Sentences with phrase «presentations of other artists»

Not exact matches

Brand new 2K restoration from original film materials High Definition (1080p) Presentation Optional English subtitles for the deaf and hard - of - hearing Audio commentary by director Brian Trenchard - Smith The Stuntmen, Trenchard Smith's classic television documentary on Grant Page (Mad Max, Road Games) and other Australian stunt performers Hospitals Don't Burn Down, Trenchard - Smith's 1978 public information film told in pure Ozploitation fashion Behind the scenes gallery by graffiti artist Vladimir Cherepanoff Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Chris Malbon
, Mattel to Release Hoverboard 47:45 — Review: Ghost Rider: Spirit of Vengeance 1:23:55 — Trailer Trash: Abraham Lincoln: Vampire Hunter, Beyond the Black Rainbow 1:31:40 — Other Stuff We Watched: Moneyball, Real Steel, Puss in Boots, Justice League: Doom, Comic Book Men, Full Metal Jousting, Eastbound & Down, Celebrity Apprentice, 555, The American Friend, Tokyo - Ga, The Killing of a Chinese Bookie, The Island, Apollo 18, Our Day Will Come, Race with the Devil, Ghost Rider, Crank, The Interrupters, Wet Hot American Summer, Elite Squad, The Abyss 2:30:15 — Junk Mail: The Artist Feedback, The Grey Spoilers, Old Video Podcasts, Favourite Tom Hanks»80s Comedies, Watching Digital Presentations of Classic Films, Objective Goodness and Jobbers 2:54:10 — This Week's DVD Releases 2:55:15 — Outro
She'll be doing a short presentation about Mycelia for music which is her project where she and a number of other creatives are investigating the possibilities around digital wallets and you know, artisted earning and what has happened already in the music industry.
In a day full of presentations to other developers, I was lucky to sit down with Technical Artist Zak Parrish, Lead Programmer James Golding, and Senior Designer of the UT project Jim Brown, to find out more about one of the industry's leading development tools.
The P.S. 1 presentation also includes the film The Initiation Ritual of the 360 Degrees (2002) and other works from the artist's «Oist» series.
Following the presentations of Shelly Silver (2015), Akram Zaatari (2016), and Vincent Dieutre (2017), this year's 40th edition will be devoted to Tacita Dean's 16 mm and 35 mm films, and will feature screenings of The Uncles (2004), Kodak (2006), Craneway Event (2009), Event for a Stage (2015), among others, as well as some of the artist's short films, including the 35 mm premiere of His Picture in Little (2017) and Providence (2017).
At MOCA Los Angeles, Smith's curatorial projects ranged from Blueprints for Modern Living: History and Legacy of the Case Study Houses, The Architecture of R.M. Schindler, and At the End of the Century: 100 Years of Architecture to a survey of the Cindy Sherman «s photographs and the first museum presentations of then - emerging artists Uta Barth, Toba Khedoori, Catherine Opie, and others.
Nested within the show is a complementary presentation of images curated by Thomas, photographs by fellow artists — Derrick Adams, LaToya Ruby Frazier, Lyle Ashton Harris, Deana Lawson, Malick Sidibé, and Carrie Mae Weems, among others — whose practices have inspired her own.
to a survey of the Cindy Sherman «s photographs and the first museum presentations of then - emerging artists Uta Barth, Toba Khedoori, Catherine Opie, and others.
Exhibitions at West 19th Street, New York, and 24 Grafton Street, London, balance the program's historical component with presentations of recent painting, photography, sculpture, and video, among other mediums, by boundary - pushing contemporary artists like Kerry James Marshall, Oscar Murillo, Diana Thater, Wolfgang Tillmans, and Jordan Wolfson.
Other Stand Prizes awarded elsewhere across the fair include Portugal's Nuno Centeno, exhibiting via the subsidised Focus platform for younger galleries, and Canada's Cooper Cole, in Frame (a curated section for emerging talents) for their solo presentation of Tau Lewis - who, at 23, is perhaps the youngest artist exhibiting in the fair.
The Prize, established in 1984, is awarded to a British artist under fifty for an outstanding exhibition or other presentation of their work in the twelve months preceding 4 April 2011 and, for the first time ever, the exhibition will this year be held outside of a Tate venue.
In addition to an internationally oriented program of exhibitions and presentations of artists from Berlin and other German cities, KW regularly cooperates with various partners, including the Venice Biennale (Club Berlin, 1995) and documenta X (Hybrid Workspace, 1997).
It takes place alongside two other major UK presentations of Himid's work: Invisible Strategies, a solo exhibition at Modern Art Oxford and The Place is Here, a group show at Nottingham Contemporary which traces conversations between black artists, writers and thinkers in 1980s Britain.
«In Bed With...» is a series of intimate two - on - one encounters between the artist duo Gerard & Kelly and others taking place on mattresses dispersed throughout the research presentation for «P.O.L.E. (People, Objects, Language, Exchange)» in the Fifth Floor gallery.
He organized award - winning exhibitions and publications including solo presentations by Lynda Benglis, Judith Godwin, Jane Hammond, Joseph Marioni, Rashaad Newsome, Chuck Ramirez, and Sandy Skoglund, among other artists, as well as American Art Since 1945: In a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Art.
Other notable solo exhibitions explore significant artists working today, such as Salon 94's presentation of new works by MoMA - honored Pakistani sculptor Huma Bhabha, and the first four - decade survey of Joyce Pensato's work, presented by Petzel.
To mark the culmination of Glasgow based Corin Sworn's Artists» Research Centre Fellowship in Leeds, a group of artists, writers and academics have been invited to give presentations of their work, considering these and other queArtists» Research Centre Fellowship in Leeds, a group of artists, writers and academics have been invited to give presentations of their work, considering these and other queartists, writers and academics have been invited to give presentations of their work, considering these and other questions.
St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. 31.
It is awarded each year to «a British artist under fifty for an outstanding exhibition or other presentation of their work in the twelve months preceding».
Elapsing over two days, each presentation highlights a different field of inquiry and includes artists from a variety of genres, including Jasmine Nyende, Raquel Gutiérrez, Amanda - Faye Jimenez, and Kristina Wong, among others.
The online presentation is managed by Robin Buckley in charge of sound, and Calum Gunn doing web development, while other the artists involved are Finnian McKenna, Cedric Ng, Valinia Svoronou, Owen Thackeray, Bora Akinciturk, and Petr Davydtchenko.
As one of the initiators of the group «Nomads & Residents» they created a platform for presentations by artists, critics, curators, architects, and others (www.nomadsresidents.org).
Together with solo presentations by seven other artists closely associated with Feature Inc. and a booth representing the recently launched non-profit Feature Hudson Foundation (FHF), For Your Infotainment honors a man remembered in The New York Times as «one of the most prescient, independent - minded and admired gallerists of his generation.»
For this special presentation, Aitken and Vergne discuss Aitken's uniquely immersive aesthetic; the work's relationship to 20th - century avant - garde art, cinema, and experimental music; the nature of creativity in the 21st century; the possibilities for artmaking within our ever - mobile, ever - changing, image - based contemporary world; and other ideas central to the artist and the exhibition.
In the Studio will display the work of selected artists, concentrating on the presentation of in - progress and unfinished artworks, sketches, maquettes, and models, and other objects taken from the artists's studios.
Antena will host Tijuana - based photographer Ingrid Hernández and Los Angeles - based artist Sandra de la Loza, of the Pocho Research Society for Erased and Invisible Histories, both of whom will offer public presentations, workshops, and other engagements with the central ideas of the La Colmena book.
The highlights of the program include a major installation by South African artist Ralph Ziman, a special presentation of works by artist Phoebe Boswell, a 1 - 54 Lounge designed by Azikiwe Mohammed, in partnership with Pioneer Works, the screening of Jumoke Sanwo's Lagos at Large and Van Lagos» Home presented by Retro Africa, and the Red Hook Labs and Nataal presenting New African Photography III, among others.
Some innovations are being unveiled, with among others the return to France the protégé of Gêmeos Os, Brazilian artist Nunca, works spectacularly futuristic Belgian Frédéric Platéus and a presentation of works by C215 for his first exhibition with the gallery in 2017 Openspace.
On view through January 17, 2016 and curated by Alex Gartenfeld, the exhibition includes the first complete presentation of photographs from the artist's ongoing series Black Box Collision A, as well as 12 posters from Ebner's collaborative project with David Reinfurt, A HUDSON YARD; and the title video, A PUBLIC CHARACTER, edited by Erika Vogt and scored by Alex Waterman, among other highlights.
The four shortlisted artists for the # 25,000 prize, which is given for an «outstanding exhibition or other presentation of their work», are Hurvin Anderson, Andrea Büttner, Lubaina Himid and Rosalind Nashashibi.
There were also significant examples of work by well - known artists such as Mike Kelley's Compound Eye (1982 - 3) at Franklin Parrasch, and other highlights for us included the solo presentation of Jamie Davidovich at Henrique Faria, Kiki Kogelnik at Simone Subal, Etienne Martin at Galerie Bernard Bouche, and the combination of works from across different time periods at Taka Ishii.»
A shallow presentation of 80s all - stars, from a Jeff Koons equilibrium tank to a Christopher Wool circuit of squiggles, gives onto an offensive «minorities room» — in which David Hammons, Glenn Ligon, Mark Bradford, and other African American artists, plus the Cuban - born Félix González - Torres, are shunted together in a half - hearted and market - approved look at identity and opposition.
On view in ICA Miami's second floor galleries through January 16, 2016, the exhibition includes the first comprehensive presentation of photographs from the artist's ongoing series Black Box Collision A, which since 2012 has seen the artist isolating and documenting the letter «A» from the vestiges of sign, advertisement, message, and other modes of visual communication.
Exhibitions at QMA include Red Lines Housing Crisis Learning Center, a project on home finance by artist and urban designer Damon Rich; The Curse of Bigness, which featured major works by Survival Research Laboratories, J. Morgan Puett, and Dexter Sinister, among others; and the first U.S. solo presentation of Korean video and performance artist Sung Hwan Kim.
Following the presentation, Laurie Wilson and Arezoo Moseni converse about Nevelson's unshakeable self - confidence, even in the face of failure, her relationship to other artists of her era (Mark Rothko, Diego Rivera, Willem de Kooning), and the gallerists, curators and critics who shaped her career, most especially The New York Times critic Hilton Kramer and the art dealer Arne Glimcher, founder of the Pace Gallery.
The prize is awarded to an artist for an outstanding exhibition or other presentation of their work in the preceding year.
This is the first major American presentation of Barry Le Va's art in over 15 years, and one that brings together not only the artist's well - known, large - scale sculptures and drawings, but also his works in other media for which he is less known — text, photography, sound and books.
, it is awarded to a British artist for an outstanding exhibition or other presentation of their work in the twelve months preceding 24 April 2017.
Added to the traveling exhibition exclusively for its Chicago presentation will be works by a variety of other artists, among them major works by famed Chicago Imagist Roger Brown.
Established in 1984 by the Patrons of New Art, it is awarded to a British artist for an outstanding exhibition or other presentation of their work in the twelve months preceding 24 April 2017.
Pace will curate a program of events to take place at Chesa Büsin, including artist talks, film presentations and other forums addressing the art, architecture and design of the period.
Other projects curated during this time included a collaboration between an Iranian carpet weaver and the artist Mike Kelley, the work Ranch by Jorge Pardo and Jason Rhoades, and Diana Thaters presentation of «The best animals are the flat animals and The best space is the deep space» at MAK Center for Art and Architecture.
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
For this edition, Stephen Friedman Gallery is delighted to show two separate presentations: an exhibition of work by British painter Ged Quinn and a specially curated selection of artists including Melvin Edwards, Manuel Espinosa, Andreas Eriksson and Wayne Gonzales, amongst others.
The prize, which includes an award of # 25,000 ($ 38,000 USD) is awarded to a British artist under the age of 50 for an outstanding exhibition or other presentation of their work in the preceding year.
Following the presentation, Nancy Princenthal and Arezoo Moseni converse about the challenges facing a biographer of such an elusive artist and other topics related to the book and Agnes Martin's life and work.
As part of our 25th anniversary programming, we have invited curators, artists, critics, and others to select a key exhibition from The Power Plant's history and deliver a presentation about it inside the Dissenting Histories gallery space.
Other notable solo presentations include a selection of Tony Smith's sculptural maquettes, presented by Pace Gallery (New York, London, Palo Alto, Beijing, Hong Kong, Paris, Seoul), which highlight the artist's modular system of formal and spatial organization.
The presentation is followed by a conversation with Bourgeois's longtime friend Jerry Gorovoy about the challenges and surprises of collaborating with a complex artist as well as Alex Van Gelder's other projects.
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