway, Glasgow; mumok, Vienna; Images Festival, Toronto; the Montreal Biennale; the Ljubljana Biennial of Graphic Arts; and the Festival du Nouveau Cinéma, Montreal.