Not exact matches
During this event
presented by Arup, girls in grades six - nine
interested in STEM, will learn to think and design like an engineer to design a roller coaster using pipe insulation, marbles and
objects within the room.
Some children may take
interest in just about any toy
presented to them, but many young kids will often grow bored and distracted after a few minutes spent examining the new
object.
Abstract: We
present astrophysical false positive probability calculations for every Kepler
Object of
Interest (KOI)-- the first large - scale demonstration of a fully automated transiting planet validation procedure.
Of these candidates, 219 are new in this catalog and include two new candidates in multi-planet systems (KOI - 82.06 and KOI... ▽ More We
present the Kepler
Object of
Interest (KOI) catalog of transiting exoplanets based on searching four years of Kepler time series photometry (Data Release 25, Q1 — Q17).
Abstract: We
present the Kepler
Object of
Interest (KOI) catalog of transiting exoplanets based on searching four years of Kepler time series photometry (Data Release 25, Q1 — Q17).
His
interest in the visual and functional systems inherently
present in these
objects is evident in his arrangements.
Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,»
presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror
Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent
interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»
in its paris marais gallery space, galerie thaddaeus ropac
presents a series of new sculptures by erwin wurm that continues his ongoing
interest in the materiality and profanity of everyday
objects.
Their separation galvanized his
interest and inspired a series
objects and drawings that McQueen is
presenting as «found field notes.»
Her
interested topics include architecture, city, scenery, power, volcano, and carefully crafted
objects At Kunsthalle Exnergasse Aki Nagasaka will
present two works.
Smith is
interested in the ways
objects such as these are exchanged and circulated in the
present, and many of those pictured here are appropriated from auction catalogs.
Natalia LL's large - scale piece Słowo (1971) further explores her
interest in words as visual
objects,
presenting a photographic assemblage of 12 close - up shots of the artist's face as she is pronouncing «słowo» (meaning «word» in Polish).
In her first solo exhibition at the gallery, the Los Angeles - based artist is
presenting sculpture and photography that channel an
interest in female identity and the fetishization of
objects —
objects crafted out of eggs, corn and dried flowers that toy with notions of birth, death and life.
This multi-faceted environment
presents the artist's
interest in the potential for an
object or a space to be imbued by a live event, as well as a questioning of the adequacy of the exhibition format to represent the absent live act.
This exhibition will utilize Stony Island Arts Bank's archive by incorporating or making reference to images, music and text from the Johnson Publishing Library, the Glass Lantern Slides Collection, the Edward J. Williams Collection of
objects of «negrobilia,» and the Frankie Knuckles Vinyl Collection, with a focus on past,
present and future ideas depicting black culture's
interest in futurism and its roots in Africa.
Each of the six artists will
present works aligned with the methodologies or
interests inherent to the poetic process, lending a lyrical sense to both material and
object by using a mix of individual abstract language and intuitive composition or gesture.
Steinbach is
interested in the shared social ritual of collecting, arranging and
presenting everyday
objects and materials, an experience that on a basic level extends to us all, whether it's through -LSB-...]
He
presents installations and
objects and is
interested in «the constant recycling of aesthetic codes».
Since then he has
presented a large number of exhibitions at regular intervals, and his oeuvre has been the
object of constantly renewed
interest.
Pop artists were
interested in taking
objects and images abundantly
present in everyday life as their subjects, integrating popular culture into fine art.
Collezioni Private is developed specifically for Kunsthalle Lissabon and
presents a series of new drawings, close to still lives, which depict Du Pasquier's ongoing
interest on the expressiveness of quotidian forms and the domestic shape of
objects.
At play is the artist's
interest in the way viewing is mechanically shaped as well as the theme of doubling, which
presented itself throughout Charlesworth's career as she continued to revisit iconography and
objects, often with sly variations.
Caroline Picard: I am
interested in the relationship between your paintings and this fish tank â $» an
object that seems
present in everything I've read about your work, even while it is absent from the physical exhibition space.