Sentences with phrase «presentations of travelling exhibitions»

A permanent Anne Frank exhibition is on shown in the Centro Ana Frank Argentina, and this partner also organisations many educational activities and presentations of travelling exhibitions in Argentina.

He also collaborated on the SFMOMA presentation of the traveling exhibition Exposed: Voyeurism, Surveillance and the Camera (2010) and oversaw the exhibition William Kentridge: Five Themes (2009).

As if to underscore the point, the Dallas Museum of Art's presentation of the traveling exhibition Hopper Drawing: A Painter's Process includes both actual and reproduced Hopper paintings for comparison with the numerous studies and preparatory sketches behind them.

Not exact matches

World Travel Market, the premier global event for the travel industry, is expanding its technology seminar programme for 2010 with the introduction of a presentation theatre on the exhibition floor within the technology and online travel seTravel Market, the premier global event for the travel industry, is expanding its technology seminar programme for 2010 with the introduction of a presentation theatre on the exhibition floor within the technology and online travel setravel industry, is expanding its technology seminar programme for 2010 with the introduction of a presentation theatre on the exhibition floor within the technology and online travel setravel section.

A year - round schedule of temporary exhibitions enhances the guest experience of the Museum's permanent collection by providing opportunities to enjoy traveling exhibitions from other institutions, or special presentations of artworks from our own and other museum collections, organized by Crystal Bridges.

This presentation follows the artist's recent major European survey, All I Have Learned and Forgotten Again, that was on view in 2013 at Lille Métropole, musée d'art moderne, d'art contemporain et d'art brut in Villeneuve d'Ascq, France, before it traveled to the Camden Arts Centre in London, making it the first solo exhibition of his work in the city.

The exhibition also includes a presentation of Them, an artist book and travel journal.

Following its presentation at the Albright - Knox, the exhibition will travel to the Tampa Museum of Art from October 2018 to March 2019.

A focused presentation of her work was the subject of the exhibition Artist Rooms: Agnes Martin (2009 — 2011), which travelled to the Scottish National Gallery of Modern Art, Edinburgh; Kettle's Yard, Cambridge; May 15 — July 10, 2010; and the Tate Modern, London.

Her exhibitions were the most visited worldwide that year, with three major museum presentations simultaneously traveling through Japan, Asia, and Central and South America?all of which have drawn record - breaking attendances at every venue.

The public presentation of Julie Ault's collection began with the exhibition Tell It To My Heart: Collected by Julie Ault at Museum für Gegenwartskunst, Basel in early 2013, and has since travelled to Culturgest, Lisbon.

Lately her work has been the subject of a travelling exhibition that started in 2015 with the Norman Rockwell Museum's presentation of «Roz Chast: Cartoon Memoirs,» curated by the museum's deputy director and chief curator (and SVA alumnus) Stephanie Plunkett.

- Solo exhibition for the artist of year - the winner (individual artist or 1 team) will be eligible for travel and accommodation - production (printing, framing or related presentation material)- exhibition exposure at the Festival's main exhibition space / outdoor - inclusion in art magazine and any related press - long term festival representation and promotion on official website - publications / catalog - being seen by a substantial number of visual arts professionals and the media - having their work viewed by an international panel of influential experts in the field of photography

In 2008 The Institute of Contemporary Art Boston published her first monograph with Monacelli Press, coinciding with its presentation of her traveling solo exhibition.

Following its presentation at the Frist Center, the exhibition will travel to the Portland Art Museum (February 2 — May 19, 2013); Cleveland Museum of Art (June 30 — September 29, 2013); Cantor Arts Center at Stanford University (October 16, 2013 — January 5, 2014); and Solomon R. Guggenheim Museum, New York (January 24 — April 23, 2014).

Following its presentation at the BCMA, the exhibition will travel to the Brandywine River Museum of Art in Chadds Ford, Pennsylvania.

Major solo presentations of her work since her death include a touring exhibition of Intra-Venus (1994 - 1997), Hannah Wilke, A Retrospective, which travelled from Nikolaj Contemporary Art Center, Copenhagen, to BildMuseet, Umea, Sweden and Helsinki City Art Museum, Helsinki (1998 - 1999), and an important recent exhibition, Hannah Wilke: Gestures, at the Neuberger Museum of Art, New York (2008).

Two presentations in Washington, D.C., «The Card Series II: The Rounds,» a 54 - part installation in the visual art gallery of the new Smithsonian National Museum of African American History and Culture, and «Whitfield Lovell: The Kin Series and Related Works,» a traveling exhibition currently on view at the Phillips Collection, have brought new attention to his work.

Added to the traveling exhibition exclusively for its Chicago presentation will be works by a variety of other artists, among them major works by famed Chicago Imagist Roger Brown.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Although Morandi rarely traveled outside of Italy and never beyond Europe, his work was exhibited internationally and was included in a number of landmark presentations in the United States beginning in the late 1940s, such as Twentieth - Century Italian Art, organized by Alfred H. Barr, Jr. and James Thrall Soby at The Museum of Modern Art, New York, in 1949; the important exhibition Painting in Post-War Italy, 1945 - 1957, at the Casa Italiana at Columbia University, New York; and The New Renaissance in Italy at the Pasadena Art Museum, California — both in 1958, which captivated an American audience.

Originally published in 2010 on the occasion of Dumas» first solo presentation at David Zwirner in New York, this much sought - after exhibition catalogue — which sold out shortly after publication — has been reprinted in 2014 to coincide with the artist's European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel traveling through 2015.

Following its presentation in Denver, the exhibition will travel to the Mississippi Museum of Art (Sept. 8, 2018 — Jan. 20, 2019), Seattle Art Museum (Feb. 28 — May 12, 2019) and Madison Museum of Contemporary Art (June 7 — Sept. 14, 2019).

Following the Walker's presentation, the exhibition will travel to the Dallas Museum of Art and the Philadelphia Museum of Art through 2016.

Invented in secret in the privacy of Oiticica's New York loft in the early 1970s, they were not shown as works of art until 1992, twelve years after Oiticica's death, when the first and third in the series — CC1 Trashiscapes and CC3 Maileryn — were exhibited as part of the first traveling retrospective of the artist's work.3 Prior to that exhibition, Oiticica's New York sojourn was little analyzed due to the perceived paucity of his artistic production between the years 1970 and 1978.4 The 1992 presentation of the Cosmococas was revelatory in this regard: not only did these quasi-cinemas demonstrate the continuity and conceptual elaboration of key aesthetic concerns within Oiticica's work (the vertiginous passage from painterly to narcotic «pigment» in service of the sensorial is surely the most striking of these animating threads), they indicated the artist's pointed engagement with the avant - garde artistic culture of New York.

Following a presentation at the Corcoran Gallery of Art in Washington, D.C., this fall, Houston's showing is the final stop in the United States before the exhibition travels to London's Royal Academy.

The largest presentation of his work to date, the exhibition traveled to the Bonnefantenmuseum Maastricht, The Netherlands and a portion of the show was presented at the Garage Museum of Contemporary Art, Moscow.

Recent presentations of his work include a survey of his watercolors at the Tate Gallery, Liverpool (1991), a one - man show at the Musée national d'art moderne Centre Georges Pompidou, Paris (1993), an exhibition organized by Fundación «La Caixa,» Madrid, which traveled to the Astrup Fearnley Museet for Moderne Kunst, Oslo (1995 - 96), and a retrospective at The Hayward Gallery, London (2001).

Subsequent presentations of his work include a survey of watercolors at the Tate Gallery, Liverpool (1991), a one - man show at the Musée national d'art moderne - Centre Georges Pompidou, Paris (1993), an exhibition organized by Fundación «La Caixa,» Madrid, which traveled to the Astrup Fearnley Museet for Moderne Kunst, Oslo (1995 - 96), and a retrospective at The Hayward Gallery, London (2001).

In each iteration, Maljkovic drastically reshaped the presentation, redefining the terms of the traveling exhibition (catalogue JRP Ringier).

After its presentation at the New Museum, a modified version of the exhibition will travel to Museum Boijmans Van Beuningen, Rotterdam (June 25 - September 25, 2011); Hayward Gallery, London (October 18, 2011 - January 15, 2012); and Schirn Kunsthalle, Frankfurt (February 23 - May 28, 2012).»

Due to the complexities involved in presenting and traveling exhibitions of this nature, Dark / Light will create a rare opportunity to view important work which finds few venues for presentation.

Co-organized by the Museum of Modern Art, New York; the Menil Collection; and the Art Institute of Chicago, the exhibition opened at MoMA (September 22, 2013 — January 13, 2014) and after its presentation at the Menil will travel to Chicago (June 29 — October 12, 2014).

After the Graham Foundation presentation, the exhibition will travel to Tufts University Art Gallery at the Aidekman Arts Center in Medford, Massachusetts, Santa Fe Arts Institute in Sante Fe, and the Utah Museum of Fine Arts, University of Utah in Salt Lake City.

She has organized the Chicago presentations of various traveling exhibitions ranging from» ˜Buckminster Fuller: Starting with the Universe» to» ˜Andy Warhol: Supernova: Stars, Death, and Disasters, 1962 - 1964».

It will be supplemented with a presentation of Rauschenberg's work in color photography that grew out of his China travels, as well as documentation and ephemera related to his historic 1985 exhibition.

Born in 1978 in Miami, Florida, Hernan Bas» work has been exhibited in numerous solo exhibitions around the world, including the installation TIME, Hernan Bas: a queer and curious cabinet at the Bass Museum of Art, Miami (2013); a retrospective exhibition at the Kunstverein Hannover, Germany (2012); and a major presentation at the Rubell Family Collection, Miami (2007), which subsequently traveled to the Brooklyn Museum of Art (2008).

The exhibition is the first full - scale presentation of these works outside of New York City and is organized by the Smithsonian Institution Traveling Exhibition Servicexhibition is the first full - scale presentation of these works outside of New York City and is organized by the Smithsonian Institution Traveling Exhibition ServicExhibition Service (SITES).

Exhibition Tour After its presentation at the New Museum in New York, a modified version of the exhibition, organized by the Hayward Gallery, will travel to Museum Boijmans Van Beuningen, Rotterdam (June 25 — September 25, 2011); Hayward Gallery, London (October 18, 2011 — January 15, 2012); and Schirn Kunsthalle, Frankfurt (February 23 — May Exhibition Tour After its presentation at the New Museum in New York, a modified version of the exhibition, organized by the Hayward Gallery, will travel to Museum Boijmans Van Beuningen, Rotterdam (June 25 — September 25, 2011); Hayward Gallery, London (October 18, 2011 — January 15, 2012); and Schirn Kunsthalle, Frankfurt (February 23 — May exhibition, organized by the Hayward Gallery, will travel to Museum Boijmans Van Beuningen, Rotterdam (June 25 — September 25, 2011); Hayward Gallery, London (October 18, 2011 — January 15, 2012); and Schirn Kunsthalle, Frankfurt (February 23 — May 28, 2012).

The Currier's presentation of Romare Bearden: A Black Odyssey is organized by the Smithsonian Institution Traveling Exhibition Service in coordination with the Romare Bearden Foundation and Estate and DC Moore Gallery.

Other recent shows include a 2011 solo presentation entitled Seeing Green, in conjunction with the exhibition All of This and Nothing: 6th Hammer Invitational; The Uncertainty of Objects and Ideas: Contemporary Sculpture, at the Hirshhorn Museum and Sculpture Garden, Washington, DC (group 2006); 100 Pounds of Clay, Orange County Museum of Art, Newport Beach, CA (solo 2006); Gone Formalism, Institute of Contemporary Art, Philadelphia, (group 2006); and More Like a Dream Than a Scheme, David Winton Bell Gallery, Brown University, Providence, RI, traveled to SITE Santa Fe (solo 2005).

The exhibition includes a spectacular presentation of the travelling multi-media spectacle The Exploding Plastic Inevitable (EPI), Warhol's famed «total art» environment.

Exhibition Tour Following the presentation of Haunted: Contemporary Photography / Video / Performance at the Solomon R. Guggenheim Museum in New York, the exhibition will travel to the Guggenheim Museum Bilbao in Bilbao, Spain, where it will be on view from November 2010 through MExhibition Tour Following the presentation of Haunted: Contemporary Photography / Video / Performance at the Solomon R. Guggenheim Museum in New York, the exhibition will travel to the Guggenheim Museum Bilbao in Bilbao, Spain, where it will be on view from November 2010 through Mexhibition will travel to the Guggenheim Museum Bilbao in Bilbao, Spain, where it will be on view from November 2010 through March 2011.

Liam Gillick has had many solo exhibitions and presentations including Contemporary Art Centre, Vilnius (2017 — 2018); Fundação de Serralves, Porto (2016 — 17); Dublin City Gallery The Hugh Lane (2016); Stedelijk Museum, Amsterdam (2015); MAGASIN, Grenoble (2014); The Contemporary Austin, TX (2013 - 14); Bampton Lecture Series, Columbia University, New York (2013); Hessel Museum of Art, Bard College, Annandale - on - Hudson, New York (2012); Museum Stzuki, Lodz, Poland (2011); Kunst - und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany (2010); German Pavilion, Venice Biennale, Venice (2009); Kunsthalle Zürich, Zürich (2008), travelling to Witte de With, Rotterdam (2008); Palais de Tokyo, Paris (2005).

This will be the first major presentation of his work on the West Coast since MOCA's acclaimed traveling exhibition of the Combines in 2006.

Two presentations in Washington, D.C., «The Card Series II: The Rounds,» a 54 - part installation in the visual art gallery of the new Smithsonian National Museum of African American History and Culture, and «Whitfield Lovell: The Kin Series and Related Works,» a traveling exhibition that debuted this month at the Phillips Collection, have brought new attention to his work.