Sentences with phrase «presentation of exhibitions»

The Museum fosters connections among individuals, art, and artists through care and interpretation of the collection, presentation of exhibitions, publications, educational initiatives, programs, and artists - in - residence.

His projects often engage with the creation and presentation of exhibitions.

Huberman will be responsible for the development and presentation of exhibitions and public programs in venues on CCA's San Francisco campus, including the college's new facility on Kansas Street, which includes the Logan Galleries and a dynamic event space.

The Margulies Collection at the Warehouse is a not - for - profit institution in Miami dedicated to the presentation of exhibitions and educational programs that explore contemporary art and culture.

Exhibitions are presented during Spring, Summer, Autumn and Winter periods and are accompanied by a public engagement programme which may also include the presentation of exhibitions and films by artists in the lower - ground floor gallery.

The Anne Frank Center for Mutual Respect in New York has been organising the presentation of exhibitions and their accompanying educational activities in the USA since 1977.

By the current standards of the Whitney, the surprisingly no - nonsense presentation of this exhibition must seem hopelessly passé; it treats Stettheimer's paintings with respect, allowing them breathing room with a minimum of pushy wall labels.

The Ryerson Image Centre's presentation of this exhibition is supported by The Robert Mapplethorpe Foundation, New York.

The Baltimore presentation of the exhibition is made possible by Ellen W. P. Wasserman, Jeanette C. and Stanley H. Kimmel, Tony and Lynn Deering, and the National Endowment for the Arts.

Hammer senior curator Anne Ellegood organized the Hammer's presentation of the exhibition.

Join us for a main gallery exhibition reception for Sherin Guirguis» My Place is the Placeless, plus presentations of the exhibition A Home Anywhere (works by Sara Debevec, Milenko Prvacki, and Delia Prvacki), and Antoni Hervàs» Moveable Lab Project.

The national presentation of the exhibition is proudly supported by the Henry Luce Foundation.

Distinct presentations of the exhibition will be presented at MoMA from May 21 — September 4, 2017 and the San Francisco of Museum of Modern Art from November 4, 2017 — March 25, 2018.

Major support for the MoMA presentation of the exhibition is provided by MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation and by The William Randolph Hearst Endowment Fund.

Presentation of this exhibition at the New Orleans Museum of Art is sponsored by the Eugenie and Joseph Jones Family Foundation.

«Through collaboration across three curatorial departments, we've captured the opportunity to highlight important elements from our own permanent collection in the High's presentation of this exhibition.

As the UK's leading cultural relations organisation, the British Council has been responsible for the presentation of the exhibition at the British Pavilion for the Venice Biennale of Art since 1938.

The University Art Museum, Berkeley presentation of this exhibition was made possible by generous support from Quay Gallery, San Francisco; the Goethe Institute, San Francisco; and the Cutter Foundation, Emeryvi le, California.

The presentation of the exhibition and publication Patty Chang: The Wandering Lake, 2009 — 2017 is made possible by The Shelley & Donald Rubin Foundation, the Elizabeth Firestone Graham Foundation, and Artensee (Shanghai) Cultural Development Co., Ltd..

Included exclusively in the National Building Museum's presentation of the exhibition are original drawings, notebooks, and other artifacts from the Lawrence Halprin Collection at the Architectural Archives, University of Pennsylvania, and early drawings from Edward Cella Art + Architecture in Los Angeles.

Tomaselli's visit to CCAD coincides with the presentation of his exhibition New York Times, in Room, CCAD's project space in the main gallery.

The presentation of the exhibition at Blaffer Art Museum is made possible, in part, by The Cecil Amelia Blaffer von Furstenberg Endowment for Exhibitions and Programs, the Houston Endowment, Inc., the National Endowment for the Arts, and the Cynthia Woods Mitchell Center for the Arts.

The Armory's presentation of this exhibition, along with the commission and presentation of the new work, What Fuels Development?

P.S. 1's Education Program has developed a series of programs specifically for the New York presentation of the exhibition, including artist - led tours and workshops for students and teachers, interactive projects, special performances, and family guides that connect the issues in The Short Century to local concerns.

The Pulitzer presentation of the exhibition was assisted by Francesca Herndon - Consagra, Senior Curator of Prints, Drawings, and European Paintings at the Blanton Museum of Art at the University of Texas at Austin.

Luckily, the main first floor gallery is dominated by a site - specific wall drawing Simmons created for this presentation of the exhibition at the Studio Museum.

The presentation of the exhibition in Los Angeles is generously supported by the Sydney Irmas Exhibition Endowment.

Rebecca Hart, Polly and Mark Addison Curator of Modern and Contemporary Art, will curate DAM's presentation of the exhibition in the Museum's Gallagher Family Gallery.

Presentation of the exhibition and its related programs at the Chrysler Museum of Art is made possible by the Joan and Macon Brock Endowment for American Art.

Through its presentation of this exhibition of naval art, the Chrysler Museum is proud to join a year of celebrations throughout Hampton Roads honoring the 100th anniversary of the founding of Naval Station Norfolk.

The presentation of this exhibition is a collaborative endeavor, co-presented by the Art & Culture Center in Hollywood, Florida.

The Chicago presentation of the exhibition and related programming are made possible by the Alphawood Foundation.

Some spectacular loans have been added, appearing only in Chicago's presentation of the exhibition.»

The Fort Worth presentation of the exhibition is supported in part by generous contributions in memory of Ruth Carter Stevenson from Shirlee J. and Taylor Gandy and Bob and Patricia Schieffer.

Lead support for the Chicago presentation of this exhibition is provided by the Harris Family Foundation in memory of Bette and Neison Harris: Caryn and King Harris, Katherine Harris, Toni and Ron Paul, Pam and Joe Szokol, Linda and Bill Friend, and Stephanie and John Harris.

The presentation of this exhibition at Zeitz MOCAA has been made possible by the American Friends of Zeitz MOCAA, the Zeitz MOCAA Exhibition Endowment Fund, and Zeitz MOCAA members.

In conjunction with the final presentation of the exhibition Martha Wilson in New York, Martha Wilson and ICI's Alaina Claire Feldman have organized a series of performances, which capture the spirit of Franklin Furnace as a physical space.

Presentation of this exhibition at the New Orleans Museum of Art is sponsored by the City of New Orleans and the Eugenie and Joseph Jones Family Foundation.

The Austin presentation of the exhibition includes five recent large - scale sculptures, a series of six wall works, and a new, monumental drawing made on site.

Additional support for the Whitney's presentation of this exhibition is provided by Beatrice Cummings Mayer, an anonymous donor, and an endowment established by Donna Perret Rosen and Benjamin M. Rosen.

The San José Museum of Art's presentation of the exhibition includes additional works not seen at previous venues, such as the 2016 sculpture «Antique Earth Satellite».

The format and presentation of the exhibition at S │ 2 London will echo the fluid and shifting character of Signals itself, with the gallery rehung every few weeks encouraging new conversations and visual synergies between all the artists and their works.

The presentation of the exhibition at the Metropolitan is coordinated by Magdalena Dabrowski, Special Consultant in the Museum's Department of Nineteenth - Century, Modern, and Contemporary Art.

The presentation of the exhibition is extremely simple, the pictures are evenly spaced around the walls of the large central room of the gallery, subtly sequenced and grouped so that one composition may follow the previous image.

New to CAMH's presentation of the exhibition is an additional work by Houston - based artist Robleto, The Minor Chords Are Ours (2010), and a 2001 sculpture by Louise Bourgeois, Regression.

This exhibition is a new presentation of an exhibition presented at the Concordia University Art Gallery from December 8th to 21st, 1983.

Lead support for the Chicago presentation of this exhibition is provided by Kenneth and Anne Griffin, Howard and Donna Stone, and Helen and Sam Zell.

Presentation of the exhibition in Tampa is made possible with generous support from the Arts Council of Hillsborough.

The presentation of the exhibition at the AAM is supported by Katie and Amnon Rodan, and funded in part by the AAM National Council.

Presentation of the exhibition at Colby College is co-organized by the Colby College Museum of Art and the Mildred Lane Kemper Art Museum.