Sentences with phrase «presentation of solo exhibitions»

Our program focuses on the presentation of solo exhibitions and collaborative research projects with an emphasis on creating a cohesive, in - depth, new body of work and ever - changing methodology in order to develop projects which might not be exhibited otherwise.

Alongside the presentation of solo exhibitions by, among many others, Johanna Billing, Goldin + Senneby, Dora García, Deimantas Narkevicius, Harun Farocki, and Claire Fontaine, Index began staging exhibitions that reassessed historical work in relation to today's contemporary art.

Not exact matches

Characterized as a «silent and reflective meditation on his life and work,» this presentation is the first solo exhibition in the United Kingdom of Terry Adkins (1953 - 2014), a multi-media artist, musician, and composer.

Besides links to institutions, several of the solo presentations at the fair tie in to solo exhibitions at galleries around New York - part of the cultural moment that is «Frieze Week».

As part of her residency and solo exhibition, Donegan will premiere a new fashion line in a presentation at the museum.

In his third solo exhibition with Marianne Boesky Gallery, Hans Op de Beeck will present «The Girl,» the first public presentation of his animated film.

A collection of never - before - seen older works and new pieces, this presentation marks Jake and Dinos Chapman's first major solo exhibition in North America.

The exhibition, organized in collaboration with the Estate of Bernard Buffet, marks the first major solo presentation of Buffet's work in New York in nearly three decades.

Impressionism is the artist's first solo museum presentation in the United States, and features a focused selection of extant pieces alongside new work made specifically for the exhibition.

Exhibition: Erika Vogt, «Stranger Debris Roll Roll Roll,» at the New Museum For her first solo museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.»

Following in the steps of the artist's seminal solo exhibitions at Tate Modern, London (2017), Fondation Beyeler, Basel (2017), Kunstverein in Hamburg (2017), and most recently his first show in Africa at the Musée d'Art Contemporain et Multimédias in Kinshasa (2018), this presentation features a broad selection of works that respond to their surroundings while at the same time embodying a self - contained environment.

Blow by Blow Exhibition catalogue for Blow by Blow, a solo presentation of Arlene Shechet's work at the Tang Museum of Art in Saratoga Springs, NY, from Sept 26, 2009 - Jan 2, 2010.

This first solo presentation of Stevi's work in a public institution brings together recent paintings and drawings alongside a body of new work made especially for the exhibition.

Opie created new work for the Wexner Center's presentation of Hard Targets (2010) and her work was featured solo exhibitions at the Institute of Contemporary Art, Boston (2011) and the Los Angeles County Museum of Art (2010).

His work has been the subject of numerous solo presentations in the United States, including exhibitions at The Journal Gallery, New York; Half Gallery, New York; PACE Prints, New York; White Columns, New York; and LaMontagne Gallery, Boston.

The exhibition at Lévy Gorvy is the first solo presentation of the artist's work in London.

MoMA PS1 presents a series of solo project exhibitions by four international emerging artists, including the New York premiere of videos by both Edgardo Aragón and Ilja Karilampi, Caitlin Keogh's first solo museum exhibition, and the presentation of a new installation by Rey Akdogan.

Originally published in 2010 on the occasion of Against the Wall, Dumas's first solo presentation at David Zwirner in New York, this much sought - after exhibition catalogue — which sold out shortly after publication — has been reprinted to coincide with the artist's 2014 — 2015 European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel.

This presentation follows the artist's recent major European survey, All I Have Learned and Forgotten Again, that was on view in 2013 at Lille Métropole, musée d'art moderne, d'art contemporain et d'art brut in Villeneuve d'Ascq, France, before it traveled to the Camden Arts Centre in London, making it the first solo exhibition of his work in the city.

The majority of our exhibitions are solo presentations by artists who are at a turning point or developmental stage of their practice.

The design of it though is a bit more complex — it draws on the traditional idea of the art fair for the ground floor and first floor of the Saatchi Gallery but then the second floor is a series of curator - lead projects including solo exhibitions, a group exhibition and solo artist presentations.

It takes place alongside two other major UK presentations of Himid's work: Invisible Strategies, a solo exhibition at Modern Art Oxford and The Place is Here, a group show at Nottingham Contemporary which traces conversations between black artists, writers and thinkers in 1980s Britain.

He has exhibited extensively in solo and group exhibitions across the United States and abroad, including solo presentations at the Schneider Museum, Ashland (2017); the San Diego Art Institute (2017); the Nerman Museum of Contemporary Art, Overland (2015); and The Third Line, Dubai (2017, 2013, 2009, 2007, 2005).

Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evans.

Past winners have gone on to solo - exhibitions with the gallery, presentations at art - fairs, or inclusions in publications, such as «100 Painters of Tomorrow», as well as other noteworthy opportunities with Beers and other galleries alike.

This utilisation of the tangible, physical features of the gallery space is echoed in Vermeersch's third solo exhibition at the Carl Freedman Gallery, a varied presentation of minimalist work that delicately balances unity and fragmentation in order to posit a rumination on time's various guises.

While Peanuts is Dan Colen's first solo exhibition in Norway, it is also the first larger museal presentation of his artistic practice.

This is Rubell's most wide - ranging and significant gallery exhibition to date and follows the artist's presentation of the monumental work, «Portrait of the Artist» at Frieze in 2013 and her much celebrated solo exhibition, «Engagement» at Stephen Friedman Gallery in 2011.

International Museum Exhibitions 2013 - 2014 A major solo exhibition Painting 2004 - 2013 is at the Montreal Museum of Fine Arts from November 26, and in Spring 2014 the artist has his first museum presentation in France at the Musée Departmental D'Art Contemporain, Rochechouart.

The inaugural exhibition at David Zwirner Hong Kong will be a solo presentation of new work by Belgian artist Michaël Borremans.

He organized award - winning exhibitions and publications including solo presentations by Lynda Benglis, Judith Godwin, Jane Hammond, Joseph Marioni, Rashaad Newsome, Chuck Ramirez, and Sandy Skoglund, among other artists, as well as American Art Since 1945: In a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Art.

Her new show at Eleven Rivington is an excellent opportunity to see her work in New York, where she also has a solo presentation at the Jewish Museum upcoming, before she decamps to Basel's Museum Tinguely for «Belle Haleine — The Scent of Art,» an exhibition inspired by the iconic perfume bottle created by Rrose Sélavy (né Duchamp).

Currently on view at The Philadelphia Museum of Art is Spector's first solo museum exhibition, Keep the Home Fires Burning, a walk - through presentation of wood and textile - based sculpture that reflects on the universal quest for hope, home, and connectedness.

This exhibition marks the gallery's first solo presentation of the artist's work.

This exhibition, organized in collaboration with the Estate of Bernard Buffet, marks the first major solo presentation of Buffet's work in New York in nearly three decades.

His work has been the subject of solo exhibitions at the Smithsonian's Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2010); MIT List Visual Arts Center, Cambridge, MA (2014); Museum of Contemporary Art Cleveland, Cleveland, OH (2014); Sammlung Goetz, Munich, Germany (2014); Screen Space, Melbourne, Australia (2015); Espace 104, Paris, France (2016); Kunstraum Dornbirn, Dornbirn, Austria (2017); Morsbroich Museum, Leverkusen, Germany (2017); and Kunstmuseum Wolfsburg, Wolfsburg, Germany (2017), among many others, and has been shown extensively across the world in group presentations.

The exhibition at Lisson Gallery London coincides with two major presentations of the artist's work in the United States: Corse's first solo museum survey this June at the Whitney Museum of American Art, and a long - term installation at Dia: Beacon with recently acquired works, opening in May.

The gallery's presentation will coincide with a major solo exhibition of Bowling's monumental paintings, curated by Okwui Enwezor, at the Haus der Kunst in Munich.

Nearly half of the second edition of the fair will be dedicated to focused exhibitions and solo artist presentations, showcasing the most dynamic art being made in Asia and beyond.

Many of the artists have taken over entire hospital rooms for solo presentations and site specific installations, with the two main floors of the exhibition divided in approach to human condition.

Additional sections include: EXPOSURE featuring solo and two - artist presentations represented by galleries eight years and younger, EXPO PROFILE presenting solo booths and focused projects that showcase ambitious installations and tightly focused thematic exhibitions, EXPO Editions + Books showcasing limited editions and publications offering a diverse array of print media and object - based practices, and Special Exhibitions featuring select regional, national, and international non-profit institutions, museums, and orgexhibitions, EXPO Editions + Books showcasing limited editions and publications offering a diverse array of print media and object - based practices, and Special Exhibitions featuring select regional, national, and international non-profit institutions, museums, and orgExhibitions featuring select regional, national, and international non-profit institutions, museums, and organizations.

This year's Kabinett sector includes thematic group exhibitions, art - historical showcases and solo presentations by both established and emerging artists; more than half of the participants will feature work by female artists.

This exhibition is the first comprehensive survey in America of Sturtevant's 50 - year career, and the only institutional presentation of her work organized in the United States since her solo show at the Everson Museum of Art in 1973.

«The attention to detail, historical accuracy and physical nature of Mike Nelson's sculptural practice guarantee that his new installation for the British Pavilion will be one of the most challenging solo presentations ever mounted in over 70 years of exhibitions organised by the British Council in Venice.»

Other notable solo exhibitions explore significant artists working today, such as Salon 94's presentation of new works by MoMA - honored Pakistani sculptor Huma Bhabha, and the first four - decade survey of Joyce Pensato's work, presented by Petzel.

The Venice Biennale is a show presented in two parts: Alongside 85 national presentations in which countries present solo shows or thematic exhibitions, a central exhibition takes the pulse of art worldwide.

Garcia Torres's exhibition at the Hammer Museum is the first solo presentation of his work in Los Angeles.

The Gallery has a varied exhibition programme of painting, photography and drawing with a mixed presentation of solo and curated group exhibitions.

Major solo presentations include a forthcoming exhibition at Garage Museum of Contemporary Art, Moscow (2018); Go - Sees, Bubenreuth kids and a Fairytale about a King... Alison Jacques Gallery, London (2017); Juergen Teller x Vivienne Westwood, Vivienne Westwood showroom (2017); Enjoy Your Life!

The Institute of Contemporary Art, Miami is pleased to present its summer 2016 exhibition program, featuring major solo presentations by Laura Lima, Ida Applebroog, Renaud Jerez, and Susan Te Kahurangi King.