Sentences with phrase «present image of a past»

The 35 mm slide paintings, with their cut - canvas windows, through which the slides are illuminated from the back (the electronics were made by the artist's father), present images of past performances, installations and paintings, none of which exist today.

Not exact matches

If I talk about selling, persuading and negotiating, you may get an image of a past experience or something you were told about salespeople that would take you out of the present conversation.

Our answer to that question about our basic identity impacts everything in our lives: our self - image, our health, our spirituality, our ethics, our roles and relationships, our careers, and our view of the past, the present and the future.

Churches can use black theology to help people overcome oppressive images of the past and present — in some cases, paradoxically, white images that have been financed and constructed by blacks.

Sacred images in Christian art are finally images of a community's search to understand its relation to its past, present and future; it is in these images that the community experiences its relationship with God.

To compare different cultures, past and present, in terms of how Christ, for instance, is imaged, functions, conceptualized and so on is to enter a kind of bicultural symbolic analysis.

Transference is a way of trying to continue past relationships by recreating present relationships in their image.

This becomes clear when Hartshorne continues in a vein that runs through realistic epistemic claims of any sort, including the Whiteheadian: «On the other hand, if what I have in present experience is not the past itself but a newly created substitute or image, then the door is open to solipsism of the present moment, and only arbitrary fiat will keep that door closed» (italics added).

HA Hellyer, a senior research fellow at the Atlantic Council and the Royal United Services Institute in London told the Telegraph: «When British peers and Christian clergy have been to Damascus in the past, they were rightly condemned as presenting an image of appeasement to Assad's regime, and showing him as some sort of protector of Christians, as though Syrian Muslims mattered for nought.»

Israel's past influenced decisively the understanding of her present and future; but in the reverse operation of the same interpretive principles, the understanding of the present imparted new depth and meaning to the past, a new depth and meaning which it was a part of tradition's business to incorporate in the image of the past as it was being continually verbalized.

So when it comes to symbols and paraphernalia of the communist past, the present - day West is almost always unconcerned, or even amused and sometimes warm - hearted, as in the case of Che, a popular image of youth and idealism.

Using common but sophisticated software like Adobe Photoshop, combined with open access to literally millions of raw images taken by publicly funded space missions of the past and present, many amateurs are finding few technical barriers to creating stunning images.

The film explores the dynamics of emotions by intersecting stories of characters from their past and present with the combination of images and historical references to accentuate the transformation of society and the reality of painful loss

The film explores the dynamics of emotions by intersecting stories of characters from their past and present with the combination of images and historical references to accentuate the transformation of society and the reality of painful loss through time.

Unfortunately, neither ever proved to be as dependable as the filtering of present light through that moving strip of celluloid which projects past images and voices onto a screen.»

In the course of his research, Lipman finds unexpected visual and thematic rhymes between past and present, cutting together archival clips and present - day interviews with a musician's sense of rhythm, often letting his voiceover narration drop out of the mix as the images and sounds tell their own story.

Krasinski sets himself up to fail, but I couldn't even feel that good about saying, «Well, at least you tried,» because he makes so many choices I found excruciating: A Greek chorus made up of two guys talking about the female psyche drift in and out of the pastiches; a powerful monologue by Frankie Faison about the humiliating life of his father (a restroom attendant) is intercut with images of the father as a young man standing in the latrine, proudly standing stock - still in his white ice cream suit, while a dialogue ensues between the father of the past and the boy of the present that folds time in the most obvious, theatrical way you could think of.

He is also the author of the newly revised and expanded Visions, Images and Dreams: Yiddish Film Past and Present (Holmes and Meier Publishers, 2011).

A set of images of different houses, past and present with simple questions to provoke discussion.

Such images have the power to imprint the meaning of the past on the montage of the present.

Not just a first novel but a cultural event — a wedding of secular and religious forms of literature — In the Image neither lives in the past nor seeks to escape it, but rather assimilates it, in the best sense of the word, honoring what is lost and finding, among the lost things, the treasures that can renew the present.

Forna explored this period brilliantly in her thoughtful memoir The Devil That Danced on the Water; and she revisits the time and place in her new novel The Memory of Love, a striking study of the past and present of a country whose name calls up twisted images of beautiful beaches, blood diamonds and child soldiers.

An image of the nation's rich past and flourishing present, Delhi is where ancient and modern blend seamlessly together.

Web of Fate presents dozens of shards that when manipulated in the correct angle assembles an image that is a piece of the puzzle in revealing the truth of Shelob's past and Mordor's future.

Malani hand draws directly onto the prints in ghostly white ink, analogous to the mesmerizing moving images in the original installation, and compiles a range of complex narratives bringing together the past and present.

These silkscreens and his larger video project Blind, both conceived from reappropriated stills, speak to our image - immersed present while still glorifying the mood and imagery of film noir and a rich cinematic past.

Interested in women's extensive history with textiles, VanDerBeek connects the lace shadows rising and fading from the dusky blue light in her images with the intermingling of past and present, a continuum connecting generations of women who have played important roles in the livelihood of their families, from Ancient Greece to the Industrial Revolution.

It is a dynamic, indexical account of the pasts, presents, and futures of mental and physical landscapes as sweeping as Art History and memoir or as specific as the variable dimensions found between the photographic image as sculpture or the sculpture as photographic.

In a series of landmark exhibitions ending in the late 1970s, these artists presented a dynamic, celebratory vision of transnational Africanism, which, as described in the 1969 AfriCOBRA Manifesto, encompassed «Definition: Images that deal with the past; Identification: images that relate to the present; and Direction: images that look to the future.&Images that deal with the past; Identification: images that relate to the present; and Direction: images that look to the future.&images that relate to the present; and Direction: images that look to the future.&images that look to the future.»

Life and story, past and present, memory and imagination all exist in one space.This leads us to have many questions when looking at her images, which are never quite answered as Paula imbues each image with a strong sense of mystery and ambiguity.

Eisler will be presenting her latest project Voices East London (2017) which features a series of striking images from the streets of East London - the City's «creative ghetto» known for spearheading the UK's biggest population rise over the past decade.

By arranging the works into large - scale installations throughout 180 The Strand, Strange Days aims to «weave images and sounds into polyphonic, dreamlike compositions, blending the present with memories of the past and premonitions of the future».

Image: Past Present, 2007 Archival pigment print, 101.6 cm x 147.3 cm 6 April — 21 April 2011 Blain Southern is delighted to present a new series of photographs by the acclaimed American artist Malerie Marder, staged to mark the publication of Carnal Knowledge, the fruit of the artist's four - year collaboration with Violette EdPresent, 2007 Archival pigment print, 101.6 cm x 147.3 cm 6 April — 21 April 2011 Blain Southern is delighted to present a new series of photographs by the acclaimed American artist Malerie Marder, staged to mark the publication of Carnal Knowledge, the fruit of the artist's four - year collaboration with Violette Edpresent a new series of photographs by the acclaimed American artist Malerie Marder, staged to mark the publication of Carnal Knowledge, the fruit of the artist's four - year collaboration with Violette Editions.

His earliest collection was probably the dozens of movie - star photographs he acquired as a child, and he continued to acquire images of celebrities past and present throughout his life.

Called to return again and again to the image of an abandoned silo, Brugnoli creates an impactful visual symbol imbued with a longing for the past, the comfort of the present, and the endless adventure of imagination.

Means of producing and displaying images are central to his methodology and he unpacks the image as both subject and object, unfolding ways in which fragments of the present can connect with those of the past, the hidden with the visible, and the sentient with the physical.

Struth's images also reveal the layers of politics and the influences of the past and present often found in human - crafted environments.

The subject of the work is the before and after, the past and future rather than the present — the painting as a paused image or spike on a timeline.

Viewing becomes a spatial, physical experience that compresses the geologic time implied by the surface details of the stones, a hint of some past process of erosion or eruption, the photographic moment at which each object was recorded and the transitory duration in which the images are presented and seen.

It is questions like: How does the presentation of history and the past shape the image of the present?

Search our online database of scanned images of reviews, press kits, festival and showcase program notes, newspaper articles, and other documents from BAMPFA's extensive collection covering world cinema, past and present.

Powerfully striking images, portraits of obsolete architecture and natural landscapes, and visions of remote deserts turn up throughout her works, combined with fragments of text and scenarios where past and present intertwine.

Such is Guangyi's acclaimed series of paintings titled Great Criticism which powerfully juxtapose aesthetics of agitprop revolutionary images to the kitsch sensibility of pop art and popular consumer logos, in order to highlight the conflict between China's political past and its highly commericialized present.

These fascinating new images juxtaposed against the Baroque churches, Rococo halls, and Modern opera houses, quintessentially representative of Höfer's oeuvre, create an exciting visual dialogue that explores the past, present, and future of both the city and the artist.

Presenting an amalgamation of works from his «Lost Edge» and «Last One» series, the show's arresting images both haunt and delight, presenting scarred landscapes that recall the forgotten military avant - garde of past SoviePresenting an amalgamation of works from his «Lost Edge» and «Last One» series, the show's arresting images both haunt and delight, presenting scarred landscapes that recall the forgotten military avant - garde of past Soviepresenting scarred landscapes that recall the forgotten military avant - garde of past Soviet regimes.

MPVAC investigates the emergence of digitally constructed identities, theoretical fictions, Amerika composts various art personas and classic 20th century artworks into a narrative sequence of mobile phone video images that conjure up both the spirits of the past as well as hauntological actors of the present.

In Newsom's 2015 catalog of work from the past 10 years to the present exhibition, critic Barry Schwabsky writes in his essay, «what keeps «strong painting» from becoming merely muscle bound — is Newsom's secret weapon: the discipline that comes from considering himself, not a painter of images, but rather an abstractionist... to appreciate his paintings is... to engage with their surfaces of purely sensual incident.»

Over the past two years, the Gordon Parks Foundation has collaborated with galleries around the country, presenting Parks's images of Ali at Howard Greenberg Gallery in New York, N.Y., Arnika Dawkins Gallery in Atlanta, and Arthur Roger Gallery in New Orleans.

Hammond incorporates an encyclopedic collection of images — from the past and present, history and fiction — to explore the fluidity of meaning as images shift, a process she has referred to as «recombinant DNA.»

over an older video of herself, blurring the line between documentary and performance while also making it difficult to tell which image of the artist is present, which is past, and which of these is therefore truly performing.