Sentences with phrase «present exhibition addresses»

Bringing together pictures taken across the world of friends and strangers, as well as the natural and built environment, the present exhibition addresses one of the main questions explored in Tillmans's recent practice: as photography becomes increasingly ubiquitous, and as ever higher resolution yields unprecedented views of our surroundings, how do pictures continue to shape our knowledge of the world?

Not exact matches

Curated by Vicente Todolí, the exhibition will take place at the gallery's 537 West 20th Street location and will present a selection of works by the artist that address an expanded notion of travel.
Throughout the duration of the exhibition, her performers continuously enact a form of live installation in the gallery and the museum's outdoor spaces, bridging the conceptual and physical divide between performer and object, bystander and viewer, while addressing the ways in which dance and the spectacle of performance are presented in theatrical and exhibition contexts.
The autumn show is a group exhibition that's looking at work from the late»60s to the present: sculpture that directly addresses the space around it.
The exhibition presents a body of work (sculptures, photographs, and drawings) that address several themes dear to the artist: Confrontation between cultures, unfortunately often taking place in the form of violence, the subject of language and knowledge, and even the relationship between said knowledge and so - called ignorance.
Presented in conjunction with CraftNOW — a citywide exhibition examining the fluid boundaries that exist around art, design and craft — this show considers how contemporary revivals of sewing, weaving and embroidery reflect the continuing feminist interest in historical technique and play a crucial role in helping these artists understand the past while addressing identity in the present and future.
Through hand - drawn sketches, interactive sculpture, immersive video, and a lineup of more than 30 structural models at 1:500 scale, the exhibition gives insight into SOM's practice, past and present, as it seeks to address physical and environmental challenges with concise and honestly expressed solutions.
On view September 21 to December 9, 2018, the Frances Lehman Loeb Art Center at Vassar College will present Past Time: Geology in European and American Art, an intersectional exhibition that addresses the wide impact of geology and its field - study customs on artists during the Enlightenment and Romantic eras.
The artist makes sure to push himself not only creatively but moreover, mindfully — constantly presenting and addressing new ideas and concepts to the viewer, resulting in a diverse and complex yet energetic body of work, turning each art ashow and gallery exhibition into a new experience while staying impressively and consistently recognizeable.
This exhibition of drawings and small paintings by Genichiro Inokuma, created between 1955 and 1975, addresses the aspect of the Gallery 2 program that is engaged in presenting historical work with the intention of contextualizing current work.
This program with art historian Paula Burleigh will address works on view in the exhibition Collected by Thea Westreich Wagner and Ethan Wagner, which presents American and international art from the 1960s to the present day.
P.S. 1 Contemporary Art Center presents NeoHooDoo: Art for a Forgotten Faith, an exhibition co-organized by The Menil Collection that brings together a multigenerational group of North, South, and Central American artists who address the value of ritual in the artistic process and the wider implications of spirituality in contemporary art.
The Untitled Space presents an exhibition of 21 female artists addressing self - portraiture in Self Reflection.
This week, The Untitled Space presents SELF REFLECTION, an exhibition of 21 female artists addressing self - portraiture.
«The intersecting themes of the exhibition address the most vital points of contemporary society's connection with the past and present, and the variety of accompanying programs align with the spirit of openness and dialogue that characterizes the cultural message of Milan's museums,» said Anna Maria Montaldo, director of Polo Arte Moderna e Contemporanea in Milan.
The second in a series of exhibitions presented at Kemper at the Crossroads, The Center is a Moving Target addresses the evolving rhythm and elusive modern definition of «regionalisms» in contemporary art.
Like the oracle itself, the exhibition presents a series of coded messages that address a future that is both hard to discern and right under our feet, like a road.
The exhibition presents a wide array of artists, from those who struggle with their minority identities as African immigrants residing in Europe or North America, such as Yinka Shonibare and Chris Ofili, to those who address epics on nationalism or religious conflicts in post-colonial Africa, such as Goncalo Mabunda and Rachid Koraichi.
Simultaneously referencing the past and addressing the present moment, these exhibitions uncover what it means to be formed by experience, locale and popular culture.
A new exhibition, on view April 9 — August 21, 2011, entitled Unsettled: Photography and Politics in Contemporary Art, in the Julien Levy Gallery in the Ruth and Raymond G. Perelman Building of the Philadelphia Museum of Art presents work by nine artists who used photography to address some of the most salient political and social issues of the late 1970s through the early 1990s, including feminism, racism, the AIDS crisis, and gay activism.
In conjunction with a daylong symposium exploring the conceptual and tangible difficulties of art in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public art.
Locks Gallery is pleased to present Addresses (1976 — 78), an exhibition of plate paintings and related studies by Jennifer Bartlett, on view April 20th through May 25th, 2012.
Drawn from the ARTIST ROOMS collection, this exhibition presents work by German artist Anselm Kiefer, who explores themes of national identity and collective memory, often addressing the legacy of Germany after the Second World War.
Presented within the format of» a natural history display case, the exhibition: addresses our love of foods, and our penchant for defining and categorizing our surrounding experiences.
Graham Wilson's third solo exhibition at Peninsula Gallery, Sometimes I Confuse Myself Too... presents a whimsical approach to his distinctive process of creation and destruction to address the inevitable contradictions of making art.
Sean Kelly is delighted to present Edifice, Complex, Visionary, Structure, a group exhibition featuring gallery artists who have addressed architectural themes in their work, either explicitly or indirectly, as reference and inspiration.
30 x 40 inches April 14 — May 31, 2007 A solo exhibition by MINUS SPACE artist Soledad Arias presenting a body of new work that subtly addresses the relevance of remembering as a personal and social vehicle to responsibility, healing and awareness.
The exhibition presents several life - sized rooms and corridors based on a permanent installation that Ruhwald is creating in one apartment of his building at 2170 Mack Avenue, previously addressed 3583 Dubois.
Installation view June 5 — 26, 2010 Opening: Saturday, June 5, 2010, 5 — 7 pm Open by appointment only: [email protected] Location: 1019 Alexander Street, Houston, TX 77008 (in the Heights)(v) = variable presents a collaboration with Jim Nolan as the first in a series of works addressing the re-use and reconfiguration of pre-existing architectural structures as temporary «exhibition» spaces.
For the exhibition, artists Sharon Lockhart, Ryan Trecartin, Peter Campus and Joachim Koester are presenting recent video projects that vary widely, while addressing the moving image and the idea of screen space.
«With Carbon 13 and the Marfa Dialogues, Ballroom Marfa continues its mission of presenting art as a transforming media capable of addressing the most pressing issues of our time: The exhibition consists of newly commissioned work by eight international artists who have focused the lens of their creativity to interrogate the reality of climate change.
The exhibition focuses on artistic positions that address production processes and examines the sites at which it is produced and presented.
By making artwork and exhibitions concrete and personal for each viewer, the Museum provides a context to address contemporary and historical issues presented by artists of African descent.
Located on the ground floor of Hunter College's Silberman School of Social Work at 119th Street and 3rd Avenue, the gallery presents exhibitions and public events that aim to foster academic collaborations at Hunter College while addressing subjects relevant to the East Harlem community and greater New York City.
黄渊青 ( 1963年出生于上海 ) 。 2012年黄渊青在柏林的Galerie Albrecht举办了他的重要个展 ; 2010年张江现代艺术中心 , 《 形象 》 个展 ; 2007年 , 《 靠近 》 , 曼谷大学画廊 。 他的作品参加过许多重要群展 , 包 括2013年 《 心神会 》 外滩22号艺术中心 , 上海 ; 2012年慕尼黑艺术博览会 , 慕尼黑 ; 2011年 《 都市抽象 》 , Art Front Gallery, 东京 ; 2011年 《 道法自然 》 MoCA上海当代艺术馆 ; 2010年 《 海平线 — 抽象邀请展 》 上海油雕院 。 欧阳春 ( 1974年出生于北京 ) , 1995年毕业于西安艺术美术学院教育系 。 欧阳春目前居住于北京 。 2012年他在北京今日美术馆举办了他的首次重要个展 《 孩童 》 ; 2011年 , 《 王 》 Belvedere美术馆 , 维也纳 , 奥地利 ; 2009年 , 《 欧阳春 «2007 - 2009» 作品展 》 , Frank Schlag & Cie 画廊 , 埃森 , 德国 。 欧阳春同时参与了许多重要群展 : 2013年 《 演变 — 先锋当代艺术中心开馆展 》 , 先锋当代艺术中心 , 南京 ; 2012年 , 第九届上海双年 展 , 上海 ; 2011年 , 《 未来通行证 — 从亚洲到全球 》 , 圣格雷戈斯修道院 , 威尼斯 , 意大利 ; 2010年 , 《 民生现代美术馆开幕展 — 中国当代艺术三十年历 程 》 , 民生现代美术馆 , 上海 。 石至莹 ( 1979年出生于上海 ) , 毕业于上海大学美术学院油画系 。 2009年 , 她在北京尤伦斯当代艺术中心举办了重要个展 《 从太平洋 ─ 公海 》 。 她的作品参加 过许多群展 , 包括2011年 《 N分钟影像艺术节 》 , 上海 ; 《 白兔十年 》 , White Rabbit画廊 , 悉尼 ; 《 DAS ICH IM ANDEREN 》 , 麦卡托基金会 , 埃森 , 德国 ; 2010年 《 双簧 ─ 中国当代艺术展2010 》 , 东大名创库 , 上海 ; 《 百年女性中外女艺术家作品展 》 , 上海美 术馆 , 上海 ; 2010年个展 《 天上 • 人间 》 , 空白空间 , 北京 。 艺术家目前工作和生活于上海 。 更多信息或图片 , 请联系周冰心 [email protected] 或 +86-21-54660825 。 画廊工作时间 : 周二至周六 , 早10点至晚6点 , 周日中午12点至晚6点 , 周一请预约 。 点击下载黄渊青及欧阳春简历 点击下载石至莹简历 PAINTINGS: HUANG YUANQING, OUYANG CHUN, SHI ZHIYING July 6, 2013 through August 31, 2013 Opening Reception: Saturday July 6, 2013, 6 - 8 pm Venue: James Cohan Gallery Shanghai Address: 1 / F, Building 1, Lane 170 Yue Yang Road, by Yong Jia Road James Cohan Gallery Shanghai is pleased to present an exhibition of paintings by three Chinese artists: Huang Yuanqing, Ouyang Chun and Shi Zhiying.
Work presented in the exhibition specifically addresses human migration and nationalism in the Mediterranean area, investigating the dual nature of this geographic feature to the extent that it connects and separates, acting as both a junction as well as a barrier between the Global North and South.
Production modes are eventually at the core of the exhibition, addressing the commodification of the art work and displacing the understanding of the artistic gesture beyond the object (re) presented.
The Aldrich Contemporary Art Museum is pleased to present On Edge (The Domestic Plane), an exhibition that brings together seven contemporary artists whose work addresses the complex and dynamic terrain of the table's edge.
Her current research interests include curatorial agency and the status of curatorship, as well as the politics of display - subjects she will be addressing in a co-curated group exhibition to be presented in Edinburgh in late 2015.
New York Art Residency & Studios (NARS) Foundation is pleased to present an Artist Talk in conjunction with «Surreptitious Fondness,» an exhibition featuring a selection of multidisciplinary artworks that tackle a variety of subject matter that range from the most intimate experiences to addressing the public consciousness..
19 May 2010 08 Aug 2010 Collecting the New: Recent Acquisitions to the IMMA Collection Collecting the New presents artworks recently acquired for IMMA's Collection and marks the first occasion that these works have been shown at the Museum as part of that Collection 26 Jan 2010 18 Apr 2010 What happens next is a secret This is an experimental exhibition which attempts to addresses the question of what happens when artworks become part of a collection and are subsequently shown in many different contexts.
A group exhibition of emerging contemporary artists who address the ongoing HIV / AIDS pandemic in North America through the lens of childhood, education, popular culture and race, this exhibition is guest - curated by Danny Orendorff and is presented concurrently with the touring exhibition ArtAIDSAmerica, presented by the Alphawood Foundation in Chicago.
This exhibition presents artworks that address the inseparability of the personal from the political, exploring the ground between the private act of artistic creation and its collective resonance in the public realm.
Katia Santibañez's most recent video piece A National Nightmare will be on view at Petzel Gallery through February 11, 2017 as part of the group exhibition We need to talk... The exhibition aims «to address the myriad issues presented by the election results of November 8th.»
; 纽约现代艺术博物馆 ; 旧金山现代艺术博物馆 ; 芝加哥艺术学院 , 伊利诺斯 ; 奥尔布赖特 - 诺克斯美术馆 , 纽约 。 特里 • 温特斯在许多地方举办过展览 , 其作品亦被美国与欧洲的重要收藏机构所收藏 。 重要个展包括 : 伦敦白教堂画廊 ( 1999 ) ; 纽约大都会博物馆 ( 2001 ) ; 都柏林爱尔兰现代艺术馆 ( 2009 ) 。 特里 • 温特斯的油画 、 绘画与版画 1994 - 2004 , 阿狄森美国艺术美术馆 , 安多弗 , 马萨诸塞州 , 后巡展至休斯顿美术馆 , 休斯顿 , 德克萨斯州 ; 当代艺术馆 , 圣地亚哥 , 加利福尼亚州 ( 2004 ) 。 此次展览将附随一份中英双语折页画册 , 由美国作家 、 诗人与评论家Peter Lamborn Wilson撰写文章 。 更多信息或图片 , 请联系 周冰心 [email protected] 或 +86-21-54660825 。 画廊工作时间 : 周二至周六 , 早10点至晚6点 , 周日中午12点至晚6点 , 周一请预约 。 Alchemy & Inquiry: Philip Taaffe, Fred Tomaselli and Terry Winters September 9 through November 19, 2011 Opening Reception: September 9, 2011, Friday, 6 to 8 pm Venue: James Cohan Gallery Shanghai Address: 1F, Building 1, No. 170 Yueyang Road, by Yongjia Road James Cohan Gallery Shanghai is pleased to present the exhibition Alchemy & Inquiry with works by three prominent American artists, Philip Taaffe, Fred Tomaselli and Terry Winters.
For the exhibition, the walls will be returned to the museum, creating an architectural lining on which to present a connective system of discreet works — paintings, objects, and textiles - compounded in an address of translation, scale, and nested opposition.
Referring to the address of Cabaret Voltaire — the famous birthplace of Dada in Zurich, Switzerland — «Spiegelgasse (Mirror Alley)» is a group exhibition curated by Gianni Jetzer that presents works by Swiss artists from 1940 to the present day.
Justin Mortimer's paintings in his solo exhibition «It Is Here» address the present moment.
Recently, the Stedelijk has presented solo exhibitions by artists addressing the digital society such as Ed Atkins, Avery Singer, Jon Rafman and, at present, Jordan Wolfson.
The exhibition addresses one of the fundamental postulates of 20th Century Avant - garde movements, the mutual penetration or even fusion of art and everyday life, is indebted to three phenomena known from the history of 20th Century art which have remained topical and universal until the present day.
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