Sentences with phrase «present modern abstraction»

Not exact matches

Adventures of the Black Square presents abstraction as not being estranged from social reality, that its concern with form, shape and colour throughout its history are intrinsically linked to politics and expressions of modern living.

McElheny's installation uses translucent projection cloth, mirrors and film to present a very contemporary take on abstraction, while Rodriguez's depiction of a tongue, with an acupuncturist's diagnoses scrawled over the image, explores society's obsession with health, and the competing claims of traditional and modern medicine.

Recent notable group exhibitions include «Geometries On and Off the Grid: Art from 1950 to the Present», The Warehouse, Dallas, Texas, USA (2015); «Geometric Perspectives on Japanese Abstraction», BTAP, Tokyo, Japan (2014); «Tokyo 1955 - 1970 New Advanced Guard», The Museum of Modern Art, New York, USA (2013); «The 70s in Japan, 1968 - 1982» The Museum of Modern Art, Saitama, Japan (2013); «Mono - ha Avantguard», Nakanoshima Design Museum, Oska, Japan (2012); «Depicting the Uncanny: Tricks and Humor», The Yokosuka Museum of Art, Kanagawa Japan (2011); «Japanese Art after 1945: Scream Against the Sky», Yokohama Museum of Art, Kanagawa, Japan; touring to Guggenheim Museum SoHo, New York, USA; San Francisco Museum of Modern Art in association with the Center for the Arts at Yerba Buena Gardens, San Francisco, USA (1994).

1994 Don't Look Now, Thread Waxing Space, New York (catalogue) Cross and Square Grids, Museum of Modern Art, Saitama, Japan Abstraction: A Tradition of Collecting in Miami, Center for the Fine Arts, Miami, FL (catalogue) Das Americas, Galeria Luisa Strina, São Paulo, Brazil (catalogue) Elvis + Marilyn: 2 x Immortal, Institute of Contemporary Art, Boston, MA (catalogue) Come dire, splendori, Pontormo Rosso Gallery, Carmignano, Italy Notational Photographs, Metro Pictures, New York Rudiments d'un musée possible, Musée d'Art Contemporain, Geneva Le Constanti Nell» Arte, Galleria Lia Rumma, Naples (catalogue) 30 Years: Art in the Present Tense, Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) The Assertive Image: Artists of the Eighties, Armand Hammer Museum and University of California, Los Angeles The Use of Pleasure, Terrain Gallery, San Francisco, CA (curated by Robert Nickas) Punishment + Decoration, Hohenthal und Bergen, Cologne, Germany Katarina Fritsch, Peter Halley, Hubert Kiecol, Imi Knoebel, Sherrie Levine, Richard Prince, Jablonka Galerie, Berlin

2017 Third Space: Shifting Conversations about Contemporary Art, Birmingham Museum of Art, Birmingham, AL We Wanted a Revolution: Black Radical Women, 1965 — 85, Brooklyn Museum, Brooklyn, NY; California African American Museum, Los Angeles, CA; Albright - Knox Art Gallery, Buffalo, NY; Institute of Contemporary Art, Boston, MA Magnetic Fields: Conversations in Abstraction by Black Women Artists 1960 - Present, Kemper Museum of Contemporary Art, Kansas City, MO; National Museum of Women in the Arts, Washington, DC; Museum of Fine Arts, St. Petersburg, St. Petersburg, FL Approaching Abstraction: African American Art from the Permanent Collection, La Salle University Art Museum, Philadelphia, PA 20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Carnegie Museum of Art, Carnegie Institute, Pittsburgh, PA Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY MIDTOWN, Salon 94 at Lever House, New York, NY

However, instead of trying to establish a pedigree that approximates the emergence and development of modern art in larger metropolitan areas like New York, Chicago, or Los Angeles, with its requisite local variations of welded steel sculpture and lyrical abstraction, the historic past proposed in this exhibition is one that is just as idiosyncratic as the present it influences.

O'Keefe's compositions and colors can seem arbitrary, but they underscore how abstraction is still learning from both modern art and the present.

Zarina has participated in numerous exhibitions, including most recently Mind and Matter: Alternative Abstractions from 1940s to Present at the Museum of Modern Art, New York; Gouge: The Modern Woodcut at the Hammer Museum, Los Angeles; and WACK!

Gagosian, meanwhile, presents an exhibition of paintings, drawings, and photographs by Balthus, a modern maverick who continued to produce figurative works in a period dominated by abstraction (26 April — 29 July).

An exhibition at the former, «Matisse and American Art,» (through June 18) explores Matisse's influence on American modern art from 1907 to the present, while one at the latter «Making Space: Women Artists and Postwar Abstraction,» (through August 13) displays female abstract artists» accomplishments between 1945 and 1968.

Nuevas incorporaciones - Museu d'Art Contemporani de Barcelona - MACBA, Barcelona Days Lumberyard Studios - ACME Fine Art & Design, Boston, MA Great Impressions II - Dean Jensen Gallery, Milwaukee, WI Pollock's Mural and Modern Masterworks from the University of Iowa Museum of Art - Figge Art Museum, Davenport, IA Shaping Reality: Geometric Abstraction after 1960 - The Minneapolis Institute of Arts, Minneapolis, MN Layered / Boxed - Nohra Haime Gallery, New York City, NY International: 20th Century and Contemporary Masters - Hillsboro Fine Art, Dublin Pop to Present - Cantor Arts Center at Stanford University, Stanford, CA Grafik; Multiple & Plastik Der 60iger Und 70iger Jahre - Galerie Baal, Bielefeld Collected Visions - Bronx Museum of the Arts (BxMA), New York City, NY Modern Masters - Museum of Contemporary Art San Diego - MCASD Downtown, San Diego, CA 1968 - 69: 40 Years Later - Armand Bartos Fine Art, New York City, NY Action / Abstraction: Pollock, de Kooning, and American Art, 1940 — 1976 - Albright - Knox Art Gallery, Buffalo, NY The Third Mind: American Artists Contemplate Asia: 1860 - 1989 - Solomon R. Guggenheim Museum, New York City, NY Vivre l'art - collection Venet - Espace de l'art concret, Mouans Sartoux Gallery Selections - Hollis Taggart Galleries, New York City, NY Gallery Mixed Show - Bernard Jacobson Gallery, London, United Kingdom Made in America - Manny Silverman Gallery, Los Angeles, CA Synchronies: Undercurrents in Postwar European and American Abstraction — Hackett Freedman Gallery, San Francisco, CA (closed, 2009)

2012 Pothole, Salon 94, New York, NY, United States Cellblock I & II, Andrea Rosen Gallery, New York, NY, United States California, Charles Riva Collection, Brussels, Belgium Spheres 2012, GALLERIA CONTINUA / Le Moulin, Boissy - le - Châtel, France Crossing Mirrors, Rosenblum Collection & Friends, Paris, France Americas, Modern Collections, London, England Sõida tasa üle silla (ride gently over the bridge), ART IST KUKU NU UT, Tartu, Estonia The Mash Up: Collage from the 1930's to present, L&M Arts, Los Angeles, CA, United States Phantom Limb: Approaches to Painting Today, Museum of Contemporary Art, Chicago, IL, United States The Painting Factory: Abstraction After Warhol, Museum of Contemporary Art, Los Angeles, CA, United States, (cat.)

Zappettini was also present in group exhibitions such as Concerning Painting which travelled between three Holland museums (Museum Van Bommel - Van Dan, Venlo; Stedelijk Museum, Schiedam; Hedendaagse Kunst, Utrecht), Bilder ohne Bilder at the Rheinisches Landesmuseum, Bonn, and Abstraction Analytique at the Museum of Modern Art in Paris.

Modern Masters On View In Palm Beach — Mark Borghi Fine Art — New York, New York City, NY Out of Hand — Materializing the Postdigital — Museum of Arts and Design, New York City, NY The Show Is Over — Gagosian Gallery, London Re-View: Onnasch Collection — Hauser & Wirth, London Within and Beyond — Talley Dunn Gallery, Dallas, TX Gianni Motti — Delire Gallery, Brussels Resonant Minds: Abstraction And Perception — Montgomery Art Center, Claremont, CA Pictures of Nothing — The Frances Lehman Loeb Art Center, Poughkeepsie, NY Adventures of truth — Painting and philosophy — Fondation Maeght, Saint - Paul American Collage — Gerald Peters Gallery — New York, New York City, NY Making Their Mark: The New York Fab Five — Gemini G.E.L. at Joni Moisant Weyl, New York City, NY Artzuid — Rijksmuseum, Amsterdam Over, Under, Next: Experiments in Mixed Media, 1913 — present — Hirshhorn Museum and Sculpture Garden, Washington, DC Dynamo Un Siecle De Lumiere Et De Mouvement Dans L'art 1913 - 2013 — Galeries nationales du Grand Palais, Paris S (ch) ichtwechsel!

Curated by Simon Baker (Senior Curator of Photography and International Art, Tate Modern), Emmanuelle de l'Ecotais (Curator for Photography, Musée d'Art Moderne de la Ville de Paris), Shoair Mavlian and Sarah Allen (Assistant Curators, Tate Modern), the exhibition will bring together works from the 1910s to the present day and will show how photographers responded and contributed to the development of abstraction.

His unique vision offers a fresh reading of the history of modern art by initiating a dialogue between painting and sculpture, figuration and abstraction, past and present.

Presented from 11 October 2017 to 5 March 2018, the exhibition includes masterworks ranging from the birth of modern art through trends and styles such as American abstraction, Pop art and Minimalism to the most contemporary art.

A survey of American painting, sculpture, and printmaking of the twentieth century, this exhibition was drawn exclusively from the collections of our museum and presented the wide variety of contemporary styles which have developed in our country, ranging from the so - called modern primitives and realists to the various schools of abstraction.

Contemporary Art from the Collection,» Museum of Modern Art, New York, NY, July 7 — September 17, 2007 «Substance & Surface,» Bortolami Gallery, New York, NY, June 26 — August 31, 2007 «Contemporary Art from the Harvard University Art Museums Collections,» Fogg Art Museum, Harvard, Cambridge, MA, June 23 — January 31, 2008 «Repicturing the Past / Picturing the Present,» Museum of Modern Art, New York, NY, June 15 — November 5, 2007 «Lines, Grids, Stains, Words,» Museum of Modern Art, New York, NY, June 15 — October 22, 2007 «Art Unlimited,» Regen Projects at Art Basel 38, Basel, Switzerland, June 13 — 17, 2007 «Art in America, Now,» Museum of Contemporary Art, Shanghai, China, May 1 — June 30, 2007 «Paper: from the collection of Emily Fisher Landau,» curated by Bill Katz, The Fisher Landau Center for Art, Long Island, New York, NY, May 19 — December, 2007 «Remix Identity and Abstraction,» Albright Knox Art Gallery, Buffalo, NY, Fall 2007 «Learn to Read,» curated by Vincent Honoré and Maeve Polkinhorn, Tate Modern, London, United Kingdom June 19 — September 2, 2007 «Novel Readings,» curated by Florencia Malbrán, Bard Center for Curatorial Studies, Annandale - on - Hudson, New York, NY, May 13 — 27, 2007 «Fast Forward: Contemporary Collections for the Dallas Museum of Art,» Dallas Museum of Art, Dallas, Texas, February 11 — May 20, 2007; catalogue

Christie's Modern British and Irish Art sales present a broad and exemplary sample of the innovative achievements and stylistic movements of the 20th century, from British Impressionism to Post-War abstraction and Pop Art.

Phantom Limb: Approaches to Painting Today, Museum of Contemporary Art, Chicago, IL DOGMA, Metro Pictures, New York, NY, USA Contemporary Painting, 1960 to the Present, Selections from the SFMOMA Collection, San Francisco Museum of Modern Art, San Francisco, CA, USA Mix / Remix, Luhring Augustine, New York, NY, USA The Painting Factory: Abstraction After Andy Warhol, The Museum of Contemporary Art, Los Angeles, CA, USA (catalogue) Print / Out: 20 Years in Print.

Christie's is delighted to offer the present work by Saliba Douaihy that perfectly captures the signature abstraction and colouration of then legendary Lebanese Modern artist.

Organised by The Drawing Center in New York, where it received the Best Show Award from the International Critics» Association, it presents some 90 rarely - seen works by three artists from different generations who pioneered the development of modern abstraction — Hilma af Klint, Emma Kunz and Agnes Martin.

2004Singular Forms (Sometimes Repeated)-- Art from 1951 to the Present, Solomon R. Guggenheim Museum, New York, NY Frank Stella — A Breakthrough in Abstraction — Exotic Birds, Gagosian Gallery, New York, NY (solo) Frank Stella, Moby Dick and Imaginary Places, Galerie Jamileh Weber, Zürich, Switzerland (solo) What You See Is What You See: Frank Stella and the Anderson Collection, San Francisco Museum of Modern Art, San Francisco, CA, USA (solo) Frank Stella, Galerie Terminus, Munich, Germany (solo) Frank Stella: New Works, McClain Gallery, Houston, TX (solo)

Alfred H. Barr, Jr, the founding director of the Museum of Modern Art who organized «Cubism and Abstract Art,» would most likely have agreed with Leah Dickerman when, in the opening wall text of the present show, she declares that «Abstraction may be modernism's greatest innovation.»

Absence / Presence: Contemporary Abstraction, Sonoma Sate University, Rohnert Park, CA Contemporary painting, 1960 to the Present: Selections from the Collection, San Francisco Museum of Modern Art, San Francisco, CA Human Nature: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles, CA Malevich and the American Legacy, Gagosian Gallery, New York, NY California Dreamin: Myths and Legends of Los Angeles, curated by Hedi Slimane, Galerie Almine Rech, Paris, France Selections from the Collection of Buck A. Mickel, Richard Gray Gallery, New York, NY

* Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976, The Jewish Museum, New York The 1930s: The Making of «The New Man», National Gallery of Canada, Ottawa * Art is for the Spirit: Works from the UBS Art Collection, Mori Art Museum, Tokyo Monet Kandinsky Rothko: und die folgen, Kunstforum, Wein, Austria * Krazy: The Delirious World of Anime + Comics + Video Games + Art, Vancouver Art Gallery, British Columbia, Canada Moving Horizons: The UBS Art Collection: 1960 to the present day, National Museum of China 2008 - 2009 * Oranges and Sardines: Conversations on Abstract Painting, Hammer Museum, Los Angeles 2009 * After Many Springs: Regionalism, Modernism & the Midwest, Des Moines Art Center, IA Paint Made Flesh, Frist Center for the Visual Arts, Nashville, Tennessee: traveled to The Phillips Collection, Washington D.C.; Memorial Art Gallery, University of Rochester, NY * Die Gegenwart der Linie, Die Pinakothek der Moderne, Munich, Germany * Exhibition of Musee National d'Art Moderne du Pompidou, Seoul Museum of Art, Korea * The Third Mind: American Artists Contemplate Asia, 1860 to 1989, Solomon R. Guggenheim Museum, New York Artists and the Natural World, McKee Gallery * Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York Poor.