Sentences with phrase «present early paintings»

To coincide with the exhibition of new works on paper, Lisson Gallery will present early paintings by the artist from her time in Paris in the late 1940s at TEFAF New York (May 4 — 8, 2017).

Robinson presented his earliest paintings at the historic Times Square Show organized by Colab in 1980 at an abandoned building on West 41st Street, and within two years was exhibiting modestly scaled but brashly colored paintings of pulp romance cover illustrations at the seminal Metro Pictures gallery.

Not exact matches

The exhibition currently showing at the Waddington Custot gallery in London, Pi in the Sky, presents D'Arcangelo's paintings and drawings from the late 1960s to the early 1980s in his first ever UK solo exhibition.

The exhibition will present six of these rooms as well as sculptures, paintings, works on paper, film excerpts, archival ephemera, and additional large - scale installations that span the early 1950s to the present day.

In his most recent exhibition Queens of the Undead at the Institute of International Visual Arts — Iniva, in London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontations.

Jessica Silverman Gallery is pleased to present «1960s Portal Paintings,» a show of early works by Suzanne Blank Redstone.

The Met is presenting «Michelangelo: Divine Draftsman and Designer,» an exhibition including 133 of his drawings, three marble sculptures, his earliest painting and a wood architectural model for a chapel vault.

The exhibition Mernet Larsen: Getting Measured will feature never - before - seen early drawings, a select group of studies and works on paper, and a survey of paintings from the 1960s to the present.

Next to Nothing presents a group exhibition that revisits early Modern figurative painting and Symbolist poetry through the recent work of 12 contemporary artists.

As such it offers the opportunity both to review many early, celebrated paintings and also to see these afresh in the context of works produced since then and up to the present day.

Italienische Landschaft belongs to the group of early photo - paintings of faraway places that art historian Dietmar Elger specifically highlighted as exemplary for the dichotomy they presented «between the objectifiable distance generated by black and white painting and the artist's personal interest in the motifs» (Dietmar Elger, Gerhard Richter Landscapes, exh.

This November, VMFA presents a groundbreaking exhibition that examines how Johns mined Munch's work in the late 1970s and early 1980s as he moved away from abstract painting towards a more open expression of love, sex, loss, and death.

Gary Snyder Fine Art in New York City presents the work of Janet Sobel, whose early 1940s drip paintings inspired Pollock to explore the possibilities of that style and essentially found the Abstract Expressionist school.

The book, edited by Trevor Schoonmaker, Curator of Contemporary Art at the Nasher, brilliantly presents a masterful look at the figurative painting, a selection of which can be seen in the next iteration of Soul of a Nation, which opened earlier this month at the Crystal Bridges Museum of American Art in Bentonville, Arkansas, as well as in the exhibition catalogue, available from the Tate, which features Hendricks» painting «What's Going On» (1974) on the cover.

NEW YORK — Barbara Rossi: Poor Traits, presents a selection of Barbara Rossi's enigmatic graphite and colored pencil drawings from the late 1960s and her meticulously rendered reverse paintings on Plexiglas from the early 1970s.

In 2015, the gallery presented Marvelous Void, the first exhibition to feature a selection of McLaughlin's geometric abstractions alongside two early Japanese ink paintings that exemplify Sesshu's concept.

The present work is one of Haring's earliest «tarp paintings» and was exhibited at his pivotal one - man show at the Tony Shafrazi Gallery in Soho the year after its creation.

Gagosian Gallery New York present the first US exhibition of Hirst's 2016 «Colour Space» paintings series, following their debut at Houghton Hall earlier this year.

The present painting possesses a much more daring color program than those earlier paintings while retaining their essential structure and compositional framework.

Presented on the third and fourth floors of the Museum, this comprehensive survey will bring together over 115 works, including paintings, sculptures, drawings, wallpapers and prints, early computer - based art, videos, and 16 mm films.

Fontana Contended in the Late 1930s Helen Molesworth: Don't Look Back: Eva Hesse's Early Work Andrea Rosen Gallery is delighted to present an exhibition of oil on paper works by Willem de Kooning, «baroque» ceramic sculpture by Lucio Fontana, and Eva Hesse paintings from the 1960s.

Bursts of pure red, yellow, blue, and green echo de Kooning's abstract paintings of the 1970s, five of which were presented alongside Baselitz's early work in the pivotal exhibition «A New Spirit in Painting» of 1981 at the Royal Academy in London.

Bordered with black similar to the ones found on Stella's foundational Black Paintings, the present canvas simultaneously recalls the artist's earlier work while presaging future developments.

In the fall of 2010, the Asia Society presented Yoshitomo Nara: Nobody's Fool, the first major New York exhibition of his work, featuring more than one hundred works spanning from his early career in the 1980s to his most recent paintings, drawings, sculptures, ceramics, and large - scale installations.

Thomas Chimes: Complete Circle, 2001 Text by David Cohen 54 pages, Softcover Published by Locks Art Publications ISBN: 1 -879173-49-2 Complete Circle presents the early and later work of noted artist Thomas Chimes: a series of metal box constructions from 1965 - 1973 paired with related new paintings.

The exhibition COLORS OF DESCENTS presents three positions in painting, that share influences from the visual structures of early 1990s computer - game graphics.

VENUS presents a selection of early drawings and paintings by Peter Saul from the estate of the artist's original dealer Allan Frumkin.

Today, the gallery presents contemporary multimedia and conceptual work, as well as painting and sculpture and continues to show the artists it has worked with in the early nineteen eighties, while it presents and works with new talents.

Magazzino's inaugural exhibition is «Margherita Stein: Rebel With a Cause,» 71 works by 16 artists: sculptures, drawings, paintings, prints, mixed - media assemblages and large - scale installations dating from the early 1960s to the present, most never previously exhibited.

The Six Paintings series will be complemented by a selection of prints made from his Dots Pastilles drawings (1970 — 71), which present early iterations of the use of dots as a graphic technique.

Two Centuries of American Still - Life Painting: The Frank and Michelle Hevrdejs Collection traces the history of American still - life painting in the United States over the course of nearly 200 years, from the early 19th century to the presPainting: The Frank and Michelle Hevrdejs Collection traces the history of American still - life painting in the United States over the course of nearly 200 years, from the early 19th century to the prespainting in the United States over the course of nearly 200 years, from the early 19th century to the present day.

Water and Shadow: Kawase Hasui and Japanese Landscape Prints presents more than 100 woodblock prints, rarely - seen screens, scroll and fan paintings, and preparatory materials that explore the dynamic early work of famous Japanese landscape artist Kawase Hasui.

The analysis of these motifs in the exhibit illuminates the notion that visual features Richter constant in his oeuvre were already present in his earliest paintings.

The exhibition presents new paintings and works on paper by Bjertnes, as well as earlier works.

During these early years the association presented exhibitions of national artists and, until the mid-1930s, annual exhibitions of paintings by Texan artists.

The Tibor de Nagy Gallery is proud to present an exhibition of early paintings and works on paper by the proto - pop painter Larry Rivers.

Organized by Suzette Lane McAvoy, the museum's adjunct curator of contemporary art, it presents canvases from every phase, beginning with early, freely painted concentric circles and going through the more rigorous chevrons, diamonds, plaids, asymmetricals and stripes of later years to his recent «Mysteries» series, which revisits the concentric circle motif of his youth.

Featuring more than 100 works spanning from the early 1980s to the present, including a number of new and never - before - seen pieces, the exhibition juxtaposes graphic patterns with abstracted, figurative paintings, creating a fully immersive environment that underscores the artist's systematic dismantling of the hierarchy between design and fine art, and between three - dimensional form and two - dimensional representation.

Gagosian Gallery New York to present the first US exhibition of Hirst's 2016 «Colour Space» paintings series, following their debut at Houghton Hall earlier this year.

Spanning four decades, from the early 1960s to the present, the broad, fascinating spectrum of these colorless paintings ranges from representational works based on black - and - white photographs, to entirely abstract paintings.

In Un Coup de Dent, renowned artist and activist Nancy Spero will present a body of early, expressionistic works referred to as the Black Paintings and a group of related drawings, created between 1954 and 1965 and exhibited comprehensively in the United States for the first time since 1985.

Newman appears again in Twice Hammered (2011), where one finds the reproduction of Diao's earlier Barnett Newman: The Paintings (1990; for which Diao presents all of Newman's paintings at small scale and reduced to the shapes of their canvases) next to that work's accompanying catalogue entry from a May 2005 Christie's Hong Kong 20th Century Chinese and Asian Contemporary Paintings (1990; for which Diao presents all of Newman's paintings at small scale and reduced to the shapes of their canvases) next to that work's accompanying catalogue entry from a May 2005 Christie's Hong Kong 20th Century Chinese and Asian Contemporary paintings at small scale and reduced to the shapes of their canvases) next to that work's accompanying catalogue entry from a May 2005 Christie's Hong Kong 20th Century Chinese and Asian Contemporary Art sale.

The Columbus Museum of Art and Denver Art Museum present Mark Rothko: The Decisive Decade, 1940 — 50, a major exhibition tracing the evolution of Rothko's work from his Surrealist - influenced, figurative compositions of the early 40s to the abstract, color field paintings for which he is best known.

Earlier this month, Whitten presented a new series of abstractionist paintings at Hauser & Wirth in New York.

Many of the objects — paintings, sculptures, and drawings — presented in this exhibition were informed by time Jay Heikes (b. 1975) spent at a residency in Marfa, Texas, in early 2017.

The Jewish Museum in New York to Present Mel Bochner: Strong Language May 2 — September 21, 2014 Exhibition Explores Mel Bochner's Text - Based Works From Early Conceptual Drawings to Recent, Large Scale Thesaurus Paintings New York, NY — From May 2 through... Continued

November 2007, Philadelphia, PA — Locks Gallery is pleased to present an exhibition of early paintings and drawings by Elizabeth Osborne.

The 2012 Biennial, poignantly dedicated to the late Mike Kelley who passed away earlier this year, presents artists at all points in their careers, in a vast array of media from painting, sculpture, photography, installation, music, theater, film and dance.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

What is a bocce ball?In the last gallery, Steinbach presents the early bar «cut out» works in the company of two recent works, Untitled (funnel, box, dog chew) and wall painting, fromzoomtozooooooooooooom.