The audio track, which boasts a speaker - filling 7.1 mix, suitably mounts composer Michael Kamen's ever -
present orchestral score as the film's audio - visual star.
Not exact matches
And while Greenwood is primarily PTA's composer, for «Inherent Vice,» he was given the opportunity to break from the atonal
orchestral scoring sonic palette he's rendered thus far and
presented something exciting, typically askew and eclectic.
The DD 5.1 configuration of the original four - track stereo mix
presents Leonard Rosenman's weak, distracting
score to good,
orchestral effect, for what it's worth.
The game's sound is also spectacular, with a moving
orchestral and electronic
score, and the game being
presented in full 5.1 surround sound.