Sentences with phrase «present form of the story»

The present form of the story is a skillful editorial combination of the two, designated JE.

Thus, the present form of the story is obviously unconcerned with consistency.

Not exact matches

Christian missionaries in Mughal India were constantly trying to present the Christian faith not only by writing in Persian (the language of the Court) but also by telling the Christian story, for example, through the painting of miniatures, a notable art form at the time.

Otherwise we are back where we began: with officially exorcised but practically, dominant programs of Western and modern stories of progress; with monological forms of rationality and increasingly brittle notions of a self seemingly coherent but actually possessive and consumerist; with «others» present, if at all, only as projections of our modem selves, our desires, wants, needs.

Let us set down three observations: (a) Mark 15:40 - 16:8 possesses several features which divide it so sharply from the Passion narrative that it could hardly have been the natural continuation of that in the stage of oral tradition, (b) this pericope, however, could not have existed in its present form as an independent tradition, (c) the pericope itself falls naturally into two parts, the first of which can exist as an independent story, but the second of which can not, for it depends upon the first.

We owe the Red Sea story in its present form to them, as well as the narratives of the conquest of Canaan, particularly the story of the fall of Jericho.

The dialectical consequences in the story of Abraham are expressed here in the form of problemata in order to see what a tremendous paradox faith is, for this story presents the paradox which gives Isaac back to Abraham, which no thought can master, because faith begins precisely there where thinking leaves off.

If there is a historical nucleus in the story, the symbolism of its present form may have been added by Mark or by one of his predecessors.

It has been aptly remarked that, for example, the Yahwist's «editing» is hardly more than the placing of accents of refinement on the story in the use, say of the name Yahweh where earlier some amorphous term for deity stood in the story.8 And in the formation of JP it is obvious that editors regard it as essential that the distinctive forms of both existent flood accounts, for example, be retained, a fact accounting for present «discrepancies» in the tale in the form of duplicates and contradictions.9

At the same time, form critics remind us that any interpretation must take into account the confessional form of the story, that is, its present structure, intent, and emphasis as derived from its cultic use, as imparted from its repeated recitation throughout Israel's generations on the occasion of the annual celebration of the great deliverance.

But the present story gives us a form of celebration developed over the seven or eight following centuries (12:21 - 27 appears to derive from the older J stratum; but 12:1 - 13, 43 - 49 is of the P character).

In Exodus it is the Creation faith that is affirmed in the observance of the day, and one sees a very close relationship between the present form of the commandment and the story of creation in Genesis 1:1 - 2:4 a (see especially 2:2 - 3).

It is of course God by whom victory is snatched from the seemingly vastly superior Egypt; but the form of the present story evidences huge enjoyment of sophisticated Egypt's embarrassment and humiliation through the instrument of the rough Hebrew.

That was its origin and from that it grew into its present shape, first moving from a monthly festival to a weekly festival, then becoming identified with the creation story, and finally being laden with injunctions of very rigid forms of rest.

In the present chapter, I have argued that idiom is primarily conveyed in story form, as the parish apprehends its corporate experience and as its members communicate their common life and draw resources from the narrative structures of the world.

Giving orders, and obeying them — Describing the appearance of an object, or giving its measurements — Constructing an object from a description (a drawing)-- Reporting an event — Speculating about an event — Forming and resting a hypothesis — Presenting the results of an experiment in tables and diagrams — Making up a story; and reading it — Play - acting — Singing catches — Guessing riddles — Making a joke; telling it — Solving a problem in practical arithmetic — Translating from one language to another — Asking, thanking, cursing.

But while this is the first occurrence of the word, that for which the word stands is obviously present earlier, in nuclear form among the apostolic group and explicitly in the story of the gift of the Spirit at Pentecost (Acts 2).

The team were encouraged to use a breadth of reporting techniques, utilising multimedia skills to present the stories in various forms, such as longer and shorter form writing, as well as video, audio and pictorially.

The journey of a great white shark, the adventures of «science sleuths» and the inner workings of our genes are just a few of the stories told in comic strips and books, tapping into a rich medium for communicating science and presenting an effective way to use such art forms to teach readers about...

The release of «True Story» feels especially well - timed due to how it grapples with the kinds of issues that were worked over last fall in the form of the Serial podcast and Rolling Stone magazine's UVA debacle: namely, questions of who to believe, what constitutes the truth, and how to present the facts of a horrifying situation.

Narrating the story in an immediate present tense, and dominating every scene, Morton plays Iris as a little girl summoned prematurely into adulthood, with only a child's conception of how grown - ups dress, behave and interact — and with a sexuality that is far from fully formed.

It consists of four cut bits presented in story reel form which are each introduced by director Steve Loter, who explains and defends their deletions.

We are interested in supporting a diverse and daring group of theatre artists who tell unique stories, present material in a new form, or conceptualize existing material with an innovative vision.

Through our open call for submissions, we hope to engage with filmmakers on the forefront of cinematic innovation and experimentation in both content and form, presenting access - driven stories with journalistic integrity that demand an engagement with our political and cultural environments.

They lack much of the incredible cinematography and story sequences present in the main mission, and they all also take place within Camp Omega, but the free - form mission design is given much more opportunity to breathe and grow during these side ops.

Battle of the Sexes, which some viewers have already suggested was intended to be seen under a Hillary Clinton presidency, presents an appealing alternate history in the form of a true story, in which the smart woman (Billie Jean King, played by Emma Stone) triumphs over the loutish man (Bobby Riggs, played by Steve Carell).

Among the findings: (1) art activities can be integrated into classroom content and used to encourage rehearsal - type activities (such as songs) that incorporate relevant subject matter, (2) incorporating information into story, poem, song, or art form may place the knowledge in context, which can help students remember it, especially if the students are creating art that relates subject matter to themselves, (3) through artistic activities like writing a story or creating a drawing, students generate information they might otherwise have simply read, which will very likely lead to better long - term retention of that information, (4) physically acting out material, such as in a play, helps learners recall information, (5) speaking words aloud results in better retention than reading words in silence, (6) increasing the amount of effort involved in learning new information (such as being asked to discern meaning from an ambiguous sentence or to interpret a work of art) is positively associated with its retention, (7) emotionally charged content is easier to remember than content linked to events that are emotionally neutral, and (8) information presented as pictures is retained better than the same information presented as words.

You can begin by presenting a story in the form of a moral dilemma.

So, if the content is presented in the form of a story, learners» can learn better and retain the content effectively.

Each challenge is presented in the form of a story taken from the life of Aunty Mathilda, her two nephews Barney and Danny, and her niece Gina.

This nonfiction story presents facts and details about how and where hurricanes are formed, the ways in which people are warned of hurr...

The author of the National Book Award — winning Going after Cacciato offers fiction in a unique form: a kind of «faction» presented as a collection of related stories that have the cumulative effect of a unified novel.

Instead of writing paragraph after paragraph, I presented a significant amount of the material in bullets and indented story form.

The rest of this story is presented in its original form, first published in 2010.

With the main focus being on the events that are set a few years after Season Two, there is a fair amount of backstory added in there too in the form of flashback scenes and the game throws you in to one of these straight away where our new protagonist is introduced at the very start of the outbreak, which sets the tone of the main story in present day seamlessly.

A light alteration of the game is presented within the second bosses area is introduced, in a form of a OP Huntress Alex. Mind you I do not mind a general character added in for flavor or to enhance a existing story within reason, but it simply was more or less forced in a out of the blue moment.

Each story is bound up with objects and visual forms that Fernández develops as motifs in the larger body of work which she is presenting at 18th Street Arts Center.

Meanwhile, Wael Shawky (b. 1971, Egypt) presents the story of the crusades from an Arab perspective using puppets in Cabaret Crusades: The Path to Cairo (2011 - 12), which exaggerate and distort human and animal forms, to revisit history and reveals hidden truths.

Here is a theme that threads back and forth through the 20th century, forming a loop; and a story of art in which the past is constantly alive in the present.

Taking its title from the name of a fictional, post-iPhone device at the centre of Gary Shteyngart's 2010 near - future novel Super Sad True Love Story, Äppärät is concerned with labor, play and the uncertain zone between the two; with the extension of the body, and the self, through technologies ancient and contemporary; with things (to borrow Martin Heidegger's formulation) «present - at» and «ready - to» hand; with compulsion and with death Äppärät begins with Jessie Flood - Paddock's Just Loom (2015), a wall painting - cum - sculpture based on an illustration of a worker operating a loom from Denis Diderot's Encyclopédie (1751 - 72), one of the first attempts to record and systematize all human knowledge in published form.

Thus the monsters are in communication with works which allow language, stories branching out in all directions and fictions to be present as spirits: hundreds of balloons in the form of speech bubbles, glass speakers, puppets, photographs of the artist, who is speaking to animals, a film which has «produced a building» and numerous stories which the monsters from the drawings want to begin...» (excerpt from the press release).

The expressions of everyday life and vibrantly abstracted forms presented in Pattern Scheme evoke qualities of time, balance, repetition, focus, and design that emerge from the unique styles, subjects, and stories of each artist, connected through their varying use of pattern.

Embodiments of moments that have taken on aesthetic form, the works present fragmented stories told in the first person about the artist and his immediate environment.

JOHN KIPPIN: BASED ON A TRUE STORY Jun 30 - Sep 23, 2018 Private view Tue May 29 6 pm - 8 pm Based on a True Story surveys forty years of making art in public by John Kippin, a central figure in the emergence of photography as an independent art form in the UK from the 1970s and 1980s through to the presentSTORY Jun 30 - Sep 23, 2018 Private view Tue May 29 6 pm - 8 pm Based on a True Story surveys forty years of making art in public by John Kippin, a central figure in the emergence of photography as an independent art form in the UK from the 1970s and 1980s through to the presentStory surveys forty years of making art in public by John Kippin, a central figure in the emergence of photography as an independent art form in the UK from the 1970s and 1980s through to the present day.

2008 Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK A Recent History of Drawing & Writing, ICA, London, UK Playtime, Betonsalon, Paris, FR Panorámica ciclo de video, Bailando sin salir de casa, Museo Tamayo arte contemporáneo, Bosque de Chapultepec, Mexico, MX Wouldn't it be nice, Somerset House, London, UK Out of sight, Proyectos Monclova, Mexico, MX AWOL — Biennale of Young Artists, META Cultural Foundation, Bucharest, RO Wouldn't it be nice, Centre d'art Contemporain, Zurich, CHSelf Storage, Curatorial Industries, San Francisco, US I desired what you were, I need what you are, Galleria Maze, Torino, IT Within the big Structure, Megastructure, Berlin - Mitte, Berlin, DE Delirious Beijing, PKM Gallery, Beijing, CN Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US Revolutions — forms that turn, 16th Biennale of Sydney, AU As it presents itself, Whitstable Biennale, Whitstable, UK Featuring, Galerie Chez Valentin, Paris, FR The flight of the Dodo, Project Arts Centre, Dublin, IE One of these things is not like other things, Unosunove Gallery, Rome, IT Art Now Curate, Tate Modern, London, UK Inaugural Show, Marz Galleria, Lisbon.

Joanne Tatham & Tom O'Sullivan will present a solo performance based on a monologue that takes the form of a shaggy dog story; a long rambling tale that to some extent follows the conventions of a narrative joke.

Never Ending Stories presents the first extensive examination of the loop phenomenon in art, films, architecture, music and literature in a context of a museum exhibition, taking a comprehensive interdisciplinary look at the subject at hand by keeping in perspective factors like time, place, form and content.

AGW theorists are being misled by the principle of exclusion Story submitted by Paul Macrae In 1837, Charles Darwin presented a paper to the British Geological Society arguing that coral atolls were formed not on submerged volcanic craters, as argued by pioneering geologist Charles Lyell, but on the subsidence of mountain chains.

Very few occupiers receive legal advice before the hearing, and it appears that many do not file a defence form or turn up at court to present their side of the story.

Far Cry 4 presents fans with a new setting, story and characters while giving them what they love about past games, from outposts to platforming puzzles in the form of towers to satisfying stealth and first - person shooting combat.