Sentences with phrase «presented as a collage»

«Homecoming,» which debuted November 16, is presented as a collage of telephone calls, therapy sessions, and overheard conversations.

Not exact matches

A celebrated collage artist presents survival adaptations as a biological fashion show arranged by color in this clever, beautiful picture book, which introduces a rainbow of brilliantly hued animals.

There are faces, but they are depicted in ways that seem to cancel themselves out: a quick, semi-abstract mark, furtive smudges of paint, a collaged face cut out from another painting... Certainly these works present an accomplished artist asking questions about her own practice, questions such as: How can I paint the body in a more immediate way?

The gallery curators have mined DeFeo's archives to present works never before exhibited, including photographs, photocopies, and collages, next to more well - known pieces such as «Tuxedo Junction» (1965/1974) and «Seven Pillars of Wisdom No. 6» (1989).

Michael Williams is published to accompany the artist's first US solo museum exhibition, at Carnegie Museum of Art, where he presents a new body of his large - scale paintings as well as drawings that mix collage and free - associative mark - making.

In this exhibition Corbett vs. Dempsey presents a group of brand new paintings, including images of Groucho Marx and South Park Kenny, as well as a startling new batch of painting collages, a new facet of her oeuvre.

In these videos, as well as in his collages and drawings, Atkins is asking for the paradoxical capacity of media to let our material lives be present in a progressively dematerialized world.»

Confronted by the show, two questions come to mind: What does it mean to present these items — a woodcut by Joel Shapiro, an etching by Mary Heilmann, a «sculptural wall unit» with letterpress, lithography and collage by Jessica Stockholder and Jeremy Sigler, or a book by Susan Howe and Robert Mangold — even obliquely, as works by Miller, Lingen, and Melby?

This exhibition presents Nakao's elaborately layered, collaged paintings, which incorporate fabric, stitching, lace and stickers as well as motifs such as butterflies and doll like figures.

The exhibition, the artist's fourth show at the gallery, will include approximately 100 small paper mounted on canvas paintings as well as 25 collage constructions and a set of sketches in response to Francisco Goya's drawings including his Los Desastres de la Guerra series, all dating from 2009 to the present.

Present - day manipulation of found material that seems to date back as far as the 18th century is incorporated into the work of Marine Hugonnier and Markus Schwinwald in the medium of collage and painting.

Some Kabinett galleries have opted for the historical approach: Kukje Gallery / Tina Kim Gallery will present Dansaekhwa artist Kwon Young - Woo's avant - garde paintings; Japanese gallery Nanzuka will feature Keiichi Tanaami's 1970s collages, drawings and illustrations on a screen projector; Galerie Gmurzynska will host «Christo: The Essential Ideas,» with «extremely rare works» from the Bulgarian artist dating back as far as the 1960s.

Harkening back to his early days as a multi-purpose experimenter, Schneider presents several large - scale prints on canvas, collages, and an enormous multi-panel abstraction printed on self - adhesive fabric.

Exploring the complex interplay of invented and real - world inspirations that led to this body of figure / ground paintings, this volume presents a selection of 21 major paintings and 36 related drawings, collages, and photographs from that time period, as well as a new painting from 2002 that reexamines related concerns.

If I were to write like Mark Bradford, I would be able dreg up words to show the direction of our world with sterling sentences just as Mark presents views of the world from above, around, down, and below with a single slashed, sanded, collaged and decollaged painting.

Since then, Tuttle has presented prominent and influential series in the history of contemporary art such as the cloth pieces, which he installed dyed and cut canvas on the wall, and were both pictorial and three - dimensional, and the wire pieces, which consisted of wire and its shadow and pencil lines, and small - scale collage pieces among others.

Emma Cousin's painting «Hybrid» is a brilliantly complicated start to the show, as its strong and varied yet complementary palette presents a collage - style composition with elements and angles from identifiable objects and characters.

Through varying artistic mediums including but not limited to collage, tea painting, watercolor, wool tapestry weaving, and polaroid photography «SELF REFLECTION presents contemporary female artists that are not merely using their mobile devices to self - promote, but work with self - portraiture as a means to present their own inner dialogue,» says The Untitled Space Gallery.

On the raised ground floor, Brasilea Foundation presents about 42 works on wood, as well as paperwork, collages and drawings.

As ephemeral as they are translucent, these works present an elusive complexity as the striations of paint, fabric, keepsakes, collected and found objects, and clippings from mass - produced paper media coalesce into collages and assemblages that, taken individually or as a series, are most succinctly described as a multidimensional gestalt.&raquAs ephemeral as they are translucent, these works present an elusive complexity as the striations of paint, fabric, keepsakes, collected and found objects, and clippings from mass - produced paper media coalesce into collages and assemblages that, taken individually or as a series, are most succinctly described as a multidimensional gestalt.&raquas they are translucent, these works present an elusive complexity as the striations of paint, fabric, keepsakes, collected and found objects, and clippings from mass - produced paper media coalesce into collages and assemblages that, taken individually or as a series, are most succinctly described as a multidimensional gestalt.&raquas the striations of paint, fabric, keepsakes, collected and found objects, and clippings from mass - produced paper media coalesce into collages and assemblages that, taken individually or as a series, are most succinctly described as a multidimensional gestalt.&raquas a series, are most succinctly described as a multidimensional gestalt.&raquas a multidimensional gestalt.»

Recent exhibitions presented by the school include Drawing from the Archive: Analysis as Design (with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Drawing Ambience: Alvin Boyarsky and the Architectural Association (co ‑ organized by Museum of Art Rhode Island School of Design, Providence and the Mildred Lane Kemper Art Museum at Washington University in St. Louis, with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Paul Rudolph: Lower Manhattan Expressway (presented with The Drawing Center, New York), Lessons from Modernism (presented with the Institute for Sustainable Design, with generous support from the Stavros Niarchos Foundation), Massimo Scolari: The Representation of Architecture, 1967 - 2012 (organized by the Yale School of Architecture with additional support provided by the Graham Foundation for Advanced Studies in the Fine Arts, the Turner Foundation, and by Elise Jaffe + Jeffrey Brown), Bernhard Hoesli: Collages, Alternativas / Alternatives XIII Spanish Biennial of Architecture and Urbanism (co-presented with the Spanish Biennial of Architecture and Urbanism and presented in association with Archtober, Architecture and Design Month New York City, October 2016) and John Hejduk Works / Jan Palach Memorial (installation presented in conjunction with the New York City Department of Transportation's Arterventions Program).

Apart from the film, the exhibition presents many different items: on - the - spot sketches, preliminary drawings, storyboard, collages, ink roughs and watercolours which fill out the project's origins and development; portraits of riders and of costumed horses and the actual costumes used on the day, as well as sculptural installations where images from the film are printed onto sections of car bodies.

The exhibition brings together sculpture, painting, collage, photography and drawing from the 1930s to the present day and includes work by well - known Surrealist figures as well as contemporary and emerging artists.

A new sculptural work emphasizing a connection to modernist aesthetics and design as well as a presentation of smaller, collage works will be presented in the main galleries as well.

For their show opening this month at Madrid's Reina Sophia, the couple are debuting a new high - concept piece with sound and visual elements presented as an experiential collage.

In these landscapes, as well as in Foulkes» overtly more political series of «bloody heads» (portraits whose faces have been violently obscured by paint or canceled by collage), Foulkes points out the hypocrisy and guilt within our culture both past and present, within which we can clearly trace Foulkes» unrelenting drive to put himself and his surroundings into his paintings.

In this modestly sized project gallery, Miami - based artist Pepe Mar manages to present a survey of colorful assemblages and collages made over the last fifteen years as well as new work.

Baxter St at the Camera Club of New York presents As Object, an exhibition of photographs with watercolors, video, sculpture and collage by artist Pam Butler, curated by Leigh Ledare.

Focusing on works from the mid-1990s to the present this retrospective will reflect Sonia Boyce's move from her earlier drawing and collage that explored her own position as a black British woman, towards more improvised, collaborative ways of working.

Focusing on work from the mid-1990s to the present the exhibition will reflect Boyce's move from her earlier drawing and collage which explored her own position as a black British woman, towards more improvised, collaborative ways of working.

MFTA Gallery is pleased to present WasteDiversions: Sculpture and Collage from New York's Waste Stream, an exhibition of new work by artists from MFTA recipients Culture Push and Vaudeville Park, as well as participants in Friends of MFTA's open studio program.

Jong soon Im Interested in presenting battles between ancient armies from past eras as unattainable fantasy, Jang soon Im creates mixedmedia paintings, drawings, collages, and videos of war scenes.

Presented as a dense collage, or mosaic even, of torn fragments, the installation mimics the information saturation of our digital existence, but move in close and each painting is achieved with the immensely satisfying attention to detail one always enjoys with Landy's work.

Pendleton has extensively investigated the dialogue between the past and the present throughout a dynamic career, and this show continues to develop recognisable motifs as a call to action: archive material has once again been collected, curated and collaged into abstract black and white representations (or re-presentations).

Curated by Messina and on view Feb. 18 through May 4, these silkscreen collages are presented as individual pieces in separate worlds that together make up what the artist calls «a string of parallel realities, sequential moments in history frozen in time and thus allowed to exist simultaneously.»

For «Tunnels and Lighthouses,» Kovanda will present a series of new collages, a medium he has consistently worked in since the late 1970's, as well as a site specific installation inspired by and made with common, economical materials — plants, rugs, flashlights — found in New York.

Displayed as a series, the 52 cards present a collage of recent human history, revealing snapshots of eras and locations.

And an untitled collage made of peacock feathers expands the chronological range even further in order to trace the significance of serially employed material from antiquity and neoclassicism to the 1960s and reminiscences of one's own grandmother — always with an equally affectionate as well as analytical view that questions the meaning of the past for the present.

Taken as works of collage, the art pieces are wonderfully appealing, but when examined further, each work presents content to inform us in a profound and entertaining way.

Collaged or not, photos lined up along the floor read as dearly departed unable to attend the ceremony but present in spirit.

On view are iconic works from key moments of his career, from his student days in the 1960s to the present, including his large - scale double portraits of the celebrity friends of his youth; the collaged Polaroids through which he examined new possibilities within Cubism as well as the artistic use of photography; his later forays into painting the landscape on location in his native Yorkshire; and finally, his experimental works using iPad apps.

Referring to her work as «archaeology of the present» she collects and collages found objects and images, opening up the boundaries between «objects of art» and «objects for use».

In these works, created on successive Sundays spanning six months, O'Grady produced collaged poems made from public text; presented as wall - mounted installations, the poems hover between language and image, personal and political.

Materials for the Arts Gallery presents WasteDiversions: Sculpture and Collage from New York's Waste Stream, an exhibition of new work by artists from MFTA recipient groups Culture Push and Vaudeville Park, as well as participants in Friends of MFTA's open studio program.

The Hebrew word «selah,» which is used in the Bible, has roughly been translated to mean «stop and listen,» and Mr. Biggers's paintings, collages, sculptures and videos function as vibrant indicators to halt and take stock of both the present and the past.

Dustin Yellin collects, manipulates and constructs three dimensional collage pieces suspended within a structure which both presents the clippings as sculptural objects and fragments of text and ideas, they assume a cohesion based on unexpected coincidences as well as the artist's careful collecting and unconventional collation techniques.

Finally, for the third piece, thirty smaller collages will be presented as a large symmetrical grid.

A series of collage paintings, Machine Music, present a utopian vision of a world in which heavy artillery has been converted into instruments of «sonic warfare», with soldiers fighting in the field with musical instruments as their weapons.

Rauschenberg extended his use of Art Car motifs in his six - part, 1988 «Beamer» series - presented as transparent films on enameled aluminum and using his trademark collage techniques.

Shifts in materials present a view of Pawela's practice as an elemental collage of states in continuous transformation.