Sentences with phrase «present space conditioning»

This report assesses present space conditioning costs and the costs of a transition to a space heating and cooling sector that is «renewable - grid - ready.»

Not exact matches

That is, we may at last come to some accommodation in our necessary journeying, our wayfaring in time and space, in relation to the present realities of explicit time and place that are always conditions to our actual existence as persons.

The Prof. Dora Francisca Edu - Buandoh committee on Emoluments and Conditions of Service for Article 71 office holders in its report on the recommendation of benefits for Presidents leaving office, named among other things an office space to be equipped with modern gadgets to be given to the retiring presidents, but President John Mahama even before being presented with the property has rejected it.

«These particle radiation conditions present important environmental factors for space travel and space weather, and must be carefully studied and accounted for in the planning and design of future missions to the moon, Mars, asteroids and beyond.»

Our laboratory experiments show that methyl isocyanate can indeed be produced on icy particles under very cold conditions that are similar to those in interstellar space This implies that this molecule — and thus the basis for peptide bonds — is indeed likely to be present near most new young solar - type stars,» said Niels Ligterink at the Leiden Observatory in the Netherlands.

Carrying over certain stage conventions, Beckwith constructs this primary set as a somber, suffocating space — a sort of conceptual prison, virtually devoid of laughter or music, using dramatic lighting shifts to contrast Leia's present living conditions with flashbacks to her time with Ben.

But just as e-signage presents an opportunity for a city's development, it is not without its challenges: to enable a city's evolution into a truly smart, and therefore sustainable and green urban living space, digital signs should support energy saving features, be implementable even at the most demanding of locations, power grid or no, and feature superb visibility in all light conditions.

Even when obvious discomfort is associated with one joint of the forelimb, treatment of these conditions can be challenging due to small lesions present in tight joint spaces.

The artists» varied responses each used this specific instance from the past to engage with and stimulate further conversations about the conditions of the present, with the same physical space hosting the exploration of similar issues as those addressed more than forty years earlier.

Uniting different perspectives of seeing and subverting spatial conditions of representational forms in the 20th century this exhibition does not only present rarely seen work but also narrates different layers of art historical approaches leading to the long lasting meaning of representational object and space in art.

Through the selection of works, 90 ° The Margins as Center has chosen to emphasize the unique conditions and possibilities presented by our space and to interrogate notions of space.

Art in General is pleased to present two New Commissions: Total Body Conditioning by Mika Tajima on the 6th floor and lorem ipsum by Zachary Fabri in the Storefront Project Space, in addition to a solo exhibition in the Musée Minuscule by Gediminas Akstinas in collaboration with The Gardens (Vilnius, Lithuania).

In conjunction with this live performance, a collection of architectural models designed for the moon in collaboration with a number of architects will be on view at APF LAB, presenting various possible spaces to build and inhabit in the future, while offering a realistic scheme that seeks to fit the context and conditions offered by the moon as a habitat.

A symposium entitled «Nothing Permanent: Sculptures and Cities (WT)» will be presented in cooperation with the Henry Moore Institute from 13 to 15/9/17 will address, among other things, the question as to whether sculptures and monuments lose their validity in the public space, and if so under what conditions.

They point out that many online spaces, or shows presented outside of the white cube often fail to address their specific conditions and formats: «They end up as (often poorly done) online documentations».

For this installation Violette is working in discordant harmony with the imposing space, both resisting and acquiescing to its past and present condition, creating a new history while commenting on the site's specific past.

DZ: Again, everything that we do is driven by our commitment to the artists and the estates, who have entrusted their careers and legacies with us, and our responsibility to them is to present the work in the very best spaces, with the very best lighting, and under the best conditions.

The Baths» conditions act to disrupt the narrative flow of the drama so that scenes play out in fits and starts, to incite a profound level of disorientation and to conjure memory where notions of time and space become confused — past historical events and climates arrive in the present much like a sudden change in the weather.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

Work is presented both inside and outside and across all of the gallery's spaces, embracing a diverse set of conditions and approaches centred in a conceptual understanding of an expanded field of photographic practice that examines notions of what you see is most definitely not what you get.

Yet his is not emptiness refined into chic minimalism, but instead a sparseness that commands the space and speaks with dystopian pathos about the human condition in our present moment.

Artists Rebecca Ackroyd, Matt Ager, Jemma Egan, Ziggy Grudzinskas, Edgar — Walker, who also run the space and are curating the show, will be presenting works reflecting on depth and surface, dullness and shine, meaning and superficiality and the conditions that float around production and making.

Here again I completely part with solar proponents, there are so many instruments about measuring the sun everywhere, from space, from the ocean, even underground (cosmic rays), there are none as it is often repeated, no solar variation to justify GW present conditions.

The acceptable scientific use of models is to first initialize to current conditions, run the model thousands of times and present the results as a range of probable outcomes within the limits of irreducible imprecision that is the divergent solution space.

The emission curve (looking down from space) for the tropical Pacific in «clear - sky» conditions (ie, ignoring the 65 % of the time that clouds are present) tells an interesting story very similar to what the top post article says.

Families need community supports in connecting to appropriate treatment for their child, training to manage their child's condition, and a safe space to receive emotional support to help them cope with the unique challenges presented when raising a child with a disability.