Prehension is
a present creative act open on both ends, to the past on the one hand and to further possibilities or novelty on the other.8 Causal activity in nature shares in this polarity.
Not exact matches
It suggests that the latter should more properly be called «special - creationism», for what it really teaches is that every life - form is made by a special
act of creation, and it counsels Christians not «to
present God's
creative design as if he were granddad in the potting shed with components on a shelf, a workbench and a pencil behind his ear!»
There is certainly no room in this modern world view for a unique eschatological
act as distinct from that
creative action which may be considered to be
present in everything.
For, the
creative acts of sedimenting new meanings also concern
present - future relationships (the anticipative spontaneity of consciousness).
Loving thoughts, spoken words, body language, physical touch, momentary interactions with others,
acts of mercy and kindness, creating and sharing images of Love through song, art, photography and all
creative forms, giving others attention, being fully
present and listening to others, affirming the spiritual identity of others, are all expressions of Love.
«Lovelace,» the story of the porn star's rise and fall,
presents a strange
creative paradox: the film's chief virtue is its strong
acting, yet the characterizations are also uniformly one - note.
Among the celebrities at the festive brunch, sponsored by Cadillac and coinciding with the 29th annual Palm Springs International Film Festival, were «Molly's Game» writer and director Aaron Sorkin, honored with the
creative impact in writing award; Jessica Chastain, who
presented Sorkin with his honor; «Get Out» writer and director Jordan Peele, who honored the film's star Daniel Kaluuya, on hand to accept the
creative impact in
acting award; «Wonder Woman» director and
creative impact in directing award recipient Patty Jenkins; and Wonder Woman, herself, Gal Gadot, who teared - up while
presenting Jenkins with her award.
A transcendent glimpse at how aging Impressionist painter Pierre - Auguste Renoir passed his
creative muse to his filmmaker son Jean Renoir
presents masterly examples of character - based
acting.
Group exhibitions featuring his work include The
Creative Act: Performance — Process — Presence, Guggenheim Abu Dhabi (2017); do it بالعربي, Sharjah Art Foundation (2016); 1980 — Today: Exhibitions in the United Arab Emirates, UAE Pavilion, 56th Venice Biennale (2015); Une Histoire: Art, Architecture and Design from the 1980s to the
Present, Centre Georges Pompidou, Paris (2014); and ADACH Platform for Visual Arts, 53rd Venice Biennale (2009).
In the exhibition, the «
creative act» itself is subjected to the passing of time, in frameworks both conscious of its cooptation by market forces, and
present as both affective and reproductive labor.
In addition, in a rural area too rarely exposed to contemporary
creative input, they also
act as cultural mediators, spotlighting nationally and internationally known artists and
presenting new aesthetic concepts and artforms that reflect the diversity of the Cnap collection: monumental sculptures, wall paintings, sound and video installations, procedural art, vegetal works and more.
The artists
presented in We Must Risk Delight will give the audiences of the Biennale Arte 2015 an opportunity to discover the city of Los Angeles through the kaleidoscope of its
creative community, while also encouraging us all to risk delight and celebrate the
act of creating as humanity's pathway to joy: both within ourselves and in the collective world around us.