Compared with these eternal verities
the present human scene gives no more than a hint of unimagined realities.
Not exact matches
I'd love to see a
scene with Wolverine (Hugh Jackman) reclining on his psychiatrist's couch and detailing what led up to his
present state as a hybrid
human / food processor.
Östlund's method, as always, is to stage the
human comedy in miniature: Nearly every
scene is
presented as an impeccably framed tableau, a tactic that effectively transforms characters, extras and audiences alike into participants in a grand sociological study.
The first season set the
scene — St. Louis in the 1950s, a prestigious teaching hospital, a leading gynecologist pursuing research that is controversial at best in the conservative culture with a partner who has no acknowledged credentials but shows a keen interest in and understanding of the topic and a way with putting the
human subjects as ease — and introduced the complexity of the study, which was condemned when the initial findings were
presented.
Like the humor, the pace is gentle, but the film as a whole is well - divided between
present - day antics, an extended (and somewhat wondrous) time travel sequence, and then the bulk of the action in colonial times, with a dextrous action
scene that resolves the differences between the turkeys and their would - be
human overlords.
Deus Ex:
Human Revolution ($ 5)-- A hell of a game, mixing sleek technology, a film - noir mis - en -
scene, and an ever -
present golden haze.
There are lots of approaches to solving this problem, ranging from Chris Crawford's attempts to render conversation in a computer - friendly pseudo-language to the extensive reliance on not - actually -
human characters or characters who are
present only in cut -
scenes and journal entries.
Presenting some humorous moments that highlight certain
human eccentricities, as well as capturing some unsettling
scenes that make you look twice, Lykes Keenan has perfected his style over the years.
Hiroshige Fukuhara's large, elaborate graphite drawings on black gesso panels,
presented by Ai Kowada Gallery (Tokyo) are aesthetic masterpieces, depicting fantastical, decorative nighttime
scenes of
humans and beasts encompassed by flowers and foliage.
Inszenierung / Mise en
scene», Museum im Kulturspeicher, Würzburg 2008 «Bending the Word / MATRIX 226», BAM / PFA — UC Berkeley Art Museum, Berkeley 2008 «Time Crevasse», Yokohama Triennial 2008, Yokohama 2008 «ICA: 60 Past,
Present and Future», performance at ICA — Institute of Contemporary Arts, London 2008 «Fia Backstrom: That social space between speaking and meaning», White Columns, New York (performance) 2008 «The Store», Tulips & Roses, Vilnius 2008 «Experiment Marathon Reykjavik», Reykjavik Art Museum, Reykjavik 2008 «Oral Culture», performance at Jan Mot, Brussels (performance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, London (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, London 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlin 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the
Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The
Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalle, Cologne
Drawing inspiration from films, popular culture and everyday imagery, Estelle Cherel's exquisite drawings, collages and watercolours
present intriguing
scenes where animals and the
human figure take centre stage.
Inszenierung / Mise en
scene», Museum im Kulturspeicher, Würzburg 2008 «Bending the Word / MATRIX 226», BAM / PFA — UC Berkeley Art Museum, Berkeley 2008 «Time Crevasse», Yokohama Triennial 2008, Yokohama 2008 «ICA: 60 Past,
Present and Future», performance at ICA — Institute of Contemporary Arts, Londra 2008 «Fia Backstrom: That social space between speaking and meaning», White Columns, New York (performance) 2008 «The Store», Tulips & Roses, Vilnius 2008 «Experiment Marathon Reykjavik», Reykjavik Art Museum, Reykjavik 2008 «Oral Culture», performance at Jan Mot, Brussels (performance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, Londra (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, Londra 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlino 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlino (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the
Human Sciences», performance at Hebbel am Ufer (HAU), Berlino (performance) 2007 «Experiment Marathon», Serpentine Gallery, Londra (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul ed Atene (performance) 2007 «The
Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlino 2007 «Köln Show2», European Kunsthalle, Colonia