Sentences with phrase «presentation of the abstract artist»

It's the first solo presentation of the abstract artist's works in the UK for over half a century (the previous was a show at the Whitechapel Gallery in 1963), and displays his important late creations from the 1960s — paintings with gravitas that subtly take hold of your attention.

Not exact matches

This presentation introduces the artwork of German abstract artist Franz Ackermann.

In this presentation of abstract works, you'll see how artists, including Robert Motherwell, Betty Parsons, and Joan Mitchell used loose brushwork and emphasized surface rather than depth on the canvas.

The artist Louise Fishman, primarily known for her large - scale abstract paintings, is the subject of two forthcoming exhibitions: «Louise Fishman: A Retrospective,» a fifty - year survey show at the Neuberger Museum of Art at SUNY Purchase, opening on April 3, 2016, and running through July 31, 2016; and «Paper Louise Tiny Fishman Rock,» an idiosyncratic presentation -LSB-...]

Perhaps artists, like Mr. Kreimer, by exhibiting both realist and abstract works of art, are moving the subject of painting away from presentation of an image and toward the act of perception.

As the artist's first West Coast presentation, the exhibition is an unprecedented opportunity for Bay Area audiences to immerse themselves in the work of an artist whose singular contributions to twentieth - century modernism anticipate today's renewed interest in the sculptural and material qualities of abstract painting.

The pieces include interpretations of microscopic forms, expressive manipulations of unusual angles of vision, playful placements of figures whose points of view contrast with that of the artist and more abstract presentations of a visual experience.

Though most public presentations of art were conservative, capturing the subdued tone of a nation under economic siege, the Museum of Modern Art mounted the first exhibition of cubist and abstract art — but neglected American artists working in this vein.

Still, while the book is a great presentation of artists and their individual practices, it begs the questions: What role did Texas play in the international Abstract art movement, and what role do Texas abstract artists play now?

This groundbreaking exhibition looks at the arc of this African American artist's career through the presentation of paintings, video art and works on paper that celebrate her singular vision and its imprint upon abstract painting and conceptual art since the 1960s.

This presentation unveils an assemblage of artists living and working in New York, Berlin, Paris, and Chicago, all of whom predominantly practice an abstract idiom, investigating paint through a lens that is entirely distinct.

In the June 2014 ARTnews article «Black Abstraction: Not a Contradiction,» Hilarie M. Sheets aptly notes, «The contributions of African American artists to the inventions of abstract [art] have historically been overlooked...» Magnetic Fields focuses on non-representational art making by women artists of color, reframing the art historical narrative to convey a more complete presentation of American abstraction than has ever previously been examined.

Known for large, abstract, mixed - media paintings that often incorporate ephemera and discarded elements of urban life, the African - American artist received critical acclaim for his presentation, Tomorrow Is Another Day, in Venice, which will open at The Baltimore Museum of Art in September.

Perhaps abstract has to be capable of escaping the «representation» of form in a positive way by taking on the presentation of form (therefore not actually seeking to escape anything) and maybe not being able to tell what one is looking at is in essence a good measure of what some abstract artists are aiming for.

Summarizing her principles in her «Pure Movement» manifesto (1975), she announced her artistic signature as an abstract artist through the serial production of approximately 16 accumulating dances, devised for presentation in art galleries, international exhibitions and museums.

Donald Sultan is one of the leading American contemporary still life artists, known for his large — scale, «catastrophic - event» paintings that incorporate nontraditional materials such as Dead Plant, November 1, 1988, as well as his sensuous charcoal drawings of iconic presentations and abstract depictions of fruit such as Black Lemons, May 20, 1985, both in the Modern's collection.

Abstract Expressionism and Segue into the 1960s, Nina Tryggvadottir: Paintings from 1952 — 1963 Opening Reception: Friday, December 15, 2017 from 5:00 — 7:00 Gallery Talk: Saturday, December 16, 2017 from 4:00 — 5:00 With Una Dora Copley and Scott Jeffries, moderated by Kathryn M Davis of ArtBeat Santa Fe On view through January 20, 2018 Nina Trggvadottir, one of Iceland's best - known artists, has her first solo exhibition with David Richard Gallery in a presentation of her geometric and lyrical abstract paintings from 1952 to 1963.